Shortlisted for the Wolfson history prize, the Pushkin House russian book prize and the Longman history today prize 2017 the times, BBC history and tls books of the year 2016 'masterful, gripping ...filled with astonishing, vivid and heartbreaking stories of crime and punishment, of redemption, love and terrifying violence. It has an amazing cast of despots, murderers, whores and heroes. It's a wonderful read' Simon Sebag Montefiore It was known as 'the vast prison without a roof'. From the beginning of the nineteenth century to the Russian Revolution, the tsarist regime exiled more than one million prisoners and their families beyond the Ural Mountains to Siberia. The House of the Dead, brings to life both the brutal realities of an inhuman system and the tragic and inspiring fates of those who endured it. This is the vividly told history of common criminals and political radicals, the victims of serfdom and village politics, the wives and children who followed husbands and fathers, and of fugitives and bounty-hunters. The tsars looked on Siberia as creating the ultimate political quarantine from the contagions of revolution. Generations of rebels - republicans, nationalists and socialists - were condemned to oblivion thousands of kilometres from European Russia. Over the nineteenth century, however, these political exiles transformed Siberia's mines, prisons and remote settlements into an enormous laboratory of revolution. This masterly work of original research taps a mass of almost unknown primary evidence held in Russian and Siberian archives to tell the epic story both of Russia's struggle to govern its monstrous penal colony and Siberia's ultimate, decisive impact on the political forces of the modern world. 'An absolutely fascinating book, rich in fact and anecdote.' - David Aaronovitch 'A splendid example of academic scholarship for a public audience. Yet even though he is an impressively calm and sober narrator, the injustices and atrocities pile up on every page.' - Dominic Sandbrook 'A superb, colourful history of Siberian exile under the tsars' - The Times

In January 1850 Dostoyevsky was sent to a remote Siberian prison camp for his part in a political conspiracy. The four years he spent there, startlingly re-created in The House of the Dead, were the most agonizing of his life. In this fictionalized account he recounts his soul-destroying incarceration through the cool, detached tones of his narrator, Aleksandr Petrovich Goryanchikov: the daily battle for survival, the wooden plank beds, the cabbage soup swimming with cockroaches, his strange 'family' of boastful, ugly, cruel convicts. Yet The House of the Dead is far more than a work of documentary realism: it is also a powerful novel of redemption, describing one man's spiritual and moral death and the miracle of his gradual reawakening.

In 1849 the young Fyodor Dostoevsky was sentenced to four years' hard labour in a Siberian prison camp for advocating socialism. Notes from a Dead House (sometimes translated as The House of the Dead), the novel he wrote on his release, tells of shocking conditions, brutal punishments, and the psychological effects of the loss of freedom and hope; it describes the daily life of the prison community, the feuds and betrayals, the moments of comedy, the unexpected acts of kindness. To avoid censorship, Dostoevsky made his protagonist a common criminal, but the perspective is unmistakably his own. As a member of the nobility he had been despised by his fellow prisoners, most of whom were peasants - an experience shared in the book by Alexander Petrovich Goryanchikov, a nobleman who has killed his wife. Like his creator, Goryanchikov undergoes a transformation over the course of his ordeal, as he discovers 'deep, strong, beautiful natures' amongst even the roughest of the convicts. Notes from a Dead House shows the prison camp as a tragedy for the inmates and a tragedy for Russia. It endures today as a profound meditation on freedom.

1919, Siberia. Deep in the unforgiving landscape a town lies under military rule, awaiting the remorseless assault of Bolsheviks along the Trans-Siberian railway. One night a stranger, Samarin, appears from the woods with a tale of escape from an Arctic prison, insisting a cannibal is on his trail. Only Anna, a beautiful young widow, trusts his story. When a local shaman is found dead, suspicion and terror engulf the isolated community, which harbours a secret of its own …

1919, Siberia.Deep in the unforgiving landscape a town lies under military rule, awaiting the remorseless assault of Bolsheviks along the Trans-Siberian railway. One night a stranger, Samarin, appears from the woods with a tale of escape from an Arctic prison, insisting a cannibal is on his trail. Only Anna, a beautiful young widow, trusts his story. When a local shaman is found dead, suspicion and terror engulf the isolated community, which harbours a secret of its own . . .

