An upstart French duke who sets out to conquer the most powerful and unified kingdom in Christendom. An invasion force on a scale not seen since the days of the Romans. One of the bloodiest and most decisive battles ever fought. This riveting book explains why the Norman Conquest was the single most important event in English history. Assessing the original evidence at every turn, Marc Morris goes beyond the familiar outline to explain why England was at once so powerful and yet so vulnerable to William the Conqueror's attack. Why the Normans, in some respects less sophisticated, possessed the military cutting edge. How William's hopes of a united Anglo-Norman realm unravelled, dashed by English rebellions, Viking invasions and the insatiable demands of his fellow conquerors. This is a tale of powerful drama, repression and seismic social change: the Battle of Hastings itself and the violent 'Harrying of the North'; the sudden introduction of castles and the wholesale rebuilding of every major church; the total destruction of an ancient ruling class. Language, law, architecture, even attitudes towards life itself were altered forever by the coming of the Normans. Marc Morris, author of the bestselling biography of Edward I, A Great and Terrible King, approaches the Conquest with the same passion, verve and scrupulous concern for historical accuracy. This is the definitive account for our times of an extraordinary story, a pivotal moment in the shaping of the English nation.

Norman the Norman from Normandy is back! He’s as small as ever and still has his great BIG sword. This time, he’s caught the eye of mini Matilda, Duchess of Normandy, whose husband, the Duke, is planning the Norman Conquest of England. And who better for him to have at his side? Well, anyone but Norman of course. Where Norman goes trouble follows … along with a very poisonous toad.

Ivanhoe was the first of Scott's novels to adopt a purely English subject and was also his first attempt to combine history and romance, which later influenced Victorian medievalism. Set at the time of the Norman Conquest, Ivanhoe returns from the Crusades to claim his inheritance and the love of Rowena and becomes involved in the struggle between Richard Coeur de Lion and his Norman brother John. The gripping narrative is structured by a series of conflicts: Saxon versus Norman, Christian versus Jew, men versus women, played out against Scott's unflinching moral realism.

Ivanhoe was the first of Scott's novels to adopt a purely English subject and was also his first attempt to combine history and romance, which later influenced Victorian medievalism. Set at the time of the Norman Conquest, Ivanhoe returns from the Crusades to claim his inheritance and the love of Rowena and becomes involved in the struggle between Richard Coeur de Lion and his Norman brother John. The gripping narrative is structured by a series of conflicts: Saxon versus Norman, Christian versus Jew, men versus women, played out against Scott's unflinching moral realism.

The sinking of the White Ship in 1120 is one of the greatest disasters England has ever suffered. In one catastrophic night, the king’s heir and the flower of Anglo-Norman society were drowned and the future of the crown was thrown violently off course. In a riveting narrative, Charles Spencer follows the story from the Norman Conquest through to the decades that would become known as the Anarchy: a civil war of untold violence that saw families turn in on each other with English and Norman barons, rebellious Welsh princes and the Scottish king all playing a part in a desperate game of thrones. All because of the loss of one vessel – the White Ship – the medieval Titanic.

Beginning with their introduction in the eleventh century, and ending with their widespread abandonment in the seventeenth, Marc Morris explores many of the country’s most famous castles, as well as some spectacular lesser-known examples. At times this is an epic tale, driven by characters like William the Conqueror, King John and Edward I, full of sieges and conquest on an awesome scale. But it is also by turns an intimate story of less eminent individuals, whose adventures, struggles and ambitions were reflected in the fortified residences they constructed. Be it ever so grand or ever so humble, a castle was first and foremost a home. To understand castles – who built them, who lived in them, and why – is to understand the forces that shaped medieval Britain.

The Battle of Hastings and its aftermath nearly wiped out the leading families of Anglo-Saxon England - so what happened to the children this conflict left behind? Conquered offers a fresh take on the Norman Conquest by exploring the lives of those children, who found themselves uprooted by the dramatic events of 1066. Among them were the children of Harold Godwineson and his brothers, survivors of a family shattered by violence who were led by their courageous grandmother Gytha to start again elsewhere. Then there were the last remaining heirs of the Anglo-Saxon royal line - Edgar Theling, Margaret, and Christina - who sought refuge in Scotland, where Margaret became a beloved queen and saint. Other survivors, such as Walthe of Northumbria and Fenland hero Hereward, became legendary for rebelling against the Norman conquerors. And then there were some, like Eadmer of Canterbury, who chose to influence history by recording their own memories of the pre-conquest world. From sagas and saints' lives to chronicles and romances, Parker draws on a wide range of medieval sources to tell the stories of these young men and women and highlight the role they played in developing a new Anglo-Norman society. These tales - some reinterpreted and retold over the centuries, others carelessly forgotten over time - are ones of endurance, adaptation and vulnerability, and they all reveal a generation of young people who bravely navigated a changing world and shaped the country England was to become.

