Traditional ploughland is disappearing. Seven cornfield flowers have become extinct in the last twenty years. Once abundant, the corn bunting and the lapwing are on the Red List. The corncrake is all but extinct in England. And the hare is running for its life. Written in exquisite prose, The Running Hare tells the story of the wild animals and plants that live in and under our ploughland, from the labouring microbes to the patrolling kestrel above the corn, from the linnet pecking at seeds to the seven-spot ladybird that eats the aphids that eat the crop. It recalls an era before open-roofed factories and silent, empty fields, recording the ongoing destruction of the unique, fragile, glorious ploughland that exists just down the village lane. But it is also the story of ploughland through the eyes of man who took on a field and husbanded it in a natural, traditional way, restoring its fertility and wildlife, bringing back the old farmland flowers and animals. John Lewis Stempel demonstrates that it is still possible to create a place where the hare can rest safe.

'To see a hare sit still as stone, to watch a hare boxing on a frosty March morning, to witness a hare bolt . . . these are great things. Every field should have a hare.' The hare, a night creature and country-dweller, is a rare sight for most people. We know them only from legends and stories. They are shape-shifters, witches' familiars and symbols of fertility. They are arrogant, as in Aesop's The Hare and the Tortoise, and absurd, as in Lewis Carroll's Mad March Hare. In the absence of observed facts, speculation and fantasy have flourished. But real hares? What are they like? In The Private Life of the Hare, John Lewis-Stempel explores myths, history and the reality of the hare. And in vivid, elegant prose he celebrates how, in an age when television cameras have revealed so much in our landscape, the hare remains as elusive and magical as ever.

From the Paleozoic volcanoes that stained its soil, to the Saxons who occupied it, to the Tudors who traded its wool, to the Land Girls of wartime, John Lewis-Stempel charts a sweeping, lyrical history of Woodston: the quintessential English farm. With his combined skills of farmer and historian, Lewis-Stempel digs deep into written records, the memories of relatives, and the landscape itself to celebrate the farmland his family have been bound to for millennia. Through Woodston's life, we feel the joyful arrival of oxen ploughing; we see pigs rootling in the medieval apple orchard; and take in the sharp, drowsy fragrance of hops on Edwardian air. He draws upon his wealth of historical knowledge and his innate sense of place to create a passionate, fascinating biography of farming in England. Woodston not only reminds us of the rural riches buried beneath our feet but of our shared roots that tie us to the land.

'Dusk is filling the valley. It is the time of the gloaming, the owl-light. Out in the wood, the resident tawny has started calling, Hoo-hoo-hoo-h-o-o-o.' There is something about owls. They feature in every major culture from the Stone Age onwards. They are creatures of the night, and thus of magic. They are the birds of ill-tidings, the avian messengers from the Other Side. But owls - with the sapient flatness of their faces, their big, round eyes, their paternal expressions - are also reassuringly familiar. We see them as wise, like Athena's owl, and loyal, like Harry Potter's Hedwig. Human-like, in other words. No other species has so captivated us.

The Charente: roofs of red terracotta tiles, bleached-white walls, windows shuttered against the blaring sun. The baker does his rounds in his battered little white van with a hundred warm baguettes in the back, while a cat picks its way past a Romanesque church, the sound of bells skipping across miles of rolling, glorious countryside. For many years a farmer in England, John Lewis-Stempel yearned once again to live in a landscape where turtle doves purr and nightingales sing, as they did almost everywhere in his childhood. He wanted to be self-sufficient, to make his own wine and learn the secrets of truffle farming. And so, buying an old honey-coloured limestone house with bright blue shutters, the Lewis-Stempels began their new life as peasant farmers. Over that first year, Lewis-Stempel fell in love with the French countryside, from the wild boar that trot past the kitchen window to the glow-worms and citronella candles that flicker in the evening garden. Although it began as a practical enterprise, it quickly became an affair of the heart: of learning to bite the end off the morning baguette; taking two hours for lunch; in short, living the good life - or as the French say, La Vie.

Great nature writing needs to be informative, detailed, accurate, lyrical, and, above all, to instil a sense of gratitude and wonder. John Lewis-Stempel succeeds in all these things triumphantly. From amorous toads to the eye-popping mating habits of water boatmen, a magical celebration of pond life by one of our finest, most evocative nature writers.' Daily Mail Ponds: small bodies of water, both naturally formed and artificial, home to wondrous, multitudinous life-forms. Ponds define our childhood: frogspawn, goldfish, feeding the ducks, but also our village life, our farms, our landscape. And they are multi-layered - from carp circling the bottom to water boatmen, coot, and birds dragonflies overhead. In Still Water, John immerses himself in the murky depths, both literarily and figuratively, to explore the still waters of the British countryside through each month of the year.

What really goes on in the long grass? Meadowland gives an unique and intimate account of an English meadow’s life from January to December, together with its biography. In exquisite prose, John Lewis-Stempel records the passage of the seasons from cowslips in spring to the hay-cutting of summer and grazing in autumn, and includes the biographies of the animals that inhabit the grass and the soil beneath: the badger clan, the fox family, the rabbit warren,the skylark brood and the curlew pair, among others. Their births, lives, and deaths are stories that thread through the book from first page to last.

