From the end of the Baroque age and the death of Bach in 1750 to the rise of Hitler in 1933, Germany was transformed from a poor relation among western nations into a dominant intellectual and cultural force more influential than France, Britain, Italy, Holland, and the United States. In the early decades of the 20th century, German artists, writers, philosophers, scientists, and engineers were leading their freshly-unified country to new and undreamed of heights, and by 1933, they had won more Nobel prizes than anyone else and more than the British and Americans combined. But this genius was cut down in its prime with the rise and subsequent fall of Adolf Hitler and his fascist Third Reich-a legacy of evil that has overshadowed the nation's contributions ever since. Yet how did the Germans achieve their pre-eminence beginning in the mid-18th century? In this fascinating cultural history, Peter Watson goes back through time to explore the origins of the German genius, how it flourished and shaped our lives, and, most importantly, to reveal how it continues to shape our world. As he convincingly demonstarates, while we may hold other European cultures in higher esteem, it was German thinking-from Bach to Nietzsche to Freud-that actually shaped modern America and Britain in ways that resonate today.

From the end of the Baroque age and the death of Bach in 1750 to the rise of Hitler in 1933, Germany was transformed from a poor relation among western nations into a dominant intellectual and cultural force more influential than France, Britain, Italy, Holland, and the United States. In the early decades of the 20th century, German artists, writers, philosophers, scientists, and engineers were leading their freshly-unified country to new and undreamed of heights, and by 1933, they had won more Nobel prizes than anyone else and more than the British and Americans combined. But this genius was cut down in its prime with the rise and subsequent fall of Adolf Hitler and his fascist Third Reich-a legacy of evil that has overshadowed the nation’s contributions ever since. Yet how did the Germans achieve their pre-eminence beginning in the mid-18th century? In this fascinating cultural history, Peter Watson goes back through time to explore the origins of the German genius, how it flourished and shaped our lives, and, most importantly, to reveal how it continues to shape our world. As he convincingly demonstarates, while we may hold other European cultures in higher esteem, it was German thinking-from Bach to Nietzsche to Freud-that actually shaped modern America and Britain in ways that resonate today.

From the end of the Baroque age and the death of Bach in 1750 to the rise of Hitler in 1933, Germany was transformed from a poor relation among western nations into a dominant intellectual and cultural force more influential than France, Britain, Italy, Holland, and the United States. In the early decades of the 20th century, German artists, writers, philosophers, scientists, and engineers were leading their freshly-unified country to new and undreamed of heights, and by 1933, they had won more Nobel prizes than anyone else and more than the British and Americans combined. But this genius was cut down in its prime with the rise and subsequent fall of Adolf Hitler and his fascist Third Reich-a legacy of evil that has overshadowed the nation’s contributions ever since. Yet how did the Germans achieve their pre-eminence beginning in the mid-18th century? In this fascinating cultural history, Peter Watson goes back through time to explore the origins of the German genius, how it flourished and shaped our lives, and, most importantly, to reveal how it continues to shape our world. As he convincingly demonstarates, while we may hold other European cultures in higher esteem, it was German thinking-from Bach to Nietzsche to Freud-that actually shaped modern America and Britain in ways that resonate today.

All of the most important and memorable landmarks of 20th century furniture, textiles, graphics, appliances, electronics, ceramics and more, listed alphabetically by designer. About the authors: Charlotte and Peter Fiell have written numerous TASCHEN books, including 1000 Chairs, Design of the 20th Century, Industrial Design A-Z, Scandinavian Design, Designing the 21st Century, Graphic Design for the 21st Century, 1000 Lights and Contemporary Graphic Design. They also edited TASCHEN's Decorative Art series and the 12-volume domus 1928-1999. Издание на английском языке.

