A photographic insight into the Soviet-era architecture of one of the most extreme, little-known and vast territories on Earth. From the Ural Mountains to the Arctic Circle, Concrete Siberia by Zupagrafika contains over 100 photographs exploring the post-war modernist districts of Siberia's urban centres and the quotidian lives of their inhabitants.

Eastern Blocks by Zupagrafika is a photographic journey through the cityscapes the former Eastern Bloc, inviting readers to explore the districts and peripheries that became a playground for mass housing development after WW2, including objects like Soviet ‘flying saucers’, houses ‘on chicken legs’ or hammer-shaped tower blocks. Showcasing modernist and brutalist architecture scattered around the cities of Moscow, (East) Berlin, Warsaw, Budapest, Kyiv and Saint Petersburg, the book contains over 100 photographs taken by Zupagrafika throughout the last decade as a reference archive for their illustrated kits and books, with special contributions by local photographers. Divided into 6 chapters, Eastern Blocks includes a foreword by writer and journalist Christopher Beanland, orientative maps, index of architects and informative texts on the featured cities and constructions.

Through nine chapters with over 130 photographs taken by Russian photographer Alexander Veryovkin, Monotowns by Zupagrafika captures the post-industrial landscapes and Soviet-era architecture of the monogorods extending from the Arctic Circle to the Russian Far East, such as Vorkuta, Norilsk, Mirny, Kirovsk, Tolyatti, Cherepovets, Magnitogorsk, Monchegorsk and Nikel, and the daily lives of their inhabitants. Includes informative texts providing a valuable insight into the urban development of the featured cities and a foreword by the architectural critic Konstantin Budarin.

Кол-во страниц - 56. Язык: английский. Год выхода: 2022. Авторы: David Navarro Martyna Sobecka.

Eastern Blocks by Zupagrafika is a photographic journey through the cityscapes of the former Eastern Bloc, inviting readers to explore the districts and peripheries that became a playground for mass housing development after WW2, including objects like Soviet 'flying saucers', houses 'on chicken legs' or hammer-shaped tower blocks.Showcasing modernist and brutalist architecture scattered around the cities of Moscow, (East) Berlin, Warsaw, Budapest, Kyiv and Saint Petersburg, the book contains over 100 photographs taken by Zupagrafika throughout the last decade as a reference archive for their illustrated kits and books, with special contributions by local photographers. Divided into 6 chapters, Eastern Blocks includes a foreword by writer and journalist Christopher Beanland, orientative maps, index of architects and informative texts on the featured cities and constructions.

Salt & Time will transform perceptions of the food of the former Soviet Union, and especially Siberia - the crossroads of Eastern European and Central Asian cuisine - with 100 inviting recipes adapted for modern tastes and Western kitchens, and evocative storytelling to explain and entice. Why not try the restorative Solyanka fish soup (a famous Russian hangover cure), savour the fragrant Chicken with prunes or treat yourself to some Napoleon cake. 'Often we need distance and time, both to see things better and to feel closer to them. This is certainly true of the food of my home country, Russia - or Siberia, to be exact. When I think of Siberia, I hear the sound of fresh snow crunching beneath my feet. Today, whenever I crush sea salt flakes between my fingers as I cook, I think of that sound. In this book I feature recipes that are authentic to Siberia, classic Russian flavour combinations and my modern interpretations. You will find dishes from the pre-revolutionary era and the Soviet days, as well as contemporary approaches - revealing a cuisine that is vibrant, nourishing, exciting and above all relevant no matter the time or the place.' - Alissa Timoshkina.

Кол-во страниц - 44.  Язык: английский. Год выхода: октябрь 2019. Внутри конструктор, после сбора которого у вас будет объёмная модель "панельки" размером 27см. Авторы: David Navarro & Martyna Sobecka.

The post-Soviet republics seen over four different seasons, by acclaimed Russian photographer, Instagram sensation and Soviet Cities author Arseniy Kotov In Soviet Seasons, Arseniy Kotov reveals unfamiliar aspects of the post-Soviet terrain in sublime photographs. From snow-blanketed Siberia in winter to the mountains of the Caucasus in summer, these images show how a once powerful, utopian landscape has been affected by the weight of nature itself. This uniquely broad perspective could only be achieved by a photographer such as Kotov. Singularly dedicated to exploring every corner of his country, Kotov often hitchhikes across vast distances. On these journeys he chronicles not only the architectural achievements of the Soviet empire, but also its overlooked or simply undocumented constructions. He writes: "In this book I want to show how beautiful and diverse the cities and nature of this vast region are at different times of the year. I have traveled widely across Russia and its neighboring countries, where I captured the landscape of post-Soviet cities and witnessed the seasonal changes."

