In 1849 the young Fyodor Dostoevsky was sentenced to four years' hard labour in a Siberian prison camp for advocating socialism. Notes from a Dead House (sometimes translated as The House of the Dead), the novel he wrote on his release, tells of shocking conditions, brutal punishments, and the psychological effects of the loss of freedom and hope; it describes the daily life of the prison community, the feuds and betrayals, the moments of comedy, the unexpected acts of kindness. To avoid censorship, Dostoevsky made his protagonist a common criminal, but the perspective is unmistakably his own. As a member of the nobility he had been despised by his fellow prisoners, most of whom were peasants - an experience shared in the book by Alexander Petrovich Goryanchikov, a nobleman who has killed his wife. Like his creator, Goryanchikov undergoes a transformation over the course of his ordeal, as he discovers 'deep, strong, beautiful natures' amongst even the roughest of the convicts. Notes from a Dead House shows the prison camp as a tragedy for the inmates and a tragedy for Russia. It endures today as a profound meditation on freedom.

The unnamed narrator of the novel, a former government official, has decided to retire from the world and lead a life of inactivity and contemplation. His fiercely bitter, cynical and witty monologue ranges from general observations and philosophical musings to memorable scenes from his own life, including his obsessive plans to exact revenge on an officer who has shown him disrespect and a dramatic encounter with a prostitute. Seen by many as the first existentialist novel and showcasing the best of Dostoevsky's dry humour, Notes from Underground was a pivotal moment in the development of modern literature and has inspired countless novelists, thinkers and film-makers.

Dostoevsky's most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In full retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man's essentially irrational nature. Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.

'I am a sick person. I am a spiteful person. An unattractive person, too …' In the depths of a cellar in St. Petersburg, a retired civil servant spews forth a passionate and furious note on the ills of society. The underground man's manifesto reveals his erratic, self-contradictory and even sadistic nature. Yet Dostoyevsky's disturbing character causes an uncomfortable flicker of recognition, and we see in him our own human condition.

Notes from Underground and Other Stories is a comprehensive collection of Dostoevsky's short fiction. Many of these stories, like his great novels, reveal his special sympathy for the solitary and dispossessed, explore the same complex psychological issues and subtly combine rich characterization and philosophical meditations on the (often) dark areas of the human psyche, all conveyed in an idiosyncratic blend of deadly seriousness and wild humour. In Notes from Underground, the Underground Man casually dismantles utilitarianism and celebrates in its stead a perverse but vibrant masochism. A Christmas Tree and a Wedding recounts the successful pursuit of a young girl by a lecherous old man. In Bobok, one Ivan Ivanovitch listens in on corpses gossiping in a cemetery and ends up deploring their depravity. In A Gentle Spirit, the narrator describes his dawning recognition that he is responsible for his wife's suicide. In short, as a commentator on spiritual stagnation, Dostoevsky has no equal. With an Introduction and Notes by David Rampton, Department of English, University of Ottowa.

'The best thing is to do nothing! Better conscious inertia! So, long live the underground!' Alienated from society and paralysed by a sense of hose own insignificance, the anonymous narrator of Dostoyevsky's groundbreaking Notes from Underground tells the story of his tortured life. With bitter irony, he describes his refusal to become a worker in the 'anthill' of society and his gradual withdrawal to an existence 'underground'. The seemingly ordinary world of St Petersburg takes on a nightmarish quality in the The Double when a government clerk encounters a man who looks exactly like him - his double perhaps, or possibly the darker side of his own personality. Like Notes from Underground, this is a masterly tragi-comic study of human consciousousness. Ronald Wilks's extraordinary new translation is accompanied here by an introduction by Robert Louis Jackson discussing these pivotal works in the context of Dostoyevsky's life and times. This edition also contains a chronology, bibliography, table of ranks and notes on each work. 'Notes from Underground, with its mood of intellectual irony and alienation, can be seen as the first modern novel… That sense of the meaninglessness of existence that runs through much of twentieth-century writing - from Conrad and Kafka, to Beckett and beyond - starts in Dostoyevsky's work.' Malcolm Bradbury

This Arcturus Classics edition presents two of Dostoevsky's shorter novels in one volume, Notes from the Underground and The Double. Notes from the Underground is a dystopian tale of the Underground Man, a retired civil servant living in St Petersburg who retreats from society. This work is considered by many to be the first existentialist novel and influenced many classic works including Metamorphosis and Invisible Man. The Double tells the story of Golyadkin who, on a bitter snowy night, encounters a stranger who looks exactly like him. They become friends, but then Golyadkin realises that unlike himself, his double is socially successful - likeable and charming - and thus the relationship starts to deteriorate. Golyadkin is caught up in a psychological battle that can only end in tragedy. These two works draw on Dostoevsky's acute observation of Russian life; his thoughts on philosophy and social mores; and his reactions to the work of Nikolai Gogol. At the heart of both lies Dostoevsky's ruminations on the need to establish one's true identity and how society can distort the perception of who one truly is. This edition is presented with a striking contemporary cover-design, bringing this timeless classic to modern readers.

