The catalogue of the exhibition to be shown at the Cornell Fine Arts Museum, Winter Park, FL and the Frye Art Museum, Seattle, WA will present a choice selection of 19th century French paintings from the Musee des Beaux - Arts, Reims in order to trace the history of French art from the Romantics, to the School of Barbizon, the circle of Honfleur, and up to Impressionism. The Musee des Beaux - Arts, Reims owns the second largest collection of works by Jean - Baptiste Camille Corot after the Louvre as well as excellent landscape paintings by artists from the Barbizon School. Corot was one of the most significant painters involved with the Barbizonists. Studying the Reims holdings further it seemed evident to edit a catalogue and curate an exhibition that reach from the romantic spirit in French landscape painting to the School of Barbizon on to the group of artists around Eugene - Louis Boudin at Honfleur -- the true cradle of Impressionism -- and lastly to the Impressionists Claude Monet, Camille Pissarro and Pierre - Auguste Renoir.

The landscape has been, for many centuries, one of the most important genres in painting. This book examines the landscape from the late Middle Ages to modern times, comprising a synopsis of the genre and covering a selection of the most important landscapes in the history of art. From Titian to Warhol, readers will discover the evolution of this popular genre. Featured artists include: Jean, Paul and Herman von Limburg, Titian, Joachim Patinir, Albrecht Altdorfer, Veronese, Pieter Brueghel, El Greco, Adam Elsheimer, Rembrandt van Rijn, Claude Gellee, gen. Lorrain, Jacob van Ruisdael, Caspar David Friedrich, John Constable, William Turner, Eugene Delacroix, Albert Bierstadt, Jean-Baptiste Camille Corot, James Abbot McNeill Whistler, Arnold Bocklin, Claude Monet, Vincent van Gogh, Edvard Munch, Paul Cezanne, Georges Braque, Paul Klee, Ernst Ludwig Kirchner, Yves Tanguy, Andy Warhol. Издание на английском языке.

He was the founding father of modern art, the grand master who pointed painting forward on its way from Impressionism to the 20th century: Paul Cezanne (1839-1906). In Paris, but above all in Provence, Cezanne quested tirelessly for "a harmony parallel to Nature"-discovering it in still lifes of apples, in bathers, or in the renowned landscapes of his beloved Montagne Sainte-Victoire. This book discusses this extraordinary artist's major works and his theories of painting and colour.

A survey of impressionist masterpieces from the Ordrupgaard Collection Drawn from the remarkable Ordrupgaard Collection of the Danish insurance broker and art lover Wilhelm Hansen, the masterpieces of 19th-century French painting in this volume represent the very best of French impressionism. Joining an already impressive collection of Scandinavian art, one of the first French paintings Hansen acquired was Woman with a Fan, Portrait of Madame Marie Hubbard (1874) by Berthe Morisot. This gently ironic work set the tone for his perceptive and adventurous collecting style. A burst of acquisitions from 1916 to 1918, during which he took advice from the influential critic Théodore Duret, saw his collection grow to include works by Cézanne, Courbet, Gauguin, Manet, Matisse, Monet, Renoir and Sisley. With stunning reproductions of 60 works, the authors explore the history of the collection and provide detailed analysis of the works themselves.

Over the course of his artistic career, Wassily Kandinsky (1866-1944) transformed not only his own style, but the course of art history. From early figurative and landscape painting, he went on to pioneer a spiritual, emotive, rhythmic use of color and line and is today credited with creating the first purely abstract work. As much a teacher and theorist as he was a practicing artist, Kandinsky's interests in music, theater, poetry, philosophy, ethnology, myth, and the occult, were all essential components to his painting and engraving. He was involved with both the influential Blaue Reiter and Bauhaus groups and left a legacy not only of dazzling visual work, but also of highly influential treatises such as Concerning the Spiritual in Art. Key tenets included the connections between painting, music and mystical experience, and the purification of art away from material realism and towards an emotional expression, condensed in particular by color. This book presents key Kandinsky works to introduce his repertoire of vivid colors, forms, and feelings. Tracing the artist's radical stylistic development, it shows how one painter's progression paved the way for generations of abstract expression to come.

