'If I really don't like somebody, I kill him . . . You remember Malcolm McRae, don't you?' Melinda Van Allen is beautiful, headstrong and sexy. Unfortunately for Vic Van Allen, she is his wife. Their love has soured, and Melinda takes pleasure in flaunting her many affairs to her husband. When one of her lovers is murdered, Vic hints to her latest conquest that he was responsible. As rumours spread about Vic's vicious streak, fiction and reality start to converge. It's only a matter of time before Vic really does have blood on his hands.

'If I really don't like somebody, I kill him . . . You remember Malcolm McRae, don't you?' Melinda Van Allen is beautiful, headstrong and sexy. Unfortunately for Vic Van Allen, she is his wife. Their love has soured, and Melinda takes pleasure in flaunting her many affairs to her husband. When one of her lovers is murdered, Vic hints to her latest conquest that he was responsible. As rumours spread about Vic's vicious streak, fiction and reality start to converge. It's only a matter of time before Vic really does have blood on his hands.

Therese is just an ordinary sales assistant working in a New York department store when a beautiful, alluring woman in her thirties walks up to her counter. Standing there, Therese is wholly unprepared for the first shock of love. Therese is an awkward nineteen-year-old with a job she hates and a boyfriend she doesn't love; Carol is a sophisticated, bored suburban housewife in the throes of a divorce and a custody battle for her only daughter. As Therese becomes irresistibly drawn into Carol's world, she soon realizes how much they both stand to lose... First published pseudonymously in 1952 as The Price of Salt, Carol is a hauntingly atmospheric love story set against the backdrop of fifties' New York.

'Marvellously, insanely readable... Highsmith has done it again' The Times "There's no such thing as a perfect murder... That's just a parlor game, trying to dream one up." Tom Ripley is enjoying his wealthy lifestyle in France, until an associate asks him to kill someone again. But Ripley detests murder, unless it is absolutely necessary. Someone else should do the dirty work for them - yes, someone with no criminal record could earn a very generous fee for doing a couple of simple murders. Ripley's Game is the third book in Highsmith's Ripley series, and was made into a film starring John Malkovich.

Philip Carter has spent six years in prison for a crime he didn't commit. On his release his beautiful wife is waiting for him. He has never had any reason to doubt her. Nor their friend, Sullivan. Carter has never been suspicious, or violent. But prison can change a man. In 1961, Patricia Highsmith received a fan letter from a prison inmate. A correspondence ensued and Highsmith became fascinated with the psychological traumas that incarceration can inflict.

Zu schon, um wahr zu sein: Weihnachten einmal ohne Einkaufsstress und Adventsrummel, ohne Bangen beim Beschenken der Lieben. Ohne all die hohen Erwartungen und Enttauschungen. Mit neuen unveroffentlichten Geschichten von Astrid Rosenfeld, Jan Brandt, Patricia Highsmith, Martin Suter, Dennis Lehane, Anna Stothard u. a.

Tom Ripley is struggling to stay one step ahead of his creditors, and the law, when an unexpected acquaintance offers him a free trip to Europe and a chance to start over. Ripley wants money, success and the good life and he's willing to kill for it. When his new-found happiness is threatened, his response is as swift as it is shocking.

The Buckmaster Gallery is staging another Derwatt exhibition, but now an American collector claims that the expensive masterpiece he bought three years ago is a fake. It is, of course, and he wants to talk to Derwatt, but Derwatt, inconveniently, is dead. Ripley needs the perfect solution to keep his role in the fraud a secret and his reputation clean but not everyone's nerves are as steady as his. Especially when it comes to murder...

David Kelsey has an invincible conviction that life is going to work out just as he has planned it - if he can just fix 'the situation'. His one true love, the brilliant, beautiful Annabelle, has married another man. But that doesn't mean they can't still be friends. And even though she is pregnant with her husband Gerald's baby, that surely doesn't mean she won't one day get back together with David. She still loves him, of that he is certain. David is sure she'll take him back, and, under an alias, is setting up a wonderful home for the two of them in a town close by. And everything is just about going to plan until things take a murderous turn, leaving David a desperate man on the run.

'Dear Sir, I suppose you are pretty pleased with yourself? Superior to everyone, you think. A fancy apartment and a snob dog. You are a disgusting little machine, nothing else. Your days are numbered.' Ed Reynolds, an editor at a prestigious publishing house, has received a number of anonymous poison pen letters. He has no idea who could bear him such a grudge. Returning home one night, he finds a ransom note for his wife's beloved French poodle: 'I have your dog Lisa. She is well and happy . . . I gather the dog is important to you? We'll see!' The criminal has hit the Manhattan couple where it hurts most. And so, with this bizarre event, their nightmare begins. A Dog's Ransom captures the fragility of middle-class life in this riveting, scathing tale.

"You're always good on ideas, Tom..." An American art collector is claiming that the expensive masterpiece he bought is a fake. He wants to meet with the artist - but Tom Ripley knows that artist no longer exits. Ripley needs to hide his role in the fraud, and keep his colleague's mouth shut. But not everyone's nerves are as steady as his, especially when it comes to murder. The second in Highsmith's Ripley series, Ripley Under Ground is set six years after the events of The Talented Mr Ripley.

Tom Ripley is struggling to stay one step ahead of his creditors and the law, when an unexpected acquaintance offers him a free trip to Europe and a chance to start over. Ripley wants money, success and the good life and he's willing to kill for it. When his new-found happiness is threatened, his response is as swift as it is shocking.

Little Tales of Misogyny is Highsmith's legendary, cultish short-story collection. With an eerie simplicity of style, Highsmith turns our next-door neighbours into sadistic psychopaths, lying in wait among white picket fences and manicured lawns. In these darkly satirical, often hilarious, sketches you'll meet seemingly familiar women with the power to destroy both themselves and the men around them.

A gripping novel that explores the shifting sands of moral values - is murder still murder when committed in a lawless place? Howard Ingham, an American writer, is in Tunisia working on a screenplay, and feeling stranded. No one has written to him since he arrived - neither the film director who he is supposed to be meeting in Tunis, nor his lover in New York. The erratic mail eventually brings news of the director's suicide. For reasons obscure even to himself, Ingham decides to stay and work on a novel, but a series of events - a hushed-up murder and a vanished corpse - lures him inexorably into the deep, ambivalent shadows of the town; into deceit and away from conventional morality. Ultimately, what is in question is not justice or truth, but the state of his oddly quiet conscience.

Tom Ripley travels to Italy with a commission to coax a prodigal young American back to his wealthy father. But Ripley finds himself very fond of Dickie Greenleaf. He wants to be like him - exactly like him. Suave, agreeable and utterly amoral, Ripley will stop at nothing to accomplish his goal. The Talented Mr Ripley serves as an unforgettable introduction to this smooth confidence man, whose talent for murder and self-invention is chronicled in four subsequent Ripley novels.

The psychologists would call it folie a deux . . . 'Bruno slammed his palms together. "Hey! Cheeses, what an idea! I kill your wife and you kill my father! We meet on a train, see, and nobody knows we know each other! Perfect alibis! Catch?''' From this moment, almost against his conscious will, Guy Haines is trapped in a nightmare of shared guilt and an insidious merging of personalities.