The House of the Dead recounts the story of Alexander Goryanchikov, a gentleman who is sent to a prison colony in Siberia for killing his wife. Largely ignored at first by his fellow inmates due to his noble blood, he gradually settles in and becomes an avid observer of the new world around him – watching his fellow prisoners being brutally and cruelly punished by the guards, listening to their past stories of blood and murder, assimilating the institution’s social codes and learning that even convicts are capable of acts of pure generosity. Based on Dostoevsky’s own autobiographical experiences of penal servitude in Siberia, this genre-defying novel is not only an unflinching expose of the conditions faced by prisoners during the Tsarist period, but also a call to see the human side in criminals and rediscover the values of forgiveness and compassion.

In January 1850 Dostoyevsky was sent to a remote Siberian prison camp for his part in a political conspiracy. The four years he spent there, startlingly re-created in The House of the Dead, were the most agonizing of his life. In this fictionalized account he recounts his soul-destroying incarceration through the cool, detached tones of his narrator, Aleksandr Petrovich Goryanchikov: the daily battle for survival, the wooden plank beds, the cabbage soup swimming with cockroaches, his strange 'family' of boastful, ugly, cruel convicts. Yet The House of the Dead is far more than a work of documentary realism: it is also a powerful novel of redemption, describing one man's spiritual and moral death and the miracle of his gradual reawakening.

This acclaimed new translation of Dostoyevsky's 'psychological record of a crime' gives his dark masterpiece of murder and pursuit a renewed vitality, expressing its jagged, staccato urgency and fevered atmosphere as never before. Raskolnikov, a destitute and desperate former student, wanders alone through the slums of St. Petersburg, deliriously imagining himself above society's laws. But when he commits a random murder, only suffering ensues. Embarking on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden prostitute, can offer the chance of redemption. Fyodor Dostoevsky (1821-1881) was born in Moscow and made his name in 1846 with the novella Poor Folk. He spent several years in prison in Siberia as a result of his political activities, an experience which formed the basis of The House of the Dead. In later life, he fell in love with a much younger woman and developed a ruinous passion for roulette. His subsequent great novels include Notes from Underground, Crime and Punishment, The Idiot, Demons and The Brothers Karamazov. Oliver Ready is Research Fellow in Russian Society and Culture at St Antony's College, Oxford. He is general editor of the anthology, The Ties of Blood: Russian Literature from the 21st Century (2008), and Consultant Editor for Russia, Central and Eastern Europe at the Times Literary Supplement.

"Dostoevsky, the only psychologist from whom I've anything to learn." - Friedrich Nietzsche Dostoevsky's exploration of human psychology through fiction has captivated readers for over a century. This handsome hardback collection brings together three of his most notable works: Crime and Punishment, The Gambler and Notes from Underground. Writing from the fraught political landscape of 19th-century Russia, Dostoevsky explores corruption, morality and visions of a utopian society. These novels are at once gripping and profound.

In this short story, Dostoyevsky masterfully depicts desperation, greed, manipulation and suicide. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Fyodor Dostoyevsky (1821-1881). Dostoyevsky's works available in Penguin Classics are Crime and Punishment, The Idiot, The Double, The Gambler and Other Stories, The Grand Inquisitor, Notes From The Underground, Netochka Nezvanova, The House of The Dead, The Brothers Karamazov and The Village of Stepanchikovo.

In this short story, Dostoyevsky masterfully depicts desperation, greed, manipulation and suicide. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Fyodor Dostoyevsky (1821-1881). Dostoyevsky's works available in Penguin Classics are Crime and Punishment, The Idiot, The Double, The Gambler and Other Stories, The Grand Inquisitor, Notes From The Underground, Netochka Nezvanova, The House of The Dead, The Brothers Karamazov and The Village of Stepanchikovo.

Translated by Constance Garnett. With an introduction by A. Briggs.

Crime and Punishment is one of the greatest and most readable novels ever written. From the beginning we are locked into the frenzied consciousness of Raskolnikov who, against his better instincts, is inexorably drawn to commit a brutal double murder. Powerful, brilliant, insightful and surprisingly engaging despite the fact that it is far from being a "light" read in either prose or content. In this novel Fyodor Dostoevsky explores the theme of redemption through suffering.

Crime and Punishment is one of the greatest and most readable novels ever written. From the beginning we are locked into the frenzied consciousness of Raskolnikov who, against his better instincts, is inexorably drawn to commit a brutal double murder. Powerful, brilliant, insightful and surprisingly engaging despite the fact that it is far from being a "light" read in either prose or content. In this novel Fyodor Dostoevsky explores the theme of redemption through suffering.