For reasons that will eventually become clear, Paul Hansen is in prison. He's been in prison for a couple of years now, sharing his cell with a fearsome Hells Angel murderer, who often reminds Paul that he could kill him at any moment. But life wasn't always like this for Paul Hansen. Before prison, there were his parents: Danish pastor Johannes and free-spirited Anna, the proprietor of a controversial art house cinema. There were his friends in L'Excelsior, the block of luxury flats where Paul worked officially as a caretaker, and unofficially as a restorer of souls and comforter of the afflicted. And above all, there was his partner, Winona, the daring seaplane pilot, and their beloved dog Nouk. Many of them are dead now: his parents, friends, Winona and Nouk. Paul can still talk to them though; they appear in his dreams, as ghosts in his cell, breaking up the monotony and fear of his life behind bars. But Paul knows he cannot be released until he shows remorse for the crime that led to his imprisonment. And, even with his freedom at stake, for some things, true remorse is too high a price to pay.

Filled with all the larger-than-life characters and enchanting storytelling that made readers fall for The Reader on the 6.27, Jean-Paul Didierlaurent's follow-up novel, The Rest of Their Lives, is set to charm the world. It's difficult to find love in a profession like Ambroise's - even his father despises what he does . . . And while Manelle - a home-help for the elderly in the same small French town - adores her days spent with her eccentric clients, she too often ends her evenings alone. So when an unusual request from Manelle's favourite client - eighty-two-year-old retired chef-gourmand Samuel - brings the two of them together for an unlikely road-trip to Switzerland, along with Ambroise's cake-loving grandmother, it might just be time for the rest of their lives to begin . . .

Paddington Bear had travelled all the way from Darkest Peru when the Brown family first met him on Paddington station. Since then their lives have never been quite the same... for ordinary things become quite extraordinary when a bear called Paddington is involved.

The era of the LP began in 1967, with 'Sgt Pepper'; The Beatles didn't just collect together a bunch of songs, they Made An Album. Henceforth, everybody else wanted to Make An Album. The end came only fifteen years later, coinciding with the release of Michael Jackson's 'Thriller'. By then the Walkman had taken music out of the home and into the streets and the record business had begun trying to reverse-engineer the creative process in order to make big money. Nobody would play music or listen to it in quite the same way ever again. It was a short but transformative time. Musicians became 'artists' and we, the people, patrons of the arts. The LP itself had been a mark of sophistication, a measure of wealth, an instrument of education, a poster saying things you dare not say yourself, a means of attracting the opposite sex, and, for many, the single most desirable object in their lives. This is the story of that time; it takes us from recording studios where musicians were doing things that had never been done before to the sparsely furnished apartments where their efforts would be received like visitations from a higher power. This is the story of how LPs saved our lives.

Paris, near the turn of 1932-3. Three young friends meet over apricot cocktails at the Bec-de-Gaz bar on the rue Montparnasse. They are Jean-Paul Sartre, Simone de Beauvoir and their friend Raymond Aron, who opens their eyes to a radical new way of thinking…

The Informers is a collection of short stories with intertwining characters, from the author of American Psycho and Less Than Zero, Bret Easton Ellis. Their voices enfold us as seamlessly as those of DJs heard over a car radio. The characters go to the same schools. They eat at the same restaurants. They have sex with the same boys and girls. They buy from the same dealers. Fusing voices into an intense, impressionistic narrative that blurs genders, generations and even identities, these stories capture the lives of a group of people, connected in the way only people in L.A. can be - suffering from nothing less than the death of the soul.

The instant New York Times bestseller adored by readers around the world! Curl up with the refreshingly romantic and unputdownable rom-com which has everyone falling head over heels. Quinn and Minnie are born on New Year's Eve, in the same hospital, one minute apart. Their lives may begin together, but their worlds could not be more different. Thirty years later they find themselves together again in the same place, at the same time. What if fate is trying to bring them together? Maybe it's time to take a chance on love...

1912-1940 A generation fallen. A country that will never be the same again. Nowhere in England avoids the searing loss of young men during the First World War and the remote Devon village of Shallowford is no exception. Many never return and the lives of those who do come back are changed forever. Paul Craddock must try to rebuild the estate and, with more difficulty, the bonds broken between the people who belong there. It is a time of huge social change and there are challenges in peace as hard to surmount as those of war. And before they are met, Germany once again threatens the stability of Europe and a way of life so hard won.

What makes us who we are? And why do we lead one life and not another? Asle, an ageing painter and widower who lives alone on the southwest coast of Norway, is reminiscing about his life. His only friends are his neighbour, Asleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. There, in Bjorgvin, lives another Asle, also a painter but lonely and consumed by alcohol. Asle and Asle are doppelgangers – two versions of the same person, two versions of the same life, both grappling with existential questions about death, love, light and shadow, faith and hopelessness. Jon Fosse’s Septology is a transcendent exploration of the human condition, and a radically other reading experience – incantatory, hypnotic, and utterly unique.