As gripping as any thriller. History doesnt get any better than this BILL BRYSON A brilliant read ... Game of Thrones but in the real world ANTHONY HOROWITZ PICKED AS A BEST BOOK OF THE YEAR 2020 BY THE DAILY TELEGRAPH, THE GUARDIAN, THE DAILY MAIL AND THE DAILY EXPRESS. The sinking of the White Ship in 1120 is one of the greatest disasters England has ever suffered. In one catastrophic night, the kings heir and the flower of Anglo-Norman society were drowned and the future of the crown was thrown violently off course. In a riveting narrative, Charles Spencer follows the story from the Norman Conquest through to the decades that would become known as the Anarchy: a civil war of untold violence that saw families turn in on each other with English and Norman barons, rebellious Welsh princes and the Scottish king all playing a part in a desperate game of thrones. All because of the loss of one vessel - the White Ship - the medieval Titanic.

As gripping as any thriller. History doesnt get any better than this BILL BRYSON A brilliant read ... Game of Thrones but in the real world ANTHONY HOROWITZ PICKED AS A BEST BOOK OF THE YEAR 2020 BY THE DAILY TELEGRAPH, THE GUARDIAN, THE DAILY MAIL AND THE DAILY EXPRESS. The sinking of the White Ship in 1120 is one of the greatest disasters England has ever suffered. In one catastrophic night, the kings heir and the flower of Anglo-Norman society were drowned and the future of the crown was thrown violently off course. In a riveting narrative, Charles Spencer follows the story from the Norman Conquest through to the decades that would become known as the Anarchy: a civil war of untold violence that saw families turn in on each other with English and Norman barons, rebellious Welsh princes and the Scottish king all playing a part in a desperate game of thrones. All because of the loss of one vessel - the White Ship - the medieval Titanic.

1066, The Norman Conquest: Five strangers. Five secrets. No refuge. No turning back. Five strangers. Five secrets. No refuge. No turning back. In the aftermath of 1066, a Norman army marches through the North of England: burning, killing and laying waste to everything in its path. The Harrowing has begun. As towns and villages fall to the invaders, five travellers fleeing the slaughter are forced to band together for survival. Refugees in their own country, they journey through the wasteland, hoping to find sanctuary with the last stand of the Saxon rebellion. But are they fleeing the Normans or their own troubles? Priest, Lady, Servant, Warrior, Minstrel: each has their own story; each their own sin. As enemies past and present close in, their prior deeds catch up with them and they discover there is no sanctuary from fate.

Whatever the emergency in Pontypandy, Fireman Sam and the Fire Crew are here to save the day! Now you can take Fireman Sam on the go with the Fireman Sam Pocket Library. 6 little board books are tucked away in a beautiful portable case. Each book tells a different adventure featuring your favourite PontyPandy residents: Elvis Cridlington, Penny Morris, Tom Thomas, Station Officer Steele, Radar the rescue dog, and of course naughty Norman Price. When they've read the stories, children can flip over the books to make a special Fireman Sam jigsaw.

Sixteen hundred years ago Britain left the Roman Empire and swiftly fell into ruin. Into this violent and unstable world came foreign invaders from across the sea, and established themselves as its new masters. In this sweeping and original history, renowned historian Marc Morris separates the truth from the legend and tells the extraordinary story of how the foundations of England were laid.

Updated with the latest archaeological research new chapters on the most influential yet widely unrecognised people of the British isles, In Search of the Dark Ages illuminates the fascinating and mysterious centuries between the Romans and the Norman Conquest of 1066. In this new edition, Michael Wood vividly conjures some of the most important people in British history such as Hadrian, a Libyan refugee from the Arab conquests and arguably the most important person of African origin in British history, to Queen Boadicea, the leader of a terrible war of resistance against the Romans. Here too, warts and all, are the Saxon, Viking and Norman kings who laid the political foundations of England: Offa of Mercia, Alfred the Great, Athelstan, and William the Conqueror, whose victory at Hastings in 1066 marked the end of Anglo-Saxon England. Reflecting the latest historical, textual and archaeological research, this revised and updated edition of Michael Wood's classic book overturns preconceptions of the Dark Ages as a shadowy and brutal era, showing them to be a richly exciting and formative period in the history of Britain.

Beowulf is one of the earliest extant poems in a modern European language, composed in England before the Norman Conquest. As a social document this great epic poem is invaluable - reflecting a feudal world of heroes and monsters, blood and victory, life and death. As a work of art, it is unique. Beowulf rings with beauty, power, and artistry that have kept it alive for a thousand years. The noble simplicity of Beowulf’s anonymous Anglo-Saxon singer is recaptured in this vivid translation by Burton Raffel.

Beowulf is one of the earliest extant poems in a modern European language, composed in England before the Norman Conquest. As a social document this great epic poem is invaluable - reflecting a feudal world of heroes and monsters, blood and victory, life and death. As a work of art, it is unique. Beowulf rings with beauty, power, and artistry that have kept it alive for a thousand years. The noble simplicity of Beowulf’s anonymous Anglo-Saxon singer is recaptured in this vivid translation by Burton Raffel.

Beowulf is one of the earliest extant poems in a modern European language, composed in England before the Norman Conquest. As a social document this great epic poem is invaluable-reflecting a feudal world of heroes and monsters, blood and victory, life and death. As a work of art, it is unique. Beowulf rings with beauty, power, and artistry that have kept it alive for a thousand years. The noble simplicity of Beowulf's anonymous Anglo-Saxon singer is recaptured in this vivid translation by Burton Raffel. Translated and with an Introduction by Burton Raffel and an Afterword by Roberta Frank.