Quand la sonnerie a encore retenti, que la porte du box s'est ouverte, c'est le silence de la salle qui est monte vers moi, le silence, et cette singuliere sensation que j'ai eue lorsque j'ai constate que le jeune journaliste avait detourne les yeux. Je n'ai pas regarde du cote de Marie. Je n'en ai pas eu le temps parce que le president m'a dit dans une forme bizarre que j'aurais la tete tranchee sur une place publique au nom du peuple francais...

Dans Folioplus classiques, le texte integral, enrichi d'une lecture d'image, echo pictural de l'oeuvre, est suivi de sa mise en perspective organisee en six points : Mouvement litteraire : La litterature engagee. Genre et registre : "Un court roman de moraliste". L'ecrivain a sa table de travail : Un classicisme "instinctif". Groupement de textes : Personnages insoumis. Chronologie : Albert Camus et son temps. Fiche : des pistes pour rendre compte de sa lecture. Recommande pour les classes de lycee.

Вниманию читателей предлагается полный, неадаптированный текст романа Альбера Камю "Посторонний" (1942). Издание рассчитано на лиц, владеющих основами французского языка и совершенствующих свои навыки в нем.

Albert Camus, prix Nobel de litterature, disparait brutalement en 1960. Il a quarante-six ans. Il laisse une ?uvre considerable et inachevee d’une beaute et d’une force exceptionnelles. Ecrivain, journaliste, penseur, dramaturge et metteur en scene, ce fervent defenseur de la liberte, anime d’une grande vitalite, est un artiste au service de la dignite humaine. Sa lutte constante contre l’oppression ne cesse de denoncer la demesure de l’homme et fait echo a notre temps. A travers un choix d’extraits d’?uvres, de photographies et de documents inedits, Catherine Camus nous guide, avec delicatesse et simplicite, dans la vie et dans l’?uvre passionnante de son pere, solitaire et solidaire. « Mes enfants et mes petits-enfants, mes neveux et ma petite-niece ne l’ont pas connu. Pour eux, j’ai voulu traverser toutes les images. Pour retrouver son rire, sa legerete et sa generosite, pour retrouver cet homme attentif et chaleureux qui me laissait vivre. Pour montrer, comme l’ecrit Severine Gaspari, qu’Albert Camus etait "un homme parmi les hommes et qui tenta, parmi ces hommes, d’etre aussi homme qu’il le pouvait". » Catherine Camus

«– Naturellement, vous savez ce que c'est, Rieux? – J'attends le resultat des analyses. – Moi, je le sais. Et je n'ai pas besoin d'analyses. J'ai fait une partie de ma carriere en Chine, et j'ai vu quelques cas a Paris, il y a une vingtaine d'annees. Seulement, on n'a pas ose leur donner un nom, sur le moment... Et puis, comme disait un confrere : "C'est impossible, tout le monde sait qu'elle a disparu de l'Occident." Oui, tout le monde le savait, sauf les morts. Allons, Rieux, vous savez aussi bien que moi ce que c'est... – Oui, Castel, dit-il, c'est a peine croyable. Mais il semble bien que ce soit la peste.»

'To create today is to create dangerously' Camus argues passionately that the artist has a responsibility to challenge, provoke and speak up for those who cannot in this powerful speech, accompanied here by two others. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

'On the morning of April 16, Dr Rieux emerged from his consulting-room and came across a dead rat in the middle of the landing.' It starts with the rats. Vomiting blood, they die in their hundreds, then in their thousands. When the rats are all gone, the citizens begin to fall sick. Like the rats, they too die in ever greater numbers. The authorities quarantine the town. Cut off, the terrified townspeople must face this horror alone. Some resign themselves to death or the whims of fate. Others seek someone to blame or dream of revenge. One is determined to escape. But a few, like stoic Dr Rieux, stand together to fight the terror. A monstrous evil has entered their lives, but they will never surrender to it. They will resist the plague.

A philosophical exploration of the idea of 'rebellion' by one of the leading existentialist thinkers, Albert Camus' The Rebel looks at artistic and political rebels throughout history, from Epicurus to the Marquis de Sade. This Penguin Modern Classics edition is translated by Anthony Bower with an introduction by Oliver Todd. The Rebel is Camus' 'attempt to understand the time I live in' and a brilliant essay on the nature of human revolt. Published in 1951, it makes a daring critique of communism - how it had gone wrong behind the Iron Curtain and the resulting totalitarian regimes. It questions two events held sacred by the left wing - the French Revolution of 1789 and the Russian Revolution of 1917 - that had resulted, he believed, in terrorism as a political instrument. In this towering intellectual document, Camus argues that hope for the future lies in revolt, which unlike revolution is a spontaneous response to injustice and a chance to achieve change without giving up collective and intellectual freedom. Albert Camus (1913-60) is the author of a number of best-selling and highly influential works, all of which are published by Penguin. They include The Fall, The Outsider and The First Man. Awarded the Nobel Prize for Literature in 1957, Camus is remembered as one of the few writers to have shaped the intellectual climate of post-war France, but beyond that, his fame has been international.

