Helmut Newton did not distinguish compositionally or stylistically between his magazine work and assignments for commercial clients. He ironically referred to himself as “a gun for hire.” That was also the title of June Newton's legendary book about his commercial photography, which is now available in a new edition revised by the Helmut Newton Foundation.

Helmut Newton did not distinguish compositionally or stylistically between his magazine work and assignments for commercial clients. He ironically referred to himself as “a gun for hire.” That was also the title of June Newton's legendary book about his commercial photography, which is now available in a new edition revised by the Helmut Newton Foundation.

"Carte Blanche" for the commissioned works between art and commerce Helmut Newton did not distinguish compositionally or stylistically between his magazine work and assignments for commercial clients. He ironically referred to himself as “a gun for hire.” That was also the title of June Newton's legendary book about his commercial photography, which is now available in a new edition revised by the Helmut Newton Foundation. "Some people's photography is an art. Mine is not. If they happen to be exhibited in a gallery or a museum, that's fine. But that's not why I do them. I'm a gun for hire," Helmut Newton told Newsweek in 2004. This prosaic proclamation from one of the 20th century's most celebrated photographers may be perceived as shocking. Still it firmly positions Newton as the no-frills image-maker that he was. His work is so powerful and striking, that it defies categorization. In refusing to call his work "art," Newton leaves us free to do so. Judging from the amount of museum and gallery shows that have featured his work, it is clear that the option has been widely exercised. A Gun for Hire brings together a selection of Newton's fashion catalog work from the early 1960s to 2003 including work for BiBA (the first fashion catalog in 1962), Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Blumarine, Villeroy & Boch and Absolut Vodka, as well as his last editorial photographs for US and Italian Vogue—encompassing the body of work he made as a "gun for hire." With an introduction by Matthias Harder and statements by Pierre Berge, Tom Ford, Josephine Hart, June Newton, and Anna Wintour.

Helmut Newton once said, "Some people's photography is an art. Mine is not. If they happen to be exhibited in a gallery or a museum, that's fine. But that's not why I do them. I'm a gun for hire." (Newsweek, 02/02/04) This prosaic proclamation from one of the 20th century's most celebrated photographers is not a little shocking, but nonetheless firmly positions Newton as the no-frills image-maker that he was. His work is so powerful, so striking, that it defies categorization. In refusing to call his work "art," Newton leaves us free to do so, and judging from the amount of museum and gallery shows that have featured his work, it is clear that the option has been widely exercised. This book brings together a selection of Newton's fashion catalog work from as early as 1962 through 2003 and his last editorial photographs for US and Italian Vogue - all work he made as a "gun for hire."

A collection of Helmut Newton's test Polaroids Polaroids occupy a special place in the hearts of many photo enthusiasts who remember a time when "instant photography" meant one-of-a-kind prints that developed within minutes of clicking the shutter. What was once a crucial tool for photographers to test their shots before shooting on film has now become obsolete in the face of digital photography. Luckily for us, legendary photographer Helmut Newton saved his test Polaroids, allowing a privileged and rare chance to see the tests from a selection of his greatest shoots over a period of decades, including many from the TASCHEN titles SUMO, A Gun for Hire, and Work. Selected by his widow, June Newton, from over 300 photos featured at the 2011 exhibition "Helmut Newton Polaroids" at the Museum fur Fotografie in Berlin, this collection captures the magic of Helmut Newton photo shoots as only Polaroids can. The artist: Helmut Newton (1920-2004) was one of the most influential photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He first achieved international fame in the 1970's while working principally for French Vogue, and his celebrity and influence grew over the decades. Newton preferred to shoot in streets or interiors, rather than studios. Controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the Grand Prix national de la photographie; in 1992 the German government awarded him Das Grosse Verdienstkreuz for services to German culture, and he was appointed Officier des Arts, Lettres et Sciences by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed Commandeur de l'Ordre des Arts et des Lettres by Philippe Douste-Blazy, the French Minister of Culture at the time. Working and living in close companionship with his wife until his death at 83, his images remain as distinctive, seductive and orginal as ever.

Helmut Newton (1920–2004) is remembered as one of the most prolific photographers of the 20th century, channeling the sensuality and erotic power of his subjects with panache, precision, and impact. His aesthetic was uniquely his, while at the same time establishing a new way of photographing fashion and glamour. Joining TASCHEN’s illustrious collection of Helmut Newton titles, including Helmut Newton: Polaroids, Pages from the Glossies, and the spectacular Helmut Newton: SUMO, this fresh edition of Helmut Newton: Work spans an impressive stretch of Newton’s career, including some of his most striking shots from the ’60s through to his golden heyday. From shadowy street to hotel boudoir, it’s a collection that showcases Newton’s suggestive storytelling throughout his fashion, editorial, or personal pictures.

