Published to tie-in with the new BBC TV adaptation. A man died for a crime he didn't commit … and the murderer is still among them. No one felt sorry when Jacko Argyle died in prison. Everyone knew he had bludgeoned his mother to death with a poker from the fire. But when a doctor turns up at the house two years later with proof of Jacko's innocence, the whole family is horrified. Because it can mean only one thing that their mother's killer is still among them Ordeal by Innocence was cited by Agatha Christie in An Autobiography as one of her favourite novels, a detective story which plays on the shock of an innocent man's conviction and its impact on his family. Following the success of And Then There Were None and The Witness for the Prosecution, a brand new adaptation by Sarah Phelps for the BBC shines new light on one of Agatha Christie's darkest and most accomplished whodunits. The 2018 three-part BBC drama stars Bill Nighy, Anthony Boyle, Anna Chancellor, Morven Christie, Crystal Clarke, Christian Cooke, Alice Eve, Matthew Goode, Ella Purnell, Eleanor Tomlinson and Luke Treadaway.

According to the courts, Jacko Argyte bludgeoned his mother to death with a poker. The sentence was life Imprisonment. But when Dr Arthur Calgary arrives with the proof that confirms Jacko's innocence, it is too late - Jacko died behind bars following a bout of pneumonia. Worse still, the doctor's revelations reopen old wounds in the family, increasing the likelihood that the real murderer could strike again...

Agatha Christie’s classic short story collection, published to tie-in with a new BBC TV adaptation of the book’s most enduring and shocking thriller, The Witness for the Prosecution.1920s London. A murder, brutal and bloodthirsty, has stained the plush carpets of a handsome London townhouse. The victim is the glamorous and enormously rich Emily French. All the evidence points to Leonard Vole, a young chancer to whom the heiress left her vast fortune and who ruthlessly took her life. At least, this is the story that Emily’s dedicated housekeeper Janet Mackenzie stands by in court. Leonard however, is adamant that his partner, the enigmatic chorus girl Romaine, can prove his innocence. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Agatha Christie’s classic short story collection, published to tie-in with a new BBC TV adaptation of the book’s most enduring and shocking thriller, The Witness for the Prosecution.1920s London. A murder, brutal and bloodthirsty, has stained the plush carpets of a handsome London townhouse. The victim is the glamorous and enormously rich Emily French. All the evidence points to Leonard Vole, a young chancer to whom the heiress left her vast fortune and who ruthlessly took her life. At least, this is the story that Emily’s dedicated housekeeper Janet Mackenzie stands by in court. Leonard however, is adamant that his partner, the enigmatic chorus girl Romaine, can prove his innocence. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

One of Agatha Christie’s darkest and most sinister mysteries, newly adapted for BBC Television by the award-winning team behind And Then There Were None, Witness for the Prosecution, Ordeal by Innocence and The ABC Murders. When an elderly priest is murdered, the killer searches the victim so desperately that Father Gorman’s already ragged cassock is torn in the process. But just what was the killer looking for? And what had a dying woman confided to the priest on her death-bed, only hours earlier? Maybe the three women, rumoured to practise the "Dark Arts", who run the Pale Horse public house can provide the answers. Or maybe the solution lies in the darker side of human nature...

One of Agatha Christie’s darkest and most sinister mysteries, newly adapted for BBC Television by the award-winning team behind And Then There Were None, Witness for the Prosecution, Ordeal by Innocence and The ABC Murders. When an elderly priest is murdered, the killer searches the victim so desperately that Father Gorman’s already ragged cassock is torn in the process. But just what was the killer looking for? And what had a dying woman confided to the priest on her death-bed, only hours earlier? Maybe the three women, rumoured to practise the "Dark Arts", who run the Pale Horse public house can provide the answers. Or maybe the solution lies in the darker side of human nature...

In 1926, Agatha Christie disappeared for 11 days. Only I know the truth of her disappearance. I’m no Hercule Poirot. I’m her husband’s mistress. Agatha Christie’s world is one of glamorous society parties, country house weekends, and growing literary fame. Nan O’Dea’s world is something very different. Her attempts to escape a tough London upbringing during the Great War led to a life in Ireland marred by a hidden tragedy. After fighting her way back to England, she’s set her sights on Agatha. Because Agatha Christie has something Nan wants. And it’s not just her husband. Despite their differences, the two women will become the most unlikely of allies. And during the mysterious eleven days that Agatha goes missing, they will unravel a dark secret that only Nan holds the key to . . .

Reprinted for the first time in almost 90 years, this original novelisation of the very first Agatha Christie film is a unique record of the Queen of Crime’s movie debut and a bold attempt to turn one of her favourite short stories into a thrilling silent movie. Who poisoned the cruel and sinister Professor Appleby? Derek Capel, his neighbour, in love with the Professor’s wife, Eleanor? Vera, the house-parlourmaid, Appleby’s mistress? Or was it Eleanor Appleby herself? All three could be reasonably suspected of a motive which would prompt them to poison the most hateful villain who ever crossed the pages of fiction . . . The first ever Agatha Christie film was a 1928 black and white silent movie, loosely based on her first ‘Harley Quin’ story. Although no script or print of the film survives, this rare novelisation from the same year is a unique record of Christie’s first association with the motion picture industry – now in its remarkable tenth decade with the release of Kenneth Branagh’s Murder on the Orient Express. This new Detective Club edition includes an introduction by film and television historian Mark Aldridge, author of the authoritative Agatha Christie On Screen (2016), who reveals why the film’s harshest critic was Agatha Christie herself.

