Positioned precariously between the uptight '50s and the freewheeling '70s, the 1960s marked a transitional decade in the film industry. As art, mass market, and pop culture merged and collided in true pop art style, cinema swirled with psychedelic energy. This handbook gathers the best films of the era, exploring the making and the mastery of such cinematic star turns as The Leopard, The Birds, Belle de Jour, A Fistful of Dollars, and Doctor Zhivago. With audiences ever more glued to their TV sets and the loosened rules about what was "permissible" in cinema with the abolition of the Production Code, filmmakers embraced the freedom to explore the possibilities of film as an art form. As was often the case, the Europeans led the way, the French with Nouvelle Vague directors like Godard and Truffaut, and the Italians with such innovative films as Fellini's 8 1/2 and Antonioni's Eclipse. By the mid-'60s the United States also began to exercise greater creative liberties, especially in films from young underground directors such as Russ Meyer, John Frankenheimer, and Sam Peckinpah. Meanwhile, Mary Poppins and The Sound of Music ushered out the grandiose Hollywood musical era with a bang while the Spaghetti Western became an instant phenomenon. Bond, James Bond, first appeared on-screen and Kubrick set new standards for sci-fi with 2001: A Space Odyssey. Though the term "feminism" may not have been ready for prime time, the decade was also one of major advances in female characterization. From Jane Fonda's Barbarella to Holly Golightly of Breakfast at Tiffany's to Bonnie Parker of Bonnie and Clyde, it was the 1960s that saw women on-screen graduate from decorative accessories to complex, kick-ass personas.

The ultimate 1990s movie compendium The last decade of the 20th century consolidated once again the fascinating power of the silver screen, both by looking to the future and drawing on the past. It's no exaggeration to say that never before had there been a time when the cinema focused so ironically on its own vanity, and never had it been so intensely preoccupied with itself as a medium. Filmmakers like Steven Soderbergh, David Lynch, Quentin Tarantino, and Ang Lee created worlds that were as cryptic as they were disorientating, while James Cameron and Steven Spielberg conjured up ever more spectacular special effects. Do you dream of wandering the desert with The English Patient? Could you save yourself from the doomed Titanic? Are you still convinced that There's Something About Mary? 100 Movies of the 1990s reviews cinema's most important events from 1991 to 2000 and brings to life a rich variety of movie highlights. The storyline and aesthetic characteristics of each film are presented in an incisive and informative way. Commentaries on actors, directors, and historical or technical aspects of cinema introduce additional features of interest. 100 Movies of the 1990s is specialized yet entertaining, clear yet challenging. A work resembling a great moment of cinema, unforgettable and utterly gripping.

TASCHEN's 25th anniversary - Special edition! Step right up and get your fill of 80s nostalgia with the movie bible to end all movie bibles. We've diligently compiled a list of 140 of the most influential movies of the 1980s that's sure to please popcorn gobblers and highbrow chin-strokers alike. The 80s was a time for adventurers, an era of excess, pomp, and bravado. In the era when mullets and shoulder pads were all the rage, moviegoers got their kicks from flicks as wide-ranging as Blade Runner, When Harry Met Sally, and Blue Velvet. Without a doubt, sci-fi was the most important genre of the decade, with non-human characters like E.T. winning the hearts of millions while the slimy creatures from Aliens became the stuff of nightmares and movies like Ghostbusters and Back to the Future fused comedy and sci-fi to the delight of audiences everywhere. In fact, the 1980s saw the invention of a new reality, a movieworld so convincingly real - no matter now far-fetched - that spectators could not help but abandon hemselves to it. Now that's entertainment, folks. Features: Cast/crew listings, Box office figures, Trivia, Film stills, Useful information on technical stuff.

