This volume features a broad selection of jazz record covers, from the 1940s through the decline of LP production in the early 1990s. Each cover is accompanied by a fact sheet listing performer and album name, art director, photographer, illustrator, year, label, and more. Special features for jazz lovers include a top-10 favorite records list by leading jazz DJs such as King Britt, Michael McFadden, Gilles Peterson, Andre Torres, and Rainer Truby, as well as interviews with legendary jazz personalities Rudy Van Gelder (sound engineer who recorded for many labels such as Blue Note, Impulse!, and Prestige), Creed Taylor (founder of many labels and one of the best jazz producers ever, credited also for bringing bossa nova to the US and fusing it with jazz), Michael Cuscuna (Blue Note jazz producer and catalog researcher, responsible for its most successful re-editions), Bob Ciano (designer at the CTI Label, founded in the 70s by Creed Taylor, and one of the greatest cover designers ever), Fred Cohen, (the owner of New York's Jazz Record Center store with an encyclopedic knowledge of jazz music), and Ashley Kahn (writer, critic, and journalist for jazz whose books include A Love Supreme, Kind of Blue, and The House That Trane Built).

Vinyl mania Jazz LP covers from the 1940s to 1990s This volume features a broad selection of jazz record covers, from the 1940s through the decline of LP production in the early 1990s. Each cover is accompanied by with a fact sheet listing performer and album name, art director, photographer, illustrator, year, label, and more. Special features for jazz lovers include a top-10 favorite records list by leading jazz DJs King Britt, Michael McFadden, Gilles Peterson, Andre Torres, and Rainer Truby, as well as interviews with legendary jazz personalities Rudy Van Gelder (sound engineer that recorded for many labels such as Blue Note, Impulse!, and Prestige), Creed Taylor (founder of many labels and one of the best jazz producers ever, credited also for bringing bossa nova to the US and fusing it with jazz), Michael Cuscuna (Blue Note jazz producer and catalogue researcher, responsible for its most successful re-editions), Bob Ciano (designer at the CTI Label, founded in the '70s by Creed Taylor, and one of the greatest cover designers ever), and Ashley Kahn (writer, critic, and journalist for jazz whose books include A Love Supreme, Kind of Blue, and The House That Trane Built). About the editor: Julius Wiedemann was born in Brazil, studied graphic design and marketing, and was an art editor for digital and design magazines in Tokyo. His many TASCHEN digital and media titles include Animation Now!, Advertising Now! the Web Design series, and 1000 Favorite Websites. About the author: Joaquim Paulo is as a consultant for major labels and directs a number of radio stations in Portugal. He started collecting vinyl at 15, and flies to London, Paris, New York and Sao Paulo to enrich his collection of over 25,000 jazz LPs. He lives and works in Lisbon and dedicates his free time to recovering old and rare jazz recordings. Издание на английском языке.

This striking and innovative collection of jazz covers presents the designs that defined a sound. Containing record covers from the 1940s through to the early 1990s, each reproduction is accompanied with essential background information. Spanning photographic and illustrative works, these album artworks are a marriage of music and design and a remarkable history of jazz.

The greatest in jazz LP art Part design history, part trip down musical memory lane, this anthology of jazz album artwork is above all a treasure trove of creative and cultural inspiration. Spanning half a century, it assembles the most daring and dynamic jazz cover designs that helped make and shape not only a musical genre but also a particular way of experiencing life. From the 1940s through to the decline of LP production in the early 1990s, each chosen cover design is distinct in the way it complements the energy of the album's music with its own visual rhythms of frame, line, text, and form. To satisfy even the most demanding of music geeks, each record cover is accompanied by a fact sheet listing performer and album name, art director, photographer, illustrator, year, label, and more.