Over the course of his artistic career, Wassily Kandinsky (1866-1944) transformed not only his own style, but the course of art history. From early figurative and landscape painting, he went on to pioneer a spiritual, emotive, rhythmic use of color and line and is today credited with creating the first purely abstract work.As much a teacher and theorist as he was a practicing artist, Kandinsky's interests in music, theater, poetry, philosophy, ethnology, myth, and the occult, were all essential components to his painting and engraving. He was involved with both the influential Blaue Reiter and Bauhaus groups and left a legacy not only of dazzling visual work, but also of highly influential treatises such as Concerning the Spiritual in Art. Key tenets included the connections between painting, music and mystical experience, and the purification of art away from material realism and towards an emotional expression, condensed in particular by color.This book presents key Kandinsky works to introduce his repertoire of vivid colors, forms, and feelings. Tracing the artist's radical stylistic development, it shows how one painter's progression paved the way for generations of abstract expression to come.

Over the course of his artistic career, Wassily Kandinsky (1866-1944) transformed not only his own style, but the course of art history. From early figurative and landscape painting, he went on to pioneer a spiritual, emotive, rhythmic use of color and line and is today credited with creating the first purely abstract work.As much a teacher and theorist as he was a practicing artist, Kandinsky's interests in music, theater, poetry, philosophy, ethnology, myth, and the occult, were all essential components to his painting and engraving. He was involved with both the influential Blaue Reiter and Bauhaus groups and left a legacy not only of dazzling visual work, but also of highly influential treatises such as Concerning the Spiritual in Art. Key tenets included the connections between painting, music and mystical experience, and the purification of art away from material realism and towards an emotional expression, condensed in particular by color.This book presents key Kandinsky works to introduce his repertoire of vivid colors, forms, and feelings. Tracing the artist's radical stylistic development, it shows how one painter's progression paved the way for generations of abstract expression to come.

The essential Impressionist No other artist, apart from J. M. W. Turner, tried as hard as Claude Monet (1840–1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cezanne called “only an eye, but my God what an eye!” who stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object. It could be said that Monet reinvented the possibilities of color. Whether it was through his early interest in Japanese prints, his time as a conscript in the dazzling light of Algeria, or his personal acquaintance with the major painters of the late 19th century, the work Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations was the late series of water lilies, painted in his own garden at Giverny, which, in their approach towards almost total formlessness, are really the origin of abstract art. This biography does full justice to this most remarkable and profoundly influential artist, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.

Welcome to the greatest gallery on Earth. Put yourself in the picture with this incredible visual guide displaying the best artistic works of all time. You're the very special guest with unlimited access to the world's most important art through the ages, from ancient cave paintings to modern-day street art. On your journey through time you'll see a wealth of valuable art, including Egyptian tomb paintings, Roman frescoes, Byzantine mosaics, and Chinese porcelain. Special attention is given to art from different eras, such as Aboriginal Dreamtime, Renaissance period, impressionism, contemporary art, and much, much more. Watch the progression of artistic styles and techniques, such as oil painting, watercolour, pastels, and sculpture. Leonardo da Vinci, Claude Monet, Vincent van Gogh, Pablo Picasso, Frida Kahlo, Jackson Pollock, and Andy Warhol are just some of the big names from the past and present featured inside. Every talent's work is showcased through a signature piece supported by illuminating text, giving you a unique tour of each prestigious work of art. Budding artists, this is all the inspiration you need to make your own masterpiece.

Brushwork revolution: The neglected champions of Impressionism. It was a dappled and daubed harbor scene that gave Impressionism its name. When Impression, Sunrise by Claude Monet was exhibited in April 1874, critics seized upon the work's title and its loose stylistic rendering of light and motion upon water to deride this new, impressionistic, tendency in art. As with many seminal art movements, the critics got their comeuppance. Today, Impressionism is close contender for the world's favorite period of painting. With blockbuster exhibitions, record-breaking auction prices, and packed museums, the works once dismissed as unfinished or imprecise are now beloved for their atmospheric evocation of time and place, as well as the stylistic flair of rapid brushstrokes upon canvas. Despite its popularity and a whole host of publications, many areas and artists of Impressionism remain inadequately researched. This TASCHEN book fills the gap, raising the profile of unjustly neglected pioneers such as Berthe Morisot, Lucien Pissarro, and Gustave Caillebotte, while exploring the characteristics of Impressionism, from painting en plein air to vivid color contrasts, not only in the movement's native France but also across the rest of Europe and North America. About the series: Bibliotheca Universalis- Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price! Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia. Bookworm's delight - never bore, always excite!

Impressionism is often considered the final nineteenth-century precursor to the radical experimentation of modernism. But every style has a precursor—so what movements paved the way for the atmospheric light, color, and composition characteristic of the impressionist works themselves? The Musée des Beaux Arts, Reims, offers a choice selection of nineteenth-century French paintings that trace the history of French art from the Romantics, to the School of Barbizon and the circle of Honfleur, up to Impressionism. This beautifully illustrated volume follows the artistic forebears that led up to the works of Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir, by way of pastel palettes, loose brushwork, ordinary figures, and natural landscapes.