This comprehensive collection offers a thorough overview of typeface design from 1628 to the mid-20th century. Derived from a distinguished Dutch collection, a series of exquisitely designed catalogues traces the evolution of the printed letter via specimens in roman, italic, bold, semibold, narrow, and broad fonts. Borders, ornaments, initial letters, and decorations are also included, along with lithographic examples, letters by sign writers, inscription carvers, and calligraphers.The first part of the book covers pre-20th-century typefaces, with texts by editor Cees de Jong and collector Jan Tholenaar. The second part deals with the period from 1900 to the mid-20th century, and contains a historical outline by Alston W. Purvis. Featured type designers include: William Caslon, Fritz Helmuth Ehmcke, Peter Behrens, Rudolf Koch, Eric Gill, Jan van Krimpen, Paul Renner, Jan Tschichold, A. M. Cassandre, Aldo Novarese, and Adrian Frutiger.

This comprehensive collection offers a thorough overview of typeface design from 1628 to the mid-20th century. Derived from a distinguished Dutch collection, a series of exquisitely designed catalogues traces the evolution of the printed letter via specimens in roman, italic, bold, semibold, narrow, and broad fonts. Borders, ornaments, initial letters, and decorations are also included, along with lithographic examples, letters by sign writers, inscription carvers, and calligraphers.The first part of the book covers pre-20th-century typefaces, with texts by editor Cees de Jong and collector Jan Tholenaar. The second part deals with the period from 1900 to the mid-20th century, and contains a historical outline by Alston W. Purvis. Featured type designers include: William Caslon, Fritz Helmuth Ehmcke, Peter Behrens, Rudolf Koch, Eric Gill, Jan van Krimpen, Paul Renner, Jan Tschichold, A. M. Cassandre, Aldo Novarese, and Adrian Frutiger.

The history of the national numismatic collections of the old imperial or, at least, multinational capitals on the Baltic, Copenhagen, Stockholm and St.Petersburg, have a number of characteristics in common. They all grew from Royal collections formed in the 18th century, in some cases even in the 17th century, and they gradually integrated various aristocratic and bourgeois collections. Due to important social and economic changes in the Russian society, this development continued in St. Petersburg till the middle of the 20th century, while focus in both Copenhagen and Stockholm gradually was centred on finds and hoards from the native soil. In the 19th and especially the 20th century all three collections developed into important research institutions, the Stockholm collection being since the 1950's an international centre for the study of Viking Age coinage from Central Asia and Northern Europe. 0

The history of the national numismatic collections of the old imperial or, at least, multinational capitals on the Baltic, Copenhagen, Stockholm and St.Petersburg, have a number of characteristics in common. They all grew from Royal collections formed in the 18th century, in some cases even in the 17th century, and they gradually integrated various aristocratic and bourgeois collections. Due to important social and economic changes in the Russian society, this development continued in St. Petersburg till the middle of the 20th century, while focus in both Copenhagen and Stockholm gradually was centred on finds and hoards from the native soil. In the 19th and especially the 20th century all three collections developed into important research institutions, the Stockholm collection being since the 1950's an international centre for the study of Viking Age coinage from Central Asia and Northern Europe. 0

Olga is an orphan raised by her grandmother in a Prussian village around the turn of the 20th century. Smart and precocious, she fights against the prejudices of the time to find her place in a world that sees her as second-best. When she falls in love with Herbert, a local aristocrat obsessed with the era's dreams of power, glory and greatness, her life is irremediably changed. Theirs is a love against all odds, entwined with the twisting paths of German history, leading us from the late 19th to the early 21st century, from Germany to Africa and the Arctic, from the Baltic Sea to the German south-west. This is the story of that love, of Olga's devotion to a restless man - told in thought, letters and in a fateful moment of great rebellion.

Most things you 'know' about science and religion are myths or half-truths that grew up in the last years of the nineteenth century and remain widespread today. The true history of science and religion is a human one. It's about the role of religion in inspiring, and strangling, science before the scientific revolution. It's about the sincere but eccentric faith and the quiet, creeping doubts of the most brilliant scientists in history - Galileo, Newton, Faraday, Darwin, Maxwell, Einstein. Above all it's about the question of what it means to be human and who gets to say - a question that is more urgent in the twenty-first century than ever before. From eighth-century Baghdad to the frontiers of AI today, via medieval Europe, nineteenth-century India and Soviet Russia, Magisteria sheds new light on this complex historical landscape. Rejecting the thesis that science and religion are inevitably at war, Nicholas Spencer illuminates a compelling and troubled relationship that has definitively shaped human history.