Отчасти история дизайна, отчасти путешествие по музыкальной памяти, эта антология обложек джазовых альбомов является, прежде всего, сокровищницей творческого и культурного вдохновения. На протяжении полувека она собирает самые смелые и динамичные джазовые обложки, которые помогли создать и сформировать не только музыкальный жанр, но и особый способ переживания жизни.Начиная с 1940-х и вплоть до упадка производства пластинок в начале 1990-х, каждый выбранный дизайн обложки отличался тем, что дополнял энергию музыки альбома собственными визуальными ритмами кадра, линии, текста и формы. Чтобы удовлетворить даже самых требовательных музыкальных фанатов, обложка каждой пластинки сопровождается информационным бюллетенем с указанием исполнителя и названия альбома, арт-директора, фотографа, иллюстратора, года выпуска, лейбла и т. д.Part design history, part trip down musical memory lane, this anthology of jazz album artwork is above all a treasure trove of creative and cultural inspiration. Spanning half a century, it assembles the most daring and dynamic jazz cover designs that helped make and shape not only a musical genre but also a particular way of experiencing life.From the 1940s through to the decline of LP production in the early 1990s, each chosen cover design is distinct in the way it complements the energy of the album’s music with its own visual rhythms of frame, line, text, and form. To satisfy even the most demanding of music geeks, each record cover is accompanied by a fact sheet listing performer and album name, art director, photographer, illustrator, year, label, and more.About the seriesTASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program―now more compact, friendly in price, and still realized with the same commitment to impeccable production.

The golden age of African American music Following the success of Jazz Covers, this epic volume of groove assembles over 500 legendary covers from a golden era in African American music. Psychedelia meets Black Power, sexual liberation meets social conscience, and street portraiture meets fantastical cartoon in this dazzling anthology of visualized funk and soul. Gathering both classic and rare covers, the collection celebrates each artwork’s ability to capture not only a buyer’s interest, but an entire musical mood. Browse through and discover the brilliant, the bold, the outlandish and the sheer beautiful designs that fans rushed to get their hands on as the likes of Marvin Gaye, James Brown, Curtis Mayfield, Michael Jackson, and Prince changed the world with their unique and unforgettable sounds. Featuring interviews with key industry figures, Funk & Soul Covers also provides cultural context and design analysis for many of the chosen record covers.

The golden age of Black musicFollowing the success of Jazz Covers, this epic volume of groove assembles over 500 legendary covers from a golden era in Black music. Psychedelia meets Black Power, sexual liberation meets social conscience, and street portraiture meets fantastical cartoon in this dazzling anthology of visualized funk and soul.Gathering both classic and rare covers, the collection celebrates each artwork’s ability to capture not only a buyer’s interest, but an entire musical mood. Browse through and discover the brilliant, the bold, the outlandish and the sheer beautiful designs that fans rushed to get their hands on as the likes of Marvin Gaye, James Brown, Curtis Mayfield, Michael Jackson, and Prince changed the world with their unique and unforgettable sounds.Featuring interviews with key industry figures, Funk & Soul Covers also provides cultural context and design analysis for many of the chosen record covers.

The golden age of Black music Following the success of Jazz Covers, this epic volume of groove assembles over 500 legendary covers from a golden era in Black music. Psychedelia meets Black Power, sexual liberation meets social conscience, and street portraiture meets fantastical comic art in this dazzling anthology of visualized funk and soul. Gathering both classic and rare covers, the collection celebrates each artwork’s ability to capture not only a buyer’s interest, but an entire musical mood. Browse through and discover the brilliant, the bold, the outlandish and the incredibly beautiful designs that fans rushed to get their hands on as the likes of Marvin Gaye, James Brown, Curtis Mayfield, Michael Jackson, and Prince changed the world with their unique and unforgettable sounds. Featuring interviews with key industry figures, Funk & Soul Covers also provides cultural context and design analysis for many of the chosen record covers.

The golden age of Black musicFollowing the success of Jazz Covers, this epic volume of groove assembles over 500 legendary covers from a golden era in Black music. Psychedelia meets Black Power, sexual liberation meets social conscience, and street portraiture meets fantastical cartoon in this dazzling anthology of visualized funk and soul. Gathering both classic and rare covers, the collection celebrates each artwork’s ability to capture not only a buyer’s interest, but an entire musical mood. Browse through and discover the brilliant, the bold, the outlandish and the sheer beautiful designs that fans rushed to get their hands on as the likes of Marvin Gaye, James Brown, Curtis Mayfield, Michael Jackson, and Prince changed the world with their unique and unforgettable sounds. Featuring interviews with key industry figures, Funk & Soul Covers also provides cultural context and design analysis for many of the chosen record covers.