Helmut Newton (1920-2004) always showed a healthy disdain for the easy or predictable, so it's no surprise that the Sumo was an irresistible project. The idea of a book the size of a private exhibition, with spectacular images reproduced to state-of-the-art origination and printing standards, emerged from an open, experimental dialogue between photographer and publisher. With the Sumo weighing in-boxed and shrink-wrapped-at 35.4 kg (just under 80 pounds), Newton created a landmark book that stood head and shoulders above anything previously attempted, both in terms of conceptual extravagance and technical specifications. Published in an edition of 10,000 signed and numbered copies, the Sumo sold out soon after publication and quickly multiplied its value. It now features in numerous collections around the world, including New York's Museum of Modern Art. The legendary copy number one, signed by more than 100 of the book's featured celebrities, broke the record for the most expensive book published in the 20th century, sold at an auction in Berlin on April 6, 2000 for 620,000 German marks-about 317,000 euros. Now, this XL edition celebrates 20 years of Sumo, the result of a project conceived by Helmut Newton some years ago. Revised by his wife June, the volume gathers 464 images and a new booklet that takes us through the making-of this publishing venture-a spectacular tribute to the larger-than-life Helmut Newton, now in a friendly format.

Helmut Newton (1920–2004) always showed a healthy disdain for the easy or predictable, so it’s no surprise that the SUMO was an irresistible project. The idea of a book the size of a private exhibition, with spectacular images reproduced to state-of-the-art origination and printing standards, emerged from an open, experimental dialogue between photographer and publisher. With the SUMO weighing in—boxed and shrink-wrapped—at 35.4 kg (just under 80 pounds), Newton created a landmark book that stood head and shoulders above anything previously attempted, both in terms of conceptual extravagance and technical specifications.Published in an edition of 10,000 signed and numbered copies, the SUMO sold out soon after publication and quickly multiplied its value. It now features in numerous collections around the world, including New York’s Museum of Modern Art. The legendary copy number one, signed by more than 100 of the book’s featured celebrities, broke the record for the most expensive book published in the 20th century, sold at an auction in Berlin on April 6, 2000 for 620,000 German marks—about 317,000 euros.Now, this XL edition celebrates 20 years of SUMO, the result of a project conceived by Helmut Newton some years ago. Revised by his wife June, the volume gathers 464 images and a new booklet that takes us through the making-of this publishing venture—a spectacular tribute to the larger-than-life Helmut Newton, now in a friendly format.

Helmut Newton (1920–2004) always showed a healthy disdain for the easy or predictable, so it’s no surprise that the SUMO was an irresistible project. The idea of a book the size of a private exhibition, with spectacular images reproduced to state-of-the-art origination and printing standards, emerged from an open, experimental dialogue between photographer and publisher. With the SUMO weighing in—boxed and shrink-wrapped—at 35.4 kg (just under 80 pounds), Newton created a landmark book that stood head and shoulders above anything previously attempted, both in terms of conceptual extravagance and technical specifications.Published in an edition of 10,000 signed and numbered copies, the SUMO sold out soon after publication and quickly multiplied its value. It now features in numerous collections around the world, including New York’s Museum of Modern Art. The legendary copy number one, signed by more than 100 of the book’s featured celebrities, broke the record for the most expensive book published in the 20th century, sold at an auction in Berlin on April 6, 2000 for 620,000 German marks—about 317,000 euros.Now, this XL edition celebrates 20 years of SUMO, the result of a project conceived by Helmut Newton some years ago. Revised by his wife June, the volume gathers 464 images and a new booklet that takes us through the making-of this publishing venture—a spectacular tribute to the larger-than-life Helmut Newton, now in a friendly format.

What a sketch is for the painter is a Polaroid for the photographer, namely the first formulation of a concept, the raw material of the imagination, as it were. When Helmut Newton published a selection of his Polaroids in Pola Woman in 1992, the in-crowd called it a stroke of genius. It was the first time that the master let people look directly over his shoulder. We became witnesses to the magic and often intense process by which erotic fantasies become finished images; the preliminary stages of a perfectly styled Newton photograph. It is remarkable, if not astonishing, that even this "raw material" possesses very original qualities and a charm of its own. Helmut Newton was born in Berlin in 1920 and died in Hollywood in January, 2004. He began his career at the age of 16, working for famous Berlin photographer, Yva. As an 18-year-old, he emigrated to Australia, returning to Europe in 1957 to settle in Paris. As of the 1980s he lived in both Monte Carlo and Los Angeles. His first solo exhibition took place in Paris in 1975. Awards for his photographic oeuvre include the German GroSe Bundesverdienstkreuz, the French Grand Prix national de /a photographie and the World Image Award. 160 pages, 175 illustrations in color and duotone