Danny Conroy grows up in the Dutch House, a lavish mansion. Though his father is distant and his mother is absent, Danny has his beloved sister Maeve: Maeve, with her wall of black hair, her wit, her brilliance. Life is coherent, played out under the watchful eyes of the house’s former owners in the frames of their oil paintings. Then one day their father brings Andrea home. Though they cannot know it, her arrival to the Dutch House sows the seed of the defining loss of Danny and Maeve’s lives. The siblings are drawn back time and again to the place they can never enter, knocking in vain on the locked door of the past. For behind the mystery of their own exile is that of their mother’s: an absence more powerful than any presence they have known. Told with Ann Patchett’s inimitable blend of humour, rage and heartbreak, The Dutch House is a dark fairy tale and story of a paradise lost; of the powerful bonds of place and time that magnetize and repel us for our whole lives.

A house can hold a thousand secrets . . . 2019 When Henry Fox is found dead in his ancestral home in Cornwall, the police rule it a suicide, but his pregnant wife, Josie, believes it was murder. Desperate to make sense of Henry's death she embarks on a quest to learn the truth, all under the watchful eyes of Henry's overbearing mother. Josie soon finds herself wrestling against the dark history of Helygen House and ghosts from the past that refuse to stay buried. 1881 New bride Eliza arrives at Helygen House with high hopes for her marriage. Yet when she meets her new mother-in-law, an icy and forbidding woman, her dreams of a new life are dashed. And when Eliza starts to hear voices in the walls of the house, she begins to fear for her sanity and her life. Can Josie piece together the past to make sense of her present, or will the secrets of Helygen House and its inhabitants forever remain a mystery?

"'Do you think it's possible to ever see the past as it actually was?' I asked my sister. We were sitting in her car, parked in front of the Dutch House in the broad daylight of early summer." Danny Conroy grows up in the Dutch House, a lavish mansion. Though his father is distant and his mother is absent, Danny has his beloved sister Maeve: Maeve, with her wall of black hair, her wit, her brilliance. Life is coherent, played out under the watchful eyes of the house's former owners in the frames of their oil paintings. Then one day their father brings Andrea home. Though they cannot know it, her arrival to the Dutch House sows the seed of the defining loss of Danny and Maeve's lives. The siblings are drawn back time and again to the place they can never enter, knocking in vain on the locked door of the past. For behind the mystery of their own exile is that of their mother's: an absence more powerful than any presence they have known. Told with Ann Patchett's inimitable blend of humour, rage and heartbreak, The Dutch House is a dark fairy tale and story of a paradise lost; of the powerful bonds of place and time that magnetize and repel us for our whole lives.

One night in New York, a city under siege by snow, Peter Lake attempts to rob a fortress-like mansion on the Upper West Side. Though he thinks it is empty, the daughter of the house is home... Thus begins the affair between this Irish burglar and Beverly Penn, a young girl dying of consumption. It is a love so powerful that Peter will be driven to stop time and bring back the dead; Winter's Tale is the story of that extraordinary journey.

Состав издания The House of the Dead: Remake. Limited Edition:Blu-ray диск с игрой The House of the Dead: Remake.Эксклюзивная коробка.Набор наклеек.2 картонные фигуркиThe House of the Dead: Remake — переработанная версия игры, которая впервые вышла в 1997 году на аркадных автоматах. Классический рельсовый шутер получил как визуальное обновление, так и улучшения геймплея, чтобы соответствовать современным игровым тенденциям.Полчища монстров будут преследовать вас в этом динамичном шутере.Сохранен оригинальный геймплей.Классическая аркада с современной графикой и управлением.Различные варианты концовки.