Беспрецедентная коллекция обложек пластинок артистов с 1950-х годов до наших дней. На заре модернизма визуальное и музыкальное производство имели особенно тесную связь. От футуристического манифеста Луиджи Руссоло 1913 года L'Arte dei Rumori («Искусство шума») до двусторонних дисков Марселя Дюшана 1925 года «Роторельефы» 20-й век стал свидетелем еще более плодотворного обмена между звуками и формами, знаками и мелодиями, а также различными областями композиции и производительность. В уникальной антологии обложек пластинок художников Франческо Спампинато мы обнаруживаем ритм этой особой культурной истории.В книге представлены 450 обложек и записей художников с 1950-х годов до наших дней, в которых исследуется, как модернизм, поп-арт, концептуальное искусство, постмодернизм и различные формы современного искусства повлияли на эту побочную область визуального производства и поддержали массовое распространение. музыки с определяющими образами, которые быстро и многозначительно вызывают слуховую встречу. По пути мы находим городские иероглифы Жана-Мишеля Баскии для его собственного лейбла Tartown, трафаретные граффити Бэнкси для Blur и бабочку Сальвадора Дали на вертеле в фильме Джеки Глисона «Одинокое эхо». Наряду с обложками есть проницательный анализ и информационные бюллетени с указанием исполнителя, исполнителя, названия альбома, лейбла, года выпуска и информации об оригинальном оформлении. Интервью с Таубой Ауэрбах, Шепардом Фейри, Ким Гордон, Кристианом Марклеем, Альбертом Оленом и Рэймондом Петтибоном добавляют личные отчеты о совместных отношениях между артистами и музыкантами.An unprecedented collection of artists’ record covers from the 1950s to today. Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Art of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In Francesco Spampinato’s unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents 450 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, and a skewered Salvador Dalí butterfly on Jackie Gleason’s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork....

Золотой век черной музыки.Вслед за успехом Jazz Covers, этот эпический том грува включает более 500 легендарных каверов золотой эры черной музыки. Психоделия встречается с Black Power, сексуальное освобождение встречается с социальным сознанием, а уличный портрет встречается с фантастическим комическим искусством в этой ослепительной антологии визуализированного фанка и соула.Собрав как классические, так и редкие обложки, коллекция отмечает способность каждого произведения искусства вызывать не только интерес покупателя, но и целостное музыкальное настроение. Просмотрите и откройте для себя блестящие, смелые, диковинные и невероятно красивые дизайны, которые поклонники спешили заполучить, поскольку такие люди, как Марвин Гэй, Джеймс Браун, Кертис Мэйфилд, Майкл Джексон и Принс, изменили мир своими уникальными и незабываемые звуки.Показывая интервью с ключевыми деятелями индустрии, Funk & Soul Covers также предоставляет анализ культурного контекста и дизайна для многих выбранных обложек.

Величайший в джазовом LP искусстве. Отчасти история дизайна, отчасти путешествие по дорожкам музыкальных воспоминаний, эта антология обложек джазовых альбомов является, прежде всего, сокровищницей творческого и культурного вдохновения. На протяжении полувека он собирает самые смелые и динамичные джазовые обложки, которые помогли создать и сформировать не только музыкальный жанр, но и особый способ восприятия жизни. Начиная с 1940-х и вплоть до упадка производства пластинок в начале 1990-х, каждый выбранный дизайн обложки отличался тем, что дополнял энергию музыки альбома собственными визуальными ритмами кадра, линии, текста и формы. Чтобы удовлетворить даже самых требовательных музыкальных фанатов, обложка каждой пластинки сопровождается информационным бюллетенем с указанием исполнителя и названия альбома, арт-директора, фотографа, иллюстратора, года выпуска, лейбла и т.д.Жоаким Паулу является консультантом крупных лейблов и руководит рядом радиостанций в Португалии. Он начал собирать винил в возрасте 15 лет и летает в Лондон, Париж, Нью-Йорк и Сан-Паулу, чтобы пополнить свою коллекцию из более чем 25 000 пластинок. Он живет и работает в Лиссабоне, а свободное время посвящает восстановлению старых и редких записей.Юлиус Видеманн изучал графический дизайн и маркетинг и был художественным редактором газет и журналов по дизайну в Токио, прежде чем присоединиться к TASCHEN в 2001 году. и серии Record Covers, а также сборник инфографики и книги о рекламе и визуальной культуре.The greatest in jazz LP art. Part design history, part trip down musical memory lane, this anthology of jazz album artwork is above all a treasure trove of creative and cultural inspiration. Spanning half a century, it assembles the most daring and dynamic jazz cover designs that helped make and shape not only a musical genre but also a particular way of experiencing life. From the 1940s through to the decline of LP production in the early 1990s, each chosen cover design is distinct in the way it complements the energy of the album’s music with its own visual rhythms of frame, line, text, and form. To satisfy even the most demanding of music geeks, each record cover is accompanied by a fact sheet listing performer and album name, art director, photographer, illustrator, year, label, and more. Joaquim Paulo is a consultant for major labels and directs a number of radio stations in Portugal. He started collecting vinyl at the age of 15, and flies to London, Paris, New York, and São Paulo to enrich his collection of over 25,000 LPs. He lives and works in Lisbon and dedicates his free time to recovering old and rare recordings. Julius Wiedemann studied graphic design and marketing and was an art editor for newspapers and design magazines in Tokyo before joining TASCHEN in 2001. His titles include the Illustration Now! and Record Covers series, as well as the infographics collection and books about advertising and visual culture.

Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo's 1913 Futurist manifesto L'Arte dei Rumori (The Art of Noise) to Marcel Duchamp's 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In Francesco Spampinato's unique anthology of artists' record covers, we discover the rhythm of this particular cultural history. The book presents 450 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. Along the way, we find Jean-Michel Basquiat's urban hieroglyphs for his own Tartown record label, Banksy's stenciled graffiti for Blur, and a skewered Salvador Dali butterfly on Jackie Gleason's Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.

The 2009 Academy Award-winning animated short Logorama, focusing on the use of logos and brands, became a point of reference for corporate culture. Conceived by H5 design studio in Paris, the movie tells the story of our times through the products and services that surround us on a daily basis. Ludovic Houplain, studio director and co-director of the film, conducted an extensive year-long research project, collecting over 40,000 symbols and trademarks that represent our world today. The monumental archive Houplain amassed is the foundation of this ultimate logo reference guide, featuring approximately 7,000 specimens organized alphabetically, with information about the designers, year of creation, country, brand, and company. Moreover, the book includes an extensive critical essay on brand culture by French philosopher Gilles Lipovetsky, and an introduction by Ludovic Houplain explaining the creation process of the film Logorama, from its inception to its finalization. Logobook is a must-have for any designer, student, or marketing professional, and will be equally fascinating to anyone interested in contemporary culture.

Хороший логотип может украсить что угодно. В этом обширном сборнике, который теперь доступен в нашем популярном формате Klotz, собраны различные маркеры брендов со всего мира, чтобы исследовать неудержимую силу графического представления. Каталог, разбитый на главы по темам, исследует, как текст, изображения и идеи превращаются в логотип событий, моды, средств массовой информации, музыки и розничной торговли. В этом каталоге представлены работы как звездных имен, так и менее известных индивидуалистов, и это отличный справочник для студентов. и профессионалов в области дизайна и маркетинга, а также для всех, кто интересуется визуальными эффектами и философией бренда.A good logo can glamorize just about anything. Now available in our popular Klotz format, this sweeping compendium gathers diverse brand markers from around the world to explore the irrepressible power of graphic representation. Organized into chapters by theme, the catalog explores how text, image, and ideas distil into a logo acrossevents, fashion, media, music, and retailers.Featuring work from both star names and lesser-known mavericks, this is an excellent reference for students and professionals in design and marketing, as well as for anyone interested in the visuals and philosophy behind brand identity.

The art of likeness The spectrum of today's portraiture, from caricature to realism The field of illustration has flourished over the last decade, with professionals working both by computer and by hand. In illustration, the single most challenging and captivating subject has been the portrait, frequently used in editorials, advertising, products, and most recently, being the subject of major exhibitions. The book gathers together the exclusive (and frequently unpublished) portrait work of over 80 illustrators from all over the world, many of whom were featured in Illustration Now!, including Aaron Jasinski , Andre Carrilho, Hanoch Piven, Anita Kunz, Jody Hewgill, and Dugald Stermer. The book also features an index of subjects and an introduction by Steven Heller.