Master of the sublime The essential Impressionist "This is the work on Monet; anything published before or after it will seem minor in comparison [...]. It is the only readily available publication that gives a complete record of Monet's work - in other words, it is definitive." -The Good Book Guide, London Along with Turner, no artist has sought more than Claude Monet (1840-1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cezanne called "only an eye, but my God what an eye!" who stayed completely true to the principle of absolute fidelity to the visual sensation, painting directly from the object. It could be said that Monet reinvented the possibilities of colour, and whether it was through his early interest in Japanese prints, his time in the dazzling light of Algeria as a conscript, or his personal acquaintance with the major painters of the late 1800s, what Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations were the late series of waterlilies, painted in his own garden at Giverny, that, in their moves towards almost total formlessness, are really the origin of abstract art. This biography does full justice to this most remarkable and profoundly influential of artists, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary. The author: Daniel Wildenstein (1917-2001) was an art historian and member of the Academie des Beaux-Arts (Paris). From 1939 onwards, he was Director of the Wildenstein Galleries of New York, London and Tokyo. He edited several international journals, e.g. the magazine Arts from 1956-1962 and the Gazette des Beaux-Arts after 1963. He co-founded the Fondation Wildenstein in 1970 (it was renamed the WildensteinInstitute in 1984), and was a prime mover in many exhibitions of international repute. Daniel Wildenstein also edited the catalogues raisonnes of various 18th, 19th and 20th century artists. He was a world authority on Impressionism, and published catalogues of the works of Gauguin, Manet and Monet.

This introductory series to the great artists of the past 150 years looks at their lives and inspirations, and showcases a selection of their most significant paintings. Pierre-Auguste Renoir was one of the foremost Impressionist artists, exhibiting six paintings in their famous 1874 exhibition and often painting scenes of middle-class leisure outdoors - en plein air - with Monet. But Renoir's primary interest lay indoors, in depictions of sensuous female nudes and intimate domestic scenes, painted in a warm, bright palette. This book explores the life and work of this leading light of Impressionism, and shows how his work developed in a different direction to many of the others in the group, as he absorbed some elements of a classical style into his painting.

Discover how scenes of daily life and delicate dabs of color shocked the art world establishment. In this TASCHEN Basic Art introduction to Impressionism, we explore the artists, subjects, and techniques that first brought the easel out of the studio and shifted artistic attention from history, religion, or portraiture to the evanescent ebb and flow of modern life. As we tour the theaters, bars, and parks of Paris and beyond, we take in the movement's radical innovations in style and subject, from the principle of plein air painting to the rapid, broken brushwork that allowed the Impressionists to emphasize spontaneity, movement, and the changing qualities of light. We take a close look at their unusual new perspectives and their fresh palette of pure, unblended colors, including many vividly bright shades that brought a whole new level of chromatic intensity to the canvas. Along the way, we recognize Impressionism's established greats, such as Edgar Degas, Claude Monet, Berthe Morisot, and Camille Pissarro, as well as many associated artists worthy of closer attention, including Marie Bracquemond, Medardo Rosso, and Fritz von Uhde.

Embark on a tour of the world's greatest artistic movements and works, fromprehistoric cave paintings to performance art with The Art Book, the latest in thestunning Big Ideas series.The Art Book explores the most celebrated artworks by history's mostinfluential painters, sculptors, and artists with stunning visuals and insightfulquotes. Discover profiles of the most important artists from across the globe,stretching from the prehistoric Altamira cave paintings and Chinese jadecarvings to movements including impressionism, symbolism, and cubism.Understand the ideas which inspired masterpieces by Botticelli, Rembrandt,Klimt, Matisse, Picasso, and dozens more, with The Art Book's fascinatingcoverage of painting, drawing, printing, sculpture, conceptual art, andperformance art, from ancient history to the modern day.

Psychiatrist Andrew Marlowe has a perfectly ordered life - solitary, perhaps, but full of devotion to his profession and the painting hobby he loves. This order is destroyed when renowned painter Robert Oliver attacks a canvas in the National Gallery of Art and becomes his patient. Desperate to understand the secret that torments this genius, Marlowe embarks on a journey that leads him into the lives of the women closest to Oliver and a tragedy at the heart of French Impressionism. Kostova s masterful new novel travels from American cities to the coast of Normandy; from the late nineteenth century to the late twentieth, from young love to last love. The Swan Thieves is a story of obsession, history s losses, and the power of art to preserve hope.