Ragna Riegel works in a supermarket and still lives in her childhood home. Shes alone in the world since her only son moved to Berlin. She longs for a Christmas or birthday card from him.Ragna lives her life within strict self-imposed limits: she sits in the same seat on the bus every day, on her way to her predictable job. On her way home she always visits the same local shop. She feels safe in her routine, until one day she receives a letter with a threatening message scrawled in capital letters. An unknown enemy has entered her world and she must use all her means to defend herself.When the worst happens, Inspector Konrad Sejer is called in to interrogate Ragna. Is this unassuming woman out of her depth, or is she hiding a dark secret?

Ragna Riegel works in a supermarket and still lives in her childhood home. Shes alone in the world since her only son moved to Berlin. She longs for a Christmas or birthday card from him. Ragna lives her life within strict self-imposed limits: she sits in the same seat on the bus every day, on her way to her predictable job. On her way home she always visits the same local shop. She feels safe in her routine, until one day she receives a letter with a threatening message scrawled in capital letters. An unknown enemy has entered her world and she must use all her means to defend herself. When the worst happens, Inspector Konrad Sejer is called in to interrogate Ragna. Is this unassuming woman out of her depth, or is she hiding a dark secret?

Ragna Riegel works in a supermarket and still lives in her childhood home. Shes alone in the world since her only son moved to Berlin. She longs for a Christmas or birthday card from him. Ragna lives her life within strict self-imposed limits: she sits in the same seat on the bus every day, on her way to her predictable job. On her way home she always visits the same local shop. She feels safe in her routine, until one day she receives a letter with a threatening message scrawled in capital letters. An unknown enemy has entered her world and she must use all her means to defend herself. When the worst happens, Inspector Konrad Sejer is called in to interrogate Ragna. Is this unassuming woman out of her depth, or is she hiding a dark secret?

1942-1964 Paul and Claire Craddock have grown older in years - but not in spirit. The turbulence of war is followed by a penurious peace. Changes are taking place in the countryside, from the way land is farmed to the hopes and expectations of the men and women who live there. Paul Craddock's livelihood, his peace, and his vision of a good and noble way of life in Shallowford are all threatened. With the help of his children and his children's children, Paul starts to adapt his dreams in order to preserve the farm. To his surprise and pleasure, in doing so he comes to discover deeper, richer ties with those around him - ties that hold a ripe promise for the future.

Трек-лист:A1. I Don't Feel Like Dancin'A2. She's My ManA3. I Can't DecideB1. LightsB2. Land Of A Thousand WordsB3. IntermissionC1. Kiss You OffC2. OohC3. Paul McCartneyD1. The Other SideD2. Might Tell You TonightD3. Everybody Wants The Same Thing

Accompanies a major double exhibition on Jean-Michel Basquiat and Egon Schiele - two artists that died too young but created masses of work over the course of a decade - at the Fondation Louis Vuitton, Paris, from 3rd October 2018 to 4th January 2019 Comprises drawings, objects and paintings, gathered from private collections and museums all over the world In 2018 the Fondation Louis Vuitton, Paris, is hosting exhibitons on two of the greatest artists of the 20th century - Egon Schiele, and Jean-Michel Basquiat. Both exhibitions have the same curator, and are taking place at the same time. The shows illustrate exactly what it is that linked the two artists: line, and the use of expressive force. This, the catalog of the Basquiat exhibition, labelled "the definitive exhibition" by its curator, brings together 120 of the artist's most important masterpieces, sourced from interational museums and private collections. With the astonishing radicalness of his artistic practice, Basquiat renewed the concept of art with enduring impact. This Basquiat retrospective centres on the idea of Basquiat's unique energetic line, his use of words, symbols, and how he integrates collage in his paintings, sculptures, objects, and large-scale drawings. The catalog includes texts by great authors, including Paul Schimmel who tells of his meeting with Basquiat in California; Francesco Pellizzi who knew Basquiat well and has not written about him for a long time; and Okwui Enwezor who talks about the Afro American identity.

Finnegans Wake is the book of Here Comes Everybody and Anna Livia Plurabelle and their family - their book, but in a curious way the book of us all as well as all our books. Joyce's last great work, it is not comprised of many borrowed styles, like Ulysses, but, rather, formulated as one dense, tongue-twisting soundscape. This 'language' is based on English vocabulary and syntax but, at the same time, self-consciously designed to function as a pun machine with an astonishing capacity for resisting singularity of meaning. Announcing a 'revolution of the word', this astonishing book amounts to a powerfully resonant cultural critique - a unique kind of miscommunication which, far from stabilizing the world in meaning, constructs a universe radically unfixed by a wild diversity of possibilities and potentials. It also remains the most hilarious, 'obscene', book of innuendos ever to be imagined.