From the author of 'The Underground Railroad', Winner of the Pulitzer Prize and the National Book Award, and Longlisted for the 2017 Man Booker Prize. 'John Henry Days' is a novel of extraordinary scope and mythic power. It established Colson Whitehead as a pre-eminent American writer of our time. Building the railways that made America, John Henry died with a hammer in his hand moments after competing against a steam drill in a battle of endurance. The story of his death made him a legend. Over a century later, J. Sutter, a freelance journalist and accomplished expense account abuser, is sent to West Virginia to cover the launch of a new postage stamp at the first 'John Henry Days' festival. John Henry Days is a riveting portrait of America. Through a patchwork of interweaving histories Colson Whitehead triumphantly reveals how a nation creates its present through the stories it tells of its past.

Building the railways that made America, John Henry died with a hammer in his hand moments after competing against a steam drill in a battle of endurance. The story of his death made him a legend.Over a century later, J. Sutter, a freelance journalist and accomplished expense account abuser, is sent to West Virginia to cover the launch of a new postage stamp at the first 'John Henry Days' festival.John Henry Days is a riveting portrait of America. Through a patchwork of interweaving histories Colson Whitehead triumphantly reveals how a nation creates its present through the stories it tells of its past. .

Building the railways that made America, John Henry died with a hammer in his hand moments after competing against a steam drill in a battle of endurance. The story of his death made him a legend.Over a century later, J. Sutter, a freelance journalist and accomplished expense account abuser, is sent to West Virginia to cover the launch of a new postage stamp at the first 'John Henry Days' festival.John Henry Days is a riveting portrait of America. Through a patchwork of interweaving histories Colson Whitehead triumphantly reveals how a nation creates its present through the stories it tells of its past. .

Praised by Barack Obama and an Oprah Book Club Pick, The Underground Railroad by Colson Whitehead won the National Book Award 2016 and the Pulitzer Prize for Fiction 2017. Cora is a slave on a cotton plantation in Georgia. All the slaves lead a hellish existence, but Cora has it worse than most; she is an outcast even among her fellow Africans and she is approaching womanhood, where it is clear even greater pain awaits. When Caesar, a slave recently arrived from Virginia, tells her about the Underground Railroad, they take the perilous decision to escape to the North. In Whitehead's razor-sharp imagining of the antebellum South, the Underground Railroad has assumed a physical form: a dilapidated box car pulled along subterranean tracks by a steam locomotive, picking up fugitives wherever it can. Cora and Caesar's first stop is South Carolina, in a city that initially seems like a haven. But its placid surface masks an infernal scheme designed for its unknowing black inhabitants. And even worse: Ridgeway, the relentless slave catcher sent to find Cora, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom. At each stop on her journey, Cora encounters a different world. As Whitehead brilliantly recreates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America, from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once the story of one woman's ferocious will to escape the horrors of bondage and a shatteringly powerful meditation on history.

1971, New York City. Trash piles up on the streets, crime is at an all-time high, the city is going bankrupt, and a shooting war has broken out between the NYPD and the Black Liberation Army. Furniture store owner and ex-fence Ray Carney is trying to keep his head down, his business up and his life straight. But then he needs Jackson 5 tickets for his daughter May and he decides to hit up an old police contact, who wants favours in return. For Ray, staying out of the game gets a lot more complicated - and deadly. 1973. The old ways are being overthrown by the thriving counterculture, but Pepper, Carney's enduringly violent partner in crime, is a constant. In these difficult times, Pepper takes on a side gig doing security on a Blaxploitation shoot in Harlem, finding himself in a world of Hollywood stars and celebrity drug dealers, in addition to the usual cast of hustlers, mobsters and hit men. These adversaries underestimate the seasoned crook - to their regret. 1976. Harlem is burning, while the country gears up for the Bicentennial. Carney is trying to come up with a celebratory July 4th advertisement he can actually live with, while his wife Elizabeth is campaigning for her childhood friend, rising politician Alexander Oakes. When a fire seriously injures one of Carney's tenants, he enlists Pepper to look into who may be behind it, navigating a crumbling metropolis run by the shady, the violent and the utterly corrupt. In scalpel-sharp prose and with unnerving clarity and wit, Colson Whitehead writes about a city that runs on cronyism, threats, ego, ambition, incompetence and even, sometimes, pride. Crook Manifesto is a kaleidoscopic portrait of Harlem, and a searching portrait of how families work in the face of chaos and hostility.