Soviet Asia explores the Soviet modernist architecture of Central Asia. Italian photographers Roberto Conte and Stefano Perego crossed the former Soviet republics of Kazakhstan, Kyrgyzstan, Uzbekistan and Tajikistan, documenting buildings constructed from the 1950s until the fall of the USSR. The resulting images showcase the majestic, largely unknown, modernist buildings of the region. Museums, housing complexes, universities, circuses, ritual palaces―all were constructed using a composite aesthetic. Influenced by Persian and Islamic architecture, pattern and mosaic motifs articulated a connection with Central Asia. Gray concrete slabs were juxtaposed with colourful tiling and rectilinear shapes broken by ornate curved forms: the brutal designs normally associated with Soviet-era architecture were reconstructed with Eastern characteristics. Many of the buildings shown in Soviet Asia are recorded here for the first time, making this book an important document, as, despite the recent revival of interest in Brutalist and modernist architecture, a number of them remain under threat of demolition. The publication includes two contextual essays by Alessandro De Magistris and Marco Buttino.

Eastern Blocks by Zupagrafika is a photographic journey through the cityscapes of the former Eastern Bloc, inviting readers to explore the districts and peripheries that became a playground for mass housing development after WW2, including objects like Soviet 'flying saucers', houses 'on chicken legs' or hammer-shaped tower blocks.Showcasing modernist and brutalist architecture scattered around the cities of Moscow, (East) Berlin, Warsaw, Budapest, Kyiv and Saint Petersburg, the book contains over 100 photographs taken by Zupagrafika throughout the last decade as a reference archive for their illustrated kits and books, with special contributions by local photographers. Divided into 6 chapters, Eastern Blocks includes a foreword by writer and journalist Christopher Beanland, orientative maps, index of architects and informative texts on the featured cities and constructions.

Brutal concrete hotels, futurist TV towers, heroic worker statues – this collection of Soviet era postcards documents the uncompromising landscape of the Eastern Bloc through its buildings and monuments. They are interspersed with quotes from prominent figures of the time, that both support and confound the ideologies presented in the images. In contrast to the photographs of a ruined and abandoned Soviet empire we are accustomed to seeing today, the scenes depicted here publicise the bright future of communism: social housing blocks, Palaces of Culture and monuments to Comradeship. Dating from the 1960s to the 1980s, they offer a nostalgic yet revealing insight into social and architectural values of the time, acting as a window through which we can examine cars, people, and of course, buildings. These postcards, sanctioned by the authorities, intended to show the world what living in communism looked like. Instead, this postcard propaganda inadvertently communicates other messages: outside the House of Political Enlightenment in Yerevan, the flowerbed reads ‘Glory to the Communist Party of the Soviet Union’; in Novopolotsk, art school pupils paint plein air, their subject is a housing estate; at the Irkutsk Polytechnic Institute students stroll past a five metre tall concrete hammer and sickle.

Stunning photographs of Soviet Metro Stations from across the former states of the USSR and Russia itself, many of which have never previously been documented For us, said Nikita Khrushchev in his memoirs, `there was something supernatural about the Metro'. Visiting any of the dozen or so Metro networks built across the Soviet Union between the 1930s and 1980s, it is easy to see why. Rather than the straightforward systems of London, Paris or New York, these networks were used as a propaganda artwork - a fusion of sculpture, architecture and art, combining Byzantine, medieval, baroque and Constructivist ideas and infusing them with the notion that Communism would mean a `communal luxury' for all. Today these astonishing spaces remain the closest realisation of a Soviet utopia. Following his best-selling quest for Soviet Bus Stops, Christopher Herwig has completed a subterranean expedition - photographing the stations of each Metro network of the former USSR. From extreme marble and chandelier opulence to brutal futuristic minimalist glory, Soviet Metro Stations documents this wealth of diverse architecture. Along the way Herwig captures individual elements that make up this singular Soviet experience: neon, concrete, escalators, signage, mosaics and relief sculptures all combine build an unforgettably vivid map of the Soviet Metro. The photographs are introduced by leading architecture, politics and culture author and journalist Owen Hatherley.