The movies that shaped the 2010s Cinema has likely never been written off so often. In the decade of the 2010s, it is true, much has changed - both in how we watch movies, and in how we see ourselves. Social media and the internet have shaped a new understanding of the self and the world. As streaming services multiplied our viewing options and video games offered alluring realities of their own, the big screen faced serious competition. Even before the usual delays between theatrical release and further distribution became ever shorter, movies often found themselves downgraded to mere "content", to be clicked at on colorful screen tiles. Are all that remain to cinema its cult of celebrity, blockbusters, and computer-animated visual effects? Quite the contrary - even a cursory glance at our anthology reveals a cinema that is surprisingly diverse, dynamic, and above all alive and kicking, resulting in a decade that was anything but boring, monotonous, and doomed to extinction. And in all honesty: Would you really be satisfied watching all the films compiled here purely via streaming? The movie theater remains a place of yearning, and our book lets you feel its powerful breath. Each of the 100 most compelling movies of the decade is discussed in detail by editor Jurgen Muller and his team of authors, and illustrated with a wealth of visual material. The volume also includes biographies of actors and directors, box-office takings, background information, and a comprehensive list of Oscar® winners from 2012 to 2021. For Jurgen Muller and Philipp Buhler in their wide-ranging introduction, Quentin Tarantino's masterpiece Once Upon a Time... in Hollywood (2019) offers the perfect metaphor for the contradictions and ambivalences of contemporary cinema. This volume is a new milestone for all cineastes and movie lovers!

Our groundbreaking movies by decade series continues with this new volume dedicated to the most interesting and important films made in the decade since the turn of the millennium. This jam-packed volume, covering a crucial decade characterized by globalization and digitization, covers an inspiringly broad range of titles including Avatar, the Bourne trilogy, Moulin Rouge, Babel, Bowling for Columbine, Borat, Y tu mama tambien, City of God, Mulholland Drive, Dogville, Talk to Her, and No Country for Old Men.

In this second volume, Jens Muller rounds off the most comprehensive exploration of graphic design to date. With around 3,500 seminal pieces and 78 landmark projects, year-by-year spreads, and profiles of industry leaders, discover how graphic design shaped contemporary society from the 1960s until today, from the hippie movement to new forms of visual language.

In this second volume, Jens Muller rounds off the most comprehensive exploration of graphic design to date. With around 3,500 seminal pieces and 78 landmark projects, year-by-year spreads, and profiles of industry leaders, discover how graphic design shaped contemporary society from the 1960s until today, from the hippie movement to new forms of visual language.

At a time when people were terrified of UFOs and Communism, the movie industry was busy producing movies that ranged from film noir to suspense to grandiose musicals; apparently the paranoid public in the 1950s craved family entertainment and dark, brooding pictures in equal doses. The result is a decade`s worth of truly monumental cinema, from Hitchcock masterpieces (Vertigo, Psycho, Rear Window) to comedy classics (Tati`s Mr. Hulot`s Holiday, Billy Wilder`s Some Like it Hot) to groundbreaking nouvelle vague films (Godard`s Breathless, Truffaut`s The Four Hundred Blows) and profound, innovative dramas such as Antonioni`s L`Avventura, Fellini`s La Strada, John Huston`s Misfits, and Kubrick`s Paths of Glory. Though censorship kept sex safely off-screen, sexy stars such as James Dean, Marlon Brando, and Marilyn Monroe provided plenty of heat in Rebel Without a Cause, A Streetcar Named Desire, and Gentlemen Prefer Blondes respectively. This survey of the most important films of the 1950s covers all the wholesome, subversive, artistic, thrilling, and mysterious trends in cinema worldwide. A-Z film entries include: - Synopsis - Film stills and production photos - Cast/crew listings - Box office figures - Trivia - Useful information on technical stuff - Actor and director bios Plus: a complete Academy Awards list for the decade About the editor: Jurgen Muller has worked as an art critic, a curator of numerous exhibitions, a visiting professor at various universities, and has published books and numerous articles on cinema and art history. Currently he holds the chair for art history at the University of Dresden, where he lives. Muller is the series editor for TASCHEN's Movies decade titles. Издание на английском языке.