1971, New York City. Trash piles up on the streets, crime is at an all-time high, the city is going bankrupt, and a shooting war has broken out between the NYPD and the Black Liberation Army. Furniture store owner and ex-fence Ray Carney is trying to keep his head down, his business up and his life straight. But then he needs Jackson 5 tickets for his daughter May and he decides to hit up an old police contact, who wants favours in return. For Ray, staying out of the game gets a lot more complicated - and deadly. 1973. The old ways are being overthrown by the thriving counterculture, but Pepper, Carney's enduringly violent partner in crime, is a constant. In these difficult times, Pepper takes on a side gig doing security on a Blaxploitation shoot in Harlem, finding himself in a world of Hollywood stars and celebrity drug dealers, in addition to the usual cast of hustlers, mobsters and hit men. These adversaries underestimate the seasoned crook - to their regret. 1976. Harlem is burning, while the country gears up for the Bicentennial. Carney is trying to come up with a celebratory July 4th advertisement he can actually live with, while his wife Elizabeth is campaigning for her childhood friend, rising politician Alexander Oakes. When a fire seriously injures one of Carney's tenants, he enlists Pepper to look into who may be behind it, navigating a crumbling metropolis run by the shady, the violent and the utterly corrupt. In scalpel-sharp prose and with unnerving clarity and wit, Colson Whitehead writes about a city that runs on cronyism, threats, ego, ambition, incompetence and even, sometimes, pride. Crook Manifesto is a kaleidoscopic portrait of Harlem, and a searching portrait of how families work in the face of chaos and hostility.

Verticality, architectural and social, is at the heart of Colson Whitehead's first novel that takes place in an unnamed high-rise city that combines twenty-first-century engineering feats with nineteenth-century pork-barrel politics. Elevators are the technological expression of the vertical ideal, and Lila Mae Watson, the city's first black female elevator inspector, is its embattled token of upward mobility. When Number Eleven of the newly completed Fanny Briggs Memorial Building goes into deadly free-fall just hours after Lila Mae has signed off on it, using the controversial 'Intuitionist' method of ascertaining elevator safety, both Intuitionists and Empiricists recognize the set-up, but may be willing to let Lila Mae take the fall in an election year. As Lila Mae strives to exonerate herself in this urgent adventure full of government spies, underworld hit men, and seductive double agents, behind the action, always, is the Idea. Lila Mae's quest is mysteriously entwined with existence of heretofore lost writings by James Fulton, father of Intuitionism, a giant of vertical thought. If she is able to find and reveal his plan for the perfect, next-generation elevator, the city as it now exists may instantly become obsolescent.

'Ray Carney was only slightly bent when it came to being crooked...' To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably-priced furniture, making a life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver's Row don't approve of him or their cramped apartment across from the subway tracks, it's still home. Few people know he descends from a line of uptown hoods and crooks, and that his fa ade of normalcy has more than a few cracks in it. Cracks that are getting bigger and bigger all the time. See, cash is tight, especially with all those instalment plan sofas, so if his cousin Freddie occasionally drops off the odd ring or necklace at the furniture store, Ray doesn't see the need to ask where it comes from. He knows a discreet jeweller downtown who also doesn't ask questions. Then Freddie falls in with a crew who plan to rob the Hotel Theresa - the 'Waldorf of Harlem' - and volunteers Ray's services as the fence. The heist doesn't go as planned; they rarely do, after all. Now Ray has to cater to a new clientele, one made up of shady cops on the take, vicious minions of the local crime lord, and numerous other Harlem lowlifes. Thus begins the internal tussle between Ray the striver and Ray the crook. As Ray navigates this double life, he starts to see the truth about who actually pulls the strings in Harlem. Can Ray avoid getting killed, save his cousin, and grab his share of the big score, all while maintaining his reputation as the go-to source for all your quality home furniture needs? Harlem Shuffle is driven by an ingeniously intricate plot that plays out in a beautifully recreated Harlem of the early 1960s. It's a family saga masquerading as a crime novel, a hilarious morality play, a social novel about race and power, and ultimately a love letter to Harlem.