"How to describe the ecstatic song of larks? How the writers and poets have tried..." Skylarks are the heralds of our countryside. Their music is the quintessential sound of spring. The spirit of English pastoralism, they inspire poets, composers and farmers alike. In the trenches of World War I they were a reminder of the chattering meadows of home. Perhaps you were up with the lark, or as happy as one. History has seen us poeticise and musicise the bird, but also capture and eat them. We watch as they climb the sky, delight in their joyful singing, and yet we harm them too. The Soaring life of the Lark explores the music and poetry; the breath-taking heights and struggle to survive of one of Britain's most iconic songbirds.

'The oak is the wooden tie between heaven and earth. It is the lynch pin of the British landscape.' The oak is our most beloved and most common tree. It has roots that stretch back to all the old European cultures but Britain has more ancient oaks than all the other European countries put together. More than half the ancient oaks in the world are in Britain. Many of our ancestors - the Angles, the Saxons, the Norse - came to the British Isles in longships made of oak. For centuries the oak touched every part of a Briton's life - from cradle to coffin It was oak that made the 'wooden walls' of Nelson's navy, and the navy that allowed Britain to rule the world. Even in the digital Apple age, the real oak has resonance - the word speaks of fortitude, antiquity, pastoralism. The Glorious Life of the Oak explores our long relationship with this iconic tree; it considers the life-cycle of the oak, the flora and fauna that depend on the oak, the oak as medicine, food and drink, where Britain's mightiest oaks can be found, and it tells of oak stories from folklore, myth and legend.

"I adore the fox for its magnificence; I hate the fox for killing my chickens. To love and loathe the fox is a British condition." The fox is our apex predator, our most beautiful and clever killer. We have witnessed its wild touch, watched it slink by bins at night and been chilled by its high-pitched scream. And yet we long to stroke the tumbling cubs outside their tunnel homes and watch the vixen stalk the cornfield. There is something about foxes. They captivate us like no other species. Exploring a long and sometimes complicated relationship, The Wild Life of the Fox captures our love - and sometimes loathing - of this magnificent creature in vivid detail and lyrical prose.

Follow Alice as she ventures down a rabbit hole and into Wonderland, a world filled with unforgettable characters such as the March Hare, the Mad Hatter, the Cheshire Cat, and the Queen of Hearts. Illustrated with John Tenniel's iconic original drawings and containing some of literature's most famous nonsense poems, Lewis Carroll's classic story will enchant readers of all ages.

Prine, John - Prime Prine: The Best of John Prine. . SIDE ONE - , 1. Sam Stone - , 2. 'Saddle in the Rain' - , 3. 'Please Don't Bury Me' - , 4. 'The Great Compromise' - , 5. 'Grandpa Was a Carpenter' - , 6. 'Donald and Lydia' - , - , SIDE TWO - , 1. 'Illegal Smile' - , 2. 'Sweet Revenge' - , 3. 'Dear Abby' - , 4. 'Souvenirs' - , 5. 'Come Back to Us Barbara Lewis Hare Krishna Beauregard' - , 6. 'Hello in There' -

In Alice's adventures, nothing's ever as it seems, for Wonderland is magical, beyond your wildest dreams! First Stories: Alice in Wonderland is a perfect introduction, for young children, to Lewis Carroll's magical story Alice in Wonderland. Push, pull and turn mechanisms bring the story to life and introduce all the main characters, Alice, the White Rabbit, the March Hare, Mad Hatter, Dormouse and of course the Queen of Hearts. Beautifully brought to life by Colonel Moutarde's illustrations.

Written in diary format, The Wood is the story of English woodlands as they change with the seasons. Lyrical and informative, steeped in poetry and folklore, The Wood inhabits the mind and touches the soul. For four years John Lewis-Stempel managed Cockshutt wood, a particular wood - three and half acres of mixed woodland in south west Herefordshire - that stands as exemplar for all the small woods of England. John coppiced the trees and raised cows and pigs who roamed free there. This is the diary of the last year, by which time he had come to know it from the bottom of its beech roots to the tip of its oaks, and to know all the animals that lived there - the fox, the pheasants, the wood mice, the tawny owl - and where the best bluebells grew. For many fauna and flora, woods like Cockshutt are the last refuge. It proves a sanctuary for John too. To read The Wood is to be amongst its trees as the seasons change, following an easy path until, suddenly the view is broken by a screen of leaves, or your foot catches on a root, or a bird startles overhead. This is a wood you will never want to leave.

Follow curious Alice as she ventures down a rabbit hole and into Wonderland, filled with unforgettable characters such as the March Hare, the Mad Hatter, the Cheshire Cat and the Queen of Hearts. Then enter a topsy-turvy universe the other side of the Looking Glass, where Alice encounters old and new friends, like Humpty Dumpty and Tweedledum and Tweedledee. Illustrated with John Tenniel's iconic original drawings, this edition of Lewis Carroll's classic stories are guaranteed to enchant young readers aged 7 and up.

Follow Alice as she ventures down a rabbit hole and into Wonderland, a world filled with unforgettable characters such as the March Hare, the Mad Hatter, the Cheshire Cat, and the Queen of Hearts. Then enter a topsy-turvy universe on the other side of the Looking Glass, where Alice encounters old and new friends, including Humpty Dumpty and Tweedledum and Tweedledee. Illustrated with John Tenniel's iconic original drawings and containing some of literature's most famous nonsense poems, Lewis Carroll's classic stories will enchant readers of all ages.