Содержание CD1 1983 - Sirens 1984 - The Dangeons Are Calling 1985 - Power Of The Night 1986 - Fight For The Rock 1987 - Hall Of The Mountain King 1989 - Gutter Ballet 1991 - Streets 1993 - Edge Of Thorns 1994 - Handful Of Rain 1994 - Japan Live 94 CD2 1995 - Dead Winter Dead 1996 - From The Gutter To The Stage (Bonus Disc) 1998 - The Wake Of Magellan 2000 - Ghosts In The Ruins 2002 - Commissar (EP) 2001 - Poets And Madmen "Trans-Siberian Orchestra" 1996 - Christmas Eve And Other Stories 1998 - The Christmas Attic 2000 - Beethoven's Last Night

Содержание CD1 1983 - Sirens 1984 - The Dangeons Are Calling 1985 - Power Of The Night 1986 - Fight For The Rock 1987 - Hall Of The Mountain King 1989 - Gutter Ballet 1991 - Streets 1993 - Edge Of Thorns 1994 - Handful Of Rain 1994 - Japan Live 94 CD2 1995 - Dead Winter Dead 1996 - From The Gutter To The Stage (Bonus Disc) 1998 - The Wake Of Magellan 2000 - Ghosts In The Ruins 2002 - Commissar (EP) 2001 - Poets And Madmen "Trans-Siberian Orchestra" 1996 - Christmas Eve And Other Stories 1998 - The Christmas Attic 2000 - Beethoven's Last Night

The long fuse of rebellion has already been lit. It's 1772, the Royal Colony of North Carolina, and the governor calls upon Jamie Fraser to unite the backcountry and preserve the colony for King and Crown. One minor problem: Jamie Fraser's wife, Claire, is a time-traveller, as are his daughter and son-in-law. And Jamie knows that three years hence, the shot heard round the world will be fired, and the end of it all will be independence - with those loyal to the King either dead or in exile. Beyond present danger, though, looms the threat of a tiny clipping from the Wilmington Gazette, dated 1776, which reports the destruction of the house on Fraser's Ridge and the death by fire of James Fraser and all his family. For once, Jamie Fraser hopes the time-travelers in his family are wrong about the future. But only time will tell.

Shortlisted For The Read Russia Prize 2020 Alexander Pushkin established what we know as Russian literature. This collection includes his strongly personal lyric verse, which springs spontaneously from his everyday life - his numerous loves, his exile, his hectic life in St Petersburg - while the narrative poems here, from exotic Southern tales to comic parodies and fairy tales of enchanted tsars, display his endless ability to surprise. His landmark work The Bronze Horseman, with its ghostly central figure of Peter the Great, holds the meaning of all Russian history. Antony Wood's translations reveal the variety, inventiveness and perfection of Pushkin's verse.

A teenage son shoots himself under his parents' bed. They sleep that night unaware he is lying dead beneath them. A stranger turns up at a man's door to persude him that they must get rid of his ageing mother in order to sell the house. An old man grumbles to his daughter about the unexplained digging and banging he hears under the house at night. As each story unfolds, Amos Oz, builds a portrait of a village in Israel. It is a surreal and unsettling place. Each villager is searching for something, and behind each episode is another, hidden story. In this powerful, hynotic work Amos Oz peers into the darkness of our lives and gives us a glimpse of what goes on beneath the surface of everyday existence. By the winner of the 2013 Franz Kafka Prize, previous winners of which include Philip Roth, Ivan Klima, Elfriede Jelinek, Harold Pinter and John Banville.

When a young trooper is shot dead at the SAS's renowned Killing House, Nick Stone is uniquely qualified to investigate. Less than forty-eight hours later, he finds himself in the telescopic sights of an assassin bent on protecting a secret that could strike at the heart of the establishment - the establishment that Stone has, in his own maverick fashion, spent most of his life fighting to protect. Isolated and under perpetual threat, he is propelled across Europe in a desperate quest to uncover the truth behind a terrible chain of events that began with a young man haunted by the screams of his brutally murdered friend.