To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably-priced furniture, making a life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver's Row don't approve of him or their cramped apartment across from the subway tracks, it's still home. Few people know he descends from a line of uptown hoods and crooks, and that his fa ade of normalcy has more than a few cracks in it. Cracks that are getting bigger and bigger all the time. See, cash is tight, especially with all those instalment plan sofas, so if his cousin Freddie occasionally drops off the odd ring or necklace at the furniture store, Ray doesn't see the need to ask where it comes from. He knows a discreet jeweller downtown who also doesn't ask questions. Then Freddie falls in with a crew who plan to rob the Hotel Theresa - the 'Waldorf of Harlem' - and volunteers Ray's services as the fence. The heist doesn't go as planned; they rarely do, after all. Now Ray has to cater to a new clientele, one made up of shady cops on the take, vicious minions of the local crime lord, and numerous other Harlem lowlifes. Thus begins the internal tussle between Ray the striver and Ray the crook. As Ray navigates this double life, he starts to see the truth about who actually pulls the strings in Harlem. Can Ray avoid getting killed, save his cousin, and grab his share of the big score, all while maintaining his reputation as the go-to source for all your quality home furniture needs? Harlem Shuffle is driven by an ingeniously intricate plot that plays out in a beautifully recreated Harlem of the early 1960s. It's a family saga masquerading as a crime novel, a hilarious morality play, a social novel about race and power, and ultimately a love letter to Harlem.

Ausgezeichnet mit dem National Book Award und Pulitzer Prize, stand »Underground Railroad« ein Jahr ununterbrochen auf der New York Times-Bestsellerliste - ab 14. Mai bei Amazon Prime unter der Regie von Academy-Award-Gewinner Barry Jenkins Cora ist nur eine von unzahligen Schwarzen, die auf den Baumwollplantagen Georgias schlimmer als Tiere behandelt werden. Alle traumen von der Flucht – doch wie und wohin? Da hort Cora von der Underground Railroad, einem geheimen Fluchtnetzwerk fur Sklaven. Uber eine Falltur gelangt sie in den Untergrund und es beginnt eine atemberaubende Reise, auf der sie Leichendieben und Kopfgeldjagern, aber auch heldenhaften Bahnhofswartern begegnet. Jeder Staat, den sie durchquert, hat andere Gesetze, andere Gefahren. Wartet am Ende wirklich die Freiheit? »Underground Railroad« ist ein Manifest uber die Menschlichkeit und zugleich eine virtuose Abrechnung damit, was es bedeutete und immer noch bedeutet, in Amerika schwarz zu sein.

Der etwas andere Zombie-Roman des Pulitzer-Preistragers und National Book Award-Gewinners Colson Whitehead New York nach der Apokalypse: Die Stadt trennt sich in zwei Arten von Menschen, Nicht-Infizierte und Infizierte. Die Letzten treiben als Zombies ihr Unwesen. In Zone One, dem sudlichen Teil von Manhattan, soll Mark Spitz, ein Held von konkurrenzloser Mittelma?igkeit, mit einem Trupp Zivilisten die Zombies bekampfen und die Menschheit retten. Doch ist er vielleicht selbst schon einer von ihnen? Colson Whitehead hat eine grandiose Persiflage des Horror-Genres geschrieben, in der sich Trash-Talk mit feinstem Humor verbindet, ein Portrat der Megalopole New York – wie sie werden konnte oder bereits schon ist. »Mit Sprachwucht und unerschopflicher Phantasie malt Whitehead ein prachtiges Schauergemalde nach dem anderen.« Christoph Schroder, KulturSpiegel »Ein Buch, das alle Genregrenzen zwischen Horror und Hochliteratur negiert.« Tilman Urbach, Neue Zurcher Zeitung