A sweeping portrait of one Berlin family, spanning generations and two world wars Peter and Paul, the two sons of German businessman Harald Winter, are bonded together by a childhood trauma. But as they grow up the brothers also grow apart. When the shadow of the Third Reich falls they become divided by war and their differing ideals - only to meet again years later at the Nuremberg trials. An epic prelude to the Bernard Samson Game, Set and Match trilogy, Winter is a rich, tragic portrait of the fortunes of a family, and a nation, over half a century.

"These books are beautiful objects, well-designed and lucid." - Le Monde, Paris, on the ICONS series. Biographies: Charlotte Fiell studied at the British Institute, Florence, and at Camberwell School of Arts & Crafts, London, where she received a BA (Hons.) in the History of Drawing and Printmaking with Material Science. She later trained with Sotheby's Institute, also in London. Peter Fiell trained with Sotheby's Institute in London and later received an MA in Design Studies from Central St Martin's College of Art & Design, London. Charlotte and Peter Fiell are leading authorities on 20th and 21st-century design and have written numerous books on the subject, including Taschen's 1000 Lights, 1000 Chairs, Design of the 20th Century, Industrial Design A-Z, Scandinavian Design, Designing the 21st Century and Graphic Design for the 21st Century. They run a design consultancy specializing in the sale, acquisition, study and promotion of design artifacts. Издание на английском языке.

Victor Serge is one of the great men of the 20th century —and one of its great writers too. He was an anarchist, an agitator, a revolutionary, an exile, a historian of his times, as well as a brilliant novelist, and in Memoirs of a Revolutionary he devotes all his passion and genius to describing this extraordinary—and exemplary—career. Serge tells of his upbringing among exiles and conspirators, of his involvement with the notorious Bonnot Gang and his years in prison, of his role in the Russian Revolution, and of the Revolution’s collapse into despotism and terror. Expelled from the Soviet Union, Serge went to Paris, where he evaded the KGB and the Nazis before fleeing to Mexico. Memoirs of a Revolutionary recounts a thrilling life on the front lines of history and includes vivid portraits not only of Trotsky, Lenin, and Stalin but of countless other figures who struggled to remake the world. Peter Sedgwick’s fine translation of Memoirs of a Revolutionary was abridged when first published in 1963. This is the first edition in English to present the entirety of Serge’s book.

Yves Saint Laurent Icons of Fashion Design, acclaimed by the critics as an intoxicating book remains the most attractive homage to the uncrowned king of haute couture. Pictures taken by the world's leading fashion photographers trace the success of Saint Laurent's designs, which, since conquering the fashion world five decades ago, have caused sensation after sensation each year. The book also constitutes a high-quality review of fashion photography over a period of forty years, collecting 135 YSL dresses in images created by fashion photography's greatest 20th century heroes. Yves Saint Laurent was equipped with an infallible instinct for reading the aesthetic signs of the times, and this enabled him to have a profound effect on fashion in the second half of the 20th century.

W. G. Sebald was one of the most extraordinary and influential writers of the twentieth century. Through books including The Emigrants, Austerlitz and The Rings of Saturn, he pursued an original literary vision that combined fiction, history, autobiography and photography and addressed some of the most profound themes of contemporary literature: the burden of the Holocaust, memory, loss and exile. The first biography to explore his life and work, Speak, Silence pursues the true Sebald through the memories of those who knew him and through the work he left behind. This quest takes Carole Angier from Sebald's birth as a second-generation German at the end of the Second World War, through his rejection of the poisoned inheritance of the Third Reich, to his emigration to England, exploring the choice of isolation and exile that drove his work. It digs deep into a creative mind on the edge, finding profound empathy and paradoxical ruthlessness, saving humour, and an elusive mix of fact and fiction in his life as well as work. The result is a unique, ferociously original portrait.

The garden is an expression of our ability to make nature into art. This pocket-sized book of the "New Horizons" series examines the evolution of the garden over more than 2000 years, exploring some of the most beautiful gardens in the world, from antiquity, medieval Europe, Renaissance Italy, classical France, 18th-century England and the modern day.