It's between the wars, and Christine - Christie, to her friends - is tired of London, her job in a travel agency, her friends, and the young men she's being set up with. So when, by chance, she meets the older Ned Skelton, who seems sophisticated and experienced, she quickly becomes besotted. Before Christie knows it, they are engaged. But will marriage to a man she doesn't know well truly offer this young woman an escape? Or is she walking into another prison of her own making? A classic coming-of-age story set in the 1930s, by one of Britain's best-loved and almost-forgotten novelists.

Fourteen novels. Fourteen poisons. Just because it's fiction doesn't mean it's all made-up . . . Agatha Christie reveled in the use of poison to kill off unfortunate victims in her books; indeed, she employed it more than any other murder method, with the poison itself often being a central part of the novel. Her choice of deadly substances was far from random--the characteristics of each often provide vital clues to the discovery of the murderer. With gunshots or stabbings the cause of death is obvious, but this is not the case with poisons. How is it that some compounds prove so deadly, and in such tiny amounts? Christie's extensive chemical knowledge provides the backdrop for A is for Arsenic, in which Kathryn Harkup investigates the poisons used by the murderer in fourteen classic Agatha Christie mysteries. It looks at why certain chemicals kill, how they interact with the body, the cases that may have inspired Christie, and the feasibility of obtaining, administering and detecting these poisons, both at the time the novel was written and today. A is for Arsenic is a celebration of the use of science by the undisputed Queen of Crime.

Agatha Christie's most famous murder mystery, reissued with a striking new cover designed to appeal to the latest generation of Agatha Christie fans and book lovers. Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious train is surprisingly full for the time of the year, but by the morning it is one passenger fewer. An American tycoon lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Isolated and with a killer in their midst, detective Hercule Poirot must identify the murderer - in case he or she decides to strike again.

Agatha Christie’s most famous murder mystery, reissued with a striking new cover designed to appeal to the latest generation of Agatha Christie fans and book lovers.Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious train is surprisingly full for the time of the year, but by the morning it is one passenger fewer. An American tycoon lies dead in his compartment, stabbed a dozen times, his door locked from the inside.Isolated and with a killer in their midst, detective Hercule Poirot must identify the murderer – in case he or she decides to strike again.

Agatha Christie's world-famous serial killer mystery, coming to BBC TV and reissued in a beautiful new classic hardcover edition designed to appeal to the latest generation of Agatha Christie fans and book lovers. 'Let us see, Mr Clever Poirot, just how clever you can be.' Murder is a very simple crime. But at the hands of a maniac, a serial killer, it becomes a very complicated business. With the whole country in a state of panic, the killer is growing more confident with each successive execution - Mrs Ascher in Andover, Betty Barnard in Bexhill, Sir Carmichael Clarke in Churston... But laying a trail of deliberate clues to taunt the proud Hercule Poirot might just be his first mistake...

Agatha Christies seasonal mystery thriller, reissued with a striking new cover designed to appeal to the latest generation of Agatha Christie fans and book lovers. It is Christmas Eve. The Lee family reunion is shattered by a deafening crash of furniture, followed by a high-pitched wailing scream. Upstairs, the tyrannical Simeon Lee lies dead in a pool of blood, his throat slashed. But when Hercule Poirot, who is staying in the village with a friend for Christmas, offers to assist, he finds an atmosphere not of mourning but of mutual suspicion. It seems everyone had their own reason to hate the old man...

Agatha Christies seasonal mystery thriller, reissued with a striking new cover designed to appeal to the latest generation of Agatha Christie fans and book lovers. It is Christmas Eve. The Lee family reunion is shattered by a deafening crash of furniture, followed by a high-pitched wailing scream. Upstairs, the tyrannical Simeon Lee lies dead in a pool of blood, his throat slashed. But when Hercule Poirot, who is staying in the village with a friend for Christmas, offers to assist, he finds an atmosphere not of mourning but of mutual suspicion. It seems everyone had their own reason to hate the old man...

A brand new omnibus of 55 short stories, presented for the first time in chronological order. Described by her friend Dolly Bantry as ‘ the typical old maid of fiction’, Miss Marple has lived almost her entire life in the sleepy hamlet of St Mary Mead. Yet, by observing village life she has gained an unparalleled insight into human nature – and used it to devasting effect. As her friend Sir Henry Clithering, the ex-Commissioner of Scotland Yard has been heard to say: ‘She’s just the finest detective God ever made.’ – and many Agatha Christie fans would agree. Appearing for the first time in The Murder at The Vicarage (1930) her crime-fighting career spanned over forty years when she solved her final case in 1977 in Sleeping Murder. With every tale flawlessly plotted by the Queen of Crime herself, these short stories provide a feast for hardened Agatha Christie addicts as well as those who have grown to love the detective through her many film and television appearances. Here, for the first time, more than 50 of Agatha Christie’s mini masterpieces have been collected together in one volume, perfectly illustrating the true breadth of her talent. As well as every story featuring Miss Marple, the book includes additional stand-alone tales, from macabre tales of the supernatural, through suspense-ridden mysteries, to heart-stopping cases of murder.