Benji spends most of the year as one of the only black kids at an elite prep school in Manhattan, going to roller disco bar mitzvahs, desperately trying to find his place in the social hierarchy. Then he spends his summers in the African-American community of Sag Harbor on Long Island, and is just as confused. He's way behind on the latest handshakes, baffled by new slang, and his attempts to be cool and meet girls are constantly thwarted by his extremely awkward inner geek, braces and a badly cut Afro. It's the summer of 1985 and Benji is determined that this is the summer when things will change and he'll fit in. For starters, he'll be reinvented as 'Ben'. When that doesn't catch on, it's another summer of the perpetual mortification that is teenage existence.

A pandemic has devastated the planet, sorting humanity into two types: the uninfected and the infected, the living and the living dead. The worst of the plague is now past, and Manhattan is slowly being resettled. Armed forces have successfully reclaimed the island south of Canal Street - aka 'Zone One' and teams of civilian volunteers are clearing out the remaining infected 'stragglers'. Mark Spitz is a member of one of these taskforces and over three surreal days he undertakes the mundane mission of malfunctioning zombie removal, the rigours of Post-Apocalyptic Stress Disorder, and attempting to come to terms with a fallen world. But then things start to go terribly wrong…

Author of The Underground Railroad, Colson Whitehead brilliantly dramatizes another strand of American history through the story of two boys sentenced to a hellish reform school in 1960s Florida. Elwood Curtis has taken the words of Dr Martin Luther King to heart: he is as good as anyone. Abandoned by his parents, brought up by his loving, strict and clear-sighted grandmother, Elwood is about to enroll in the local black college. But given the time and the place, one innocent mistake is enough to destroy his future, and so Elwood arrives at The Nickel Academy, which claims to provide 'physical, intellectual and moral training' which will equip its inmates to become 'honorable and honest men'. In reality, the Nickel Academy is a chamber of horrors, where physical, emotional and sexual abuse is rife, where corrupt officials and tradesmen do a brisk trade in supplies intended for the school, and where any boy who resists is likely to disappear 'out back'. Stunned to find himself in this vicious environment, Elwood tries to hold on to Dr King's ringing assertion, 'Throw us in jail, and we will still love you.' But Elwood's fellow inmate and new friend Turner thinks Elwood is naive and worse; the world is crooked, and the only way to survive is to emulate the cruelty and cynicism of their oppressors. The tension between Elwood's idealism and Turner's skepticism leads to a decision which will have decades-long repercussions. Based on the history of a real reform school in Florida that operated for one hundred and eleven years and warped and destroyed the lives of thousands of children, The Nickel Boys is a devastating, driven narrative by a great American novelist whose work is essential to understanding the current reality of the United States.

Cora is a slave on a cotton plantation in Georgia. All the slaves lead a hellish existence, but Cora has it worse than most; she is an outcast even among her fellow Africans and she is approaching womanhood, where it is clear even greater pain awaits. When Caesar, a slave recently arrived from Virginia, tells her about the Underground Railroad, they take the perilous decision to escape to the North. In Whitehead's razor-sharp imagining of the antebellum South, the Underground Railroad has assumed a physical form: a dilapidated box car pulled along subterranean tracks by a steam locomotive, picking up fugitives wherever it can. Cora and Caesar's first stop is South Carolina, in a city that initially seems like a haven. But its placid surface masks an infernal scheme designed for its unknowing black inhabitants. And even worse: Ridgeway, the relentless slave catcher sent to find Cora, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom. At each stop on her journey, Cora encounters a different world. As Whitehead brilliantly recreates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America, from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once the story of one woman's ferocious will to escape the horrors of bondage and a shatteringly powerful meditation on history.

The town of Winthrop has decided it needs a new name. The resident software millionaire wants to call it New Prospera; the mayor wants to return to the original choice of the founding black settlers; and the town's aristocracy sees no reason to change the name at all. What they need, they realize, is a nomenclature consultant. And, it turns out, the consultant needs them. But in a culture overwhelmed by marketing, the name is everything and our hero's efforts may result in not just a new name for the town but a new and subtler truth about it as well.