A fantastic collection of Soviet Asian architecture, many photographed here for the first time Soviet Asia explores the Soviet modernist architecture of Central Asia. Italian photographers Roberto Conte and Stefano Perego crossed the former Soviet republics of Kazakhstan, Kyrgyzstan, Uzbekistan and Tajikistan, documenting buildings constructed from the 1950s until the fall of the USSR. The resulting images showcase the majestic, largely unknown, modernist buildings of the region. Museums, housing complexes, universities, circuses, ritual palaces - all were constructed using a composite aesthetic. Influenced by Persian and Islamic architecture, pattern and mosaic motifs articulated a connection with Central Asia. Grey concrete slabs were juxtaposed with colourful tiling and rectilinear shapes broken by ornate curved forms: the brutal designs normally associated with Soviet-era architecture were reconstructed with Eastern characteristics. Many of the buildings shown in Soviet Asia are recorded here for the first time, making this book an important document, as despite the recent revival of interest in Brutalist and Modernist architecture, a number of them remain under threat of demolition. The publication includes two contextual essays, one by Alessandro De Magistris (architect and History of Architecture professor, University of Milan, contributor to the book Vertical Moscow) and the other by Marco Buttino (Modern and Urban History professor, University of Turin, specializing in the history of social change in the USSR).

An unforgettable journey through the former Soviet Republics, by a prizewinning author of international reportage Erika Fatland takes the reader on a journey that is unknown to even the most seasoned globetrotter. The five former Soviet Republics' Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan all became independent when the Soviet Union fell apart in 1991. How have these countries developed since then? In the Kyrgyzstani villages Erika Fatland meets victims of the widely known tradition of bride snatching; she visits the huge and desolate Polygon in Kazakhstan where the Soviet Union tested explosions of nuclear bombs; she meets Chinese shrimp gatherers on the banks of the dried out Aral Sea and she witnesses the fall of a dictator. She travels incognito through Turkmenistan, a country that is closed to journalists. She meets exhausted human rights activists in Kazakhstan, survivors from the massacre in Osh in 2010, German Menonites that found paradise on the Kyrgyzstani plains 200 years ago. During her travels, she observes how ancient customs clash with gas production and she witnesses the underlying conflicts between ethnic Russians and the majority in a country that is slowly building its future in Nationalist colours. In these countries, that used to be the furthest border of the Soviet Union, life follows another pace of time. Amidst the treasures of Samarkand and the bleakness of Soviet architecture, Erika Fatland moves with her openness towards the people and the landscapes around her. A rare and unforgettable travelogue.

The Soviet dream of modernist architecture for all, portrayed on the brink of its erasure In recent years Russian cities have visibly changed. The architectural heritage of the Soviet period has not been fully acknowledged. As a result many unique modernist buildings have been destroyed or changed beyond recognition. Russian photographer Arseniy Kotov intends to document these buildings and their surroundings before they are lost forever. He likes to take pictures in winter, during the “blue hour,” which occurs immediately after sunset or just before sunrise. At this time, the warm yellow colors inside apartment-block windows contrast with the twilight gloom outside. To Kotov, this atmosphere reflects the Soviet period of his imagination. His impression of this time is unashamedly idealistic: he envisages a great civilization, built on a fair society, which hopes to explore nature and conquer space. From the Baikonur Cosmodrome in the desert steppes of Kazakhstan to the grim monolithic high-rise dormitory blocks of inner-city Volgograd, Kotov captures the essence of the post-Soviet world. “The USSR no longer exists and in these photographs we can see what remains?the most outstanding buildings and constructions, where Soviet people lived and how Soviet cities once looked: no decoration, no bright colors and no luxury, only bare concrete and powerful forms.” This superbly designed volume is the latest in Fuel's revelatory and inspiring series on Soviet-era architecture.

The Soviet dream of modernist architecture for all, portrayed on the brink of its erasureIn recent years Russian cities have visibly changed. The architectural heritage of the Soviet period has not been fully acknowledged. As a result many unique modernist buildings have been destroyed or changed beyond recognition.Russian photographer Arseniy Kotov intends to document these buildings and their surroundings before they are lost forever. He likes to take pictures in winter, during the “blue hour,” which occurs immediately after sunset or just before sunrise. At this time, the warm yellow colors inside apartment-block windows contrast with the twilight gloom outside. To Kotov, this atmosphere reflects the Soviet period of his imagination. His impression of this time is unashamedly idealistic: he envisages a great civilization, built on a fair society, which hopes to explore nature and conquer space.From the Baikonur Cosmodrome in the desert steppes of Kazakhstan to the grim monolithic high-rise dormitory blocks of inner-city Volgograd, Kotov captures the essence of the post-Soviet world. “The USSR no longer exists and in these photographs we can see what remains?the most outstanding buildings and constructions, where Soviet people lived and how Soviet cities once looked: no decoration, no bright colors and no luxury, only bare concrete and powerful forms.”This superbly designed volume is the latest in Fuel's revelatory and inspiring series on Soviet-era architecture.