The Plague is Albert Camus's world-renowned fable of fear and courage The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they are forced into quarantine. Each person responds in their own way to the lethal disease: some resign themselves to fate, some seek blame, and a few, like Dr Rieux, resist the terror. An immediate triumph when it was published in 1947, The Plague is in part an allegory of France's suffering under the Nazi occupation, and a story of bravery and determination against the precariousness of human existence.

A philosophical novel described by fellow existentialist Sartre as 'perhaps the most beautiful and the least understood' of his novels, Albert Camus' The Fall is translated by Robin Buss in Penguin Modern Classics. Jean-Baptiste Clamence is a soul in turmoil. Over several drunken nights in an Amsterdam bar, he regales a chance acquaintance with his story. From this successful former lawyer and seemingly model citizen a compelling, self-loathing catalogue of guilt, hypocrisy and alienation pours forth. The Fall (1956) is a brilliant portrayal of a man who has glimpsed the hollowness of his existence. But beyond depicting one man's disillusionment, Camus's novel exposes the universal human condition and its absurdities - for our innocence that, once lost, can never be recaptured ... Albert Camus (1913-60) is the author of a number of best-selling and highly influential works, all of which are published by Penguin. They include The Fall, The Outsider and The First Man. Awarded the Nobel Prize for Literature in 1957, Camus is remembered as one of the few writers to have shaped the intellectual climate of post-war France, but beyond that, his fame has been international.

'My mother died today. Or maybe yesterday, I don't know.' In The Outsider (1942), his classic existentialist novel, Camus explores the alienation of an individual who refuses to conform to social norms. Meursault, his anti-hero, will not lie. When his mother dies, he refuses to show his emotions simply to satisfy the expectations of others. And when he commits a random act of violence on a sun-drenched beach near Algiers, his lack of remorse compounds his guilt in the eyes of society and the law. Yet he is as much a victim as a criminal. Albert Camus' portrayal of a man confronting the absurd, and revolting against the injustice of society, depicts the paradox of man's joy in life when faced with the 'tender indifference' of the world. Sandra Smith's translation, based on close listening to a recording of Camus reading his work aloud on French radio in 1954, sensitively renders the subtleties and dream-like atmosphere of L'Etranger. Albert Camus (1913-1960), French novelist, essayist and playwright, is one of the most influential thinkers of the 20th century. His most famous works include The Myth of Sisyphus (1942), The Plague (1947), The Just (1949), The Rebel (1951) and The Fall (1956). He was awarded the Nobel Prize for Literature in 1957, and his last novel, The First Man, unfinished at the time of his death, appeared in print for the first time in 1994, and was published in English soon after by Hamish Hamilton.

In The Outsider, Camus explores the alienation of an individual who refuses to conform to social norms. Meursault, his anti-hero, will not lie. When his mother dies, he refuses to show his emotions simply to satisfy the expectations of others. And when he commits a random act of violence on a sun-drenched beach near Algiers, his lack of remorse compounds his guilt in the eyes of society and the law. Yet he is as much a victim as a criminal.

The Plague is Albert Camus's world-renowned fable of fear and courage The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they are forced into quarantine. Each person responds in their own way to the lethal disease: some resign themselves to fate, some seek blame, and a few, like Dr Rieux, resist the terror. An immediate triumph when it was published in 1947, The Plague is in part an allegory of France's suffering under the Nazi occupation, and a story of bravery and determination against the precariousness of human existence.

Jean-Baptiste Clamence is a soul in turmoil. Over several drunken nights in an Amsterdam bar, he regales a chance acquaintance with his story. From this successful former lawyer and seemingly model citizen a compelling, self-loathing catalogue of guilt, hypocrisy and alienation pours forth. The Fall (1956) is a brilliant portrayal of a man who has glimpsed the hollowness of his existence. But beyond depicting one man's disillusionment, Camus's novel exposes the universal human condition and its absurdities - for our innocence that, once lost, can never be recaptured ...

Albert Camus’ laconic masterpiece about a Frenchman who murders an Arab in colonial Algeria is famous for diagnosing a state of alienation and spiritual exhaustion which summed up the mood of the mid-twentieth century. Today, more than fifty years after its first appearance, we can see that the success of this Existentialist classic was no passing fashion. One of the most influential books of the century, The Outsider continues to speak to us of ultimate things with the force of a parable and the excitement of a thriller.

Albert Camus' existentialist masterpiece, now in a wonderful new Clothbound Classics edition In The Outsider, his classic existentialist novel, Camus explores the alienation of an individual who refuses to conform to social norms. Meursault, his anti-hero, will not lie. When his mother dies, he refuses to show his emotions simply to satisfy the expectations of others. And when he commits a random act of violence on a sun-drenched beach near Algiers, his lack of remorse compounds his guilt in the eyes of society and the law. Yet he is as much a victim as a criminal.