Favorite flicks Our choice of must-see masterpieces "Well-researched, encyclopedic, full of fascinating facts and an ideal present for silver screen enthusiasts." - The Sunday Post, Dundee They say that in life, there are winners and there are losers. Though the movies we selected for this two-volume collection are winners indeed, those that didn't make the cut aren't losers. We just didn't like them quite as much. It was a tough, soul-searching process, but after much debate and deliberation TASCHEN settled on what we believe to be the 100 finest examples of 20th century filmmaking. From horror to romance, noir to slapstick, adventure to tragedy, epic to musical, western to new wave, all genres are represented in this wide-ranging and devilishly fun compendium. Metropolis? Check. Modern Times? Yep. Citizen Kane, The Seven Samurai? Of course. La dolce vita, Psycho, A Clockwork Orange? You bet. Plus The Godfather, Annie Hall, Blue Velvet, Pulp Fiction... and so many more cinematic gems including lesser-known masterpieces like Bunuel's The Young and the Damned. Think of this collection as a celebration of contrasts, an homage to the seventh art, a gathering of greats, and a nostalgic romp through celluloid history. Chronological entries each include a synopsis, cast/crew listings, technical information, actor/director bios, trivia, and lists of awards, as well as film stills, production photos, and the original poster for each film. The chapter for each decade begins with an introduction exploring the historical and social context of films made in that era. The editor: Jurgen Muller has worked as an art critic, a curator of numerous exhibitions, a visiting professor at various universities, and has published books and numerous articles on cinema and art history. Currently he holds the chair for art history at the University of Dresden, where he lives. Muller is the series editor for TASCHEN's Movies decade titles.

The birth of the blockbuster: The prodigies of the 1970s revolutionize cinema. The 1970s: that magical era betwixt the swinging 60s and the decadent 80s, the epoch of leisure suits and Afros, the age of disco music and platform shoes. As war raged on in Vietnam and the cold war continued to escalate, Hollywood began to heat up, recovering from its commercial crisis with box-office successes such as Star Wars, Jaws, The Exorcist, and The Godfather. Thanks to directors like Spielberg and Lucas, American cinema gave birth to a new phenomenon: the blockbuster. Meanwhile, across the Atlantic, while the Nouvelle Vague died out in France, its influence extended to Germany, where the New German Cinema of Fassbinder, Wenders, and Herzog had its heyday. The sexual revolution made its way to the silver screen (cautiously in the US, more freely in Europe) most notably in Bertolucci's steamy, scandalous Last Tango in Paris. Amidst all this came a wave of nostalgic films (The Sting, American Graffiti) and Vietnam pictures (Apocalypse Now, The Deer Hunter), the rise of the anti-hero (Robert De Niro, Al Pacino, Dustin Hoffman), and the prestigious short-lived genre, blaxploitation. 140 A-Z film entries include: - Synopsis - Film stills and production photos - Cast/crew listings - Box office figures - Trivia - Useful information on technical stuff - Actor and director bios Plus: a complete Academy Awards list for the decade About the editor: Jurgen Muller has worked as an art critic, a curator of numerous exhibitions, a visiting professor at various universities, and has published books and numerous articles on cinema and art history. Currently he holds the chair for art history at the University of Dresden, where he lives. Muller is the series editor for TASCHEN's Movies decade titles. Издание на английском языке.

A cultural storm swept through the 1960s - Pop Art, Bob Dylan, psychedelia, underground movies - and at its centre sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-guarde.