SUMO was a titanic book in every respect: a 480-page tribute to one of the 20th century's most influential, intriguing and controversial photographers, it broke records for weight, dimensions, and resale price. Helmut Newton (1920-2004) always demonstrated a healthy disdain for easy or predictable solutions. SUMO-a bold and unprecedented publishing venture-was an irresistible project. The idea of a spectacular compendium of images, a book with the dimensions of a private exhibition, reproduced to exceptional page size and to state-of-the-art origination and printing standards, emerged from an open, exploratory dialogue between photographer and publisher. With the physically commanding SUMO weighing in-boxed and shrink-wrapped-at 35.4 kilos, Newton created a landmark book that stood head and shoulders above anything previously attempted, both in terms of conceptual extravagance and technical specifications. Published in an edition of 10,000 signed and numbered copies, SUMO sold out soon after publication and quickly multiplied its value. This worldwide publishing sensation now features in numerous important collections around the world, including New York's Museum of Modern Art. Legendary SUMO copy number one, autographed by over 100 of the book's featured celebrities, also broke the record for the most expensive book published in the 20th century, selling at auction in Berlin on April 6, 2000 for 620,000 German Marks - approximately $430,000. SUMO established new standards for the art monograph genre, and secured a prominent place in photo-book history. This new edition is the fulfillment of an ambition conceived some years ago by Helmut Newton. He would surely be pleased that, a decade on from its first publication, SUMO-now in a format that allows for a more democratic distribution-will reach the widest possible audience. Издание на трех языках: английском, французском, немецком. Подставка для книги в комплекте.

Helmut Newton, who was born in Berlin in 1920 and died in Los Angeles in 2004, was the unchallenged and unmatched master of erotic photography. His perfectly staged fashion photos always had that certain touch of sensuality and seduction: one-to-ambiguous situations in which he let the models act, dresses that fell from the shoulders of their beautiful wearers were often completely missing. The same goes for his celebrity portraits. How he managed that even the biggest Hollywood stars dropped their masks and cases in front of his camera will remain his secret forever. For the 100th birthday we celebrate Helmut Newton with three reissues of his bestsellers from our program: Pola Woman, Portraits and Private Property - Newton at his best!

From well-known portraits of Monaco’s “beautiful people” to rarely seen landscapes, this collection of images documents two decades of Helmut Newton’s love affair with the sun-kissed world of the French Riviera. Helmut Newton was in his sixties and already a well-established photographer when he and his wife moved to the French Riviera. At an age when many people would consider retirement, Newton instead plunged headfirst into one of the most prolific and liberating stages of his career. The city of Monaco was the perfect backdrop for his fashion photography, and it also provided him with a wealth of subjects for his famous portraits, including the stars of the Ballet de Monte-Carlo and the Princely Family. And it was in Monaco that Newton finally tried his hand at landscapes. While this volume focuses primarily on the years 1981 to 2004, it also looks at Newton’s historic links with the Cфte d’Azur and the area around Bordighera, Italy. There are essays by a range of experts in photography, film, and art and three interviews, including one with Paloma Picasso. In these remarkable photographs readers will discover the French Riviera through Newton’s fascinated, slightly ironic lens: a way of life characterized by ease and elegance; a world dominated by appearance and superficiality; and a veritable living theater, in which he was both actor and privileged member of the audience.

Ac Dc: Backtracks. 2 CD. CD1 - , 1 Stick Around - , 2 Love Song - , 3 Fling Thing - , 4 R.I.P. (Rock In Peace) - , 5 Carry Me Home - , 6 Crabsody In Blue - , 7 Cold Hearted Man - , 8 Snake Eye - , 9 Borrowed Time - , 10 Down On The Borderline - , 11 Big Gun - , 12 Cyberspace - , - , CD2 - , 1 Dirty Deeds Dirt Cheap - , 2 Dog Eat Dog - , 3 Live Wire - , 4 Shot Down In Flames - , 5 Back In Black - , 6 T.N.T. - , 7 Let There Be Rock - , 8 Guns For Hire - , 9 Rock And Roll Ain't Noise Pollution - , 10 This House Is On Fire - , 11 You Shook Me All Night Long - , 12 Jailbreak - , 13 Highway To Hell - , 14 For Those About To Rock (We Salute You) - , 15 Safe In New York City - , - , DVD - , 1 Big Gun - , 2 Hard As A Rock - , 3 Hail Ceasar - , 4 Cover You In Oil - , 5 Stiff Upper Lip - , 6 Satellite Blues - , 7 Safe In New York City - , 8 Rock N Roll Train - , 9 Anythnig Goes - , 10 Jailbreak - , 11 It's A Long Way To The Top - , 12 Highway To Hell - , 13 You Shook Me All Night Long - , 14 Guns For Hire - , 15 Dirty Deeds Done Dirt Cheap - , 16 Highway To Hell - , 17 The Making Of Hard As A Rock - , 18 The Making Of Rock N Roll Train -

When you hire C. Card, you've scraped the bottom off the barrel of a private investigator. And when Card is hired to steal a body from the morgue, he needs to stop dreaming, find ammo for his gun and get there before someone else does.Not since trout fishing in America has Brautigan so successfully combined his wild sense of humor with his famous poetic imagination. In this parody of a cool crime novel, the adventures of a seedy, not too bright S. Card give pleasure to both the mind and the heart.

When you hire C. Card, you've scraped the bottom off the barrel of a private investigator. And when Card is hired to steal a body from the morgue, he needs to stop dreaming, find ammo for his gun and get there before someone else does.Not since trout fishing in America has Brautigan so successfully combined his wild sense of humor with his famous poetic imagination. In this parody of a cool crime novel, the adventures of a seedy, not too bright S. Card give pleasure to both the mind and the heart.