An in-depth exploration of Bruegel’s painted work The life and times of Pieter Bruegel the Elder (c. 1526/30–1569) were marked by stark cultural conflict. He witnessed religious wars, the Duke of Alba’s brutal rule as governor of the Netherlands, and the palpable effects of the Inquisition. To this day, the Flemish artist remains shrouded in mystery. We know neither where nor exactly when he was born. But while early scholarship emphasized the vernacular character of his painting and graphic work, modern research has attached greater importance to its humanistic content. Starting out as a print designer for publisher Hieronymus Cock, Bruegel produced numerous print series that were distributed throughout Europe. These depicted vices and virtues alongside jolly peasant festivals and sweeping landscape panoramas. He then increasingly turned to painting, working for the cultural elite of Antwerp and Brussels. Rather than idealizing reality, he bravely confronted the issues of his day, addressing the horrors of religious warfare and taking a critical stand against the institution of the Church. To this end, Bruegel developed his own pictorial language of dissidence, lacing innocuous everyday scenes with subliminal statements in order to escape repercussions. This book is derived from our XXL monograph, which saw TASCHEN undertake a comprehensive photographic survey of the artist’s oeuvre. The result boasts exceptional details and reproductions, unveiling Bruegel’s larger-than-life universe with unprecedented clarity. This volume, in celebration of our 40th anniversary, presents all 40 paintings, accompanied by enlarged details and accessible, immersive texts.

POPism reads like a novel... Social history of the rarest kind, set down in ultra-sharp focus by someone who helped shape the events he describes The New Yorker A cultural storm swept through the 1960s - Pop Art, Bob Dylan, psychedelia, underground movies - and at its centre sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-guarde.

POPism reads like a novel... Social history of the rarest kind, set down in ultra-sharp focus by someone who helped shape the events he describes The New Yorker A cultural storm swept through the 1960s - Pop Art, Bob Dylan, psychedelia, underground movies - and at its centre sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-guarde.

"It is the intensity of the football, of how the people live football in Liverpool, all the Liverpool fans around the world. It is not a normal club, it is a special club." Jurgen Klopp Jurgen Klopp is the charismatic German manager who single-handedly overthrew the accepted order in German football, taking Borussia Dortmund from nowhere to back-to-back Bundesliga titles and the Champions League final. He had long been admired in the Premiership and was finally wooed by Liverpool in the belief he could bring back the glory days to the Kop. Klopp is revered as a master tactician with his own unique playing philosophies. He is loved by his players for his passion and man-management skills, and adored by fans for his charm, wit and exciting football on the pitch. Here is the definitive story of Jurgen Klopp - the normal one - and his footballing genius.

Design game changers, from the 1960s until today Through the turbulent passage of time, graphic design—with its vivid, neat synthesis of image and idea—has distilled the spirit of each age. Surrounding us every minute of every day, from minimalist packaging to colorful adverts, smart environmental graphics to sleek interfaces: graphic design is as much about transmitting information as it is about reflecting society’s cultural aspirations and values. This second volume rounds off our in-depth exploration of graphic design, spanning from the 1960s until today. About 3,500 seminal designs from across the globe guide us in this visual map through contemporary history, from the establishment of the International Style to the rise of the groundbreaking digital age. Around 80 key pieces go under the microscope in detailed analyses besides 118 biographies of the era’s most important designers, including Massimo Vignelli (New York subway wayfinding system), Otl Aicher (Lufthansa identity), Paula Scher (Citibank brand identity), Neville Brody (The Face magazine), Kashiwa Sato (Uniqlo brand identity), and Stefan Sagmeister (handwriting posters). With his sweeping knowledge of the field, author Jens Muller curates the standout designs for each year alongside a running sequence of design milestones. Organized chronologically, each decade is prefaced by a succinct overview as well as a stunning visual timeline, offering a vivid display of the variety of graphic production in each decade as well as the global landscape which it at once described and defined. This collection of important graphic works represents a long-overdue reflection on the development of a creative field constantly changing and challenging itself. These key pieces act as coordinates through contemporary history, helping us trace the sheer influence of graphic design on our daily lives. Combined with Volume One—which spans from the field’s very beginnings until 1959—the tomes offer the most comprehensive exploration of graphic design to date.