The House of the Dead recounts the story of Alexander Goryanchikov, a gentleman who is sent to a prison colony in Siberia for killing his wife. Largely ignored at first by his fellow inmates due to his noble blood, he gradually settles in and becomes an avid observer of the new world around him watching his fellow prisoners being brutally and cruelly punished by the guards, listening to their past stories of blood and murder, assimilating the institution s social codes and learning that even convicts are capable of acts of pure generosity. Based on Dostoevsky's own autobiographical experiences of penal servitude in Siberia, this genre-defying novel is not only an unflinching expose of the conditions faced by prisoners during the Tsarist period, but also a call to see the human side in criminals and rediscover the values of forgiveness and compassion.

The House of the Dead recounts the story of Alexander Goryanchikov, a gentleman who is sent to a prison colony in Siberia for killing his wife. Largely ignored at first by his fellow inmates due to his noble blood, he gradually settles in and becomes an avid observer of the new world around him watching his fellow prisoners being brutally and cruelly punished by the guards, listening to their past stories of blood and murder, assimilating the institution s social codes and learning that even convicts are capable of acts of pure generosity. Based on Dostoevsky's own autobiographical experiences of penal servitude in Siberia, this genre-defying novel is not only an unflinching expose of the conditions faced by prisoners during the Tsarist period, but also a call to see the human side in criminals and rediscover the values of forgiveness and compassion.

In 1849 the young Fyodor Dostoevsky was sentenced to four years' hard labour in a Siberian prison camp for advocating socialism. Notes from a Dead House (sometimes translated as The House of the Dead), the novel he wrote on his release, tells of shocking conditions, brutal punishments, and the psychological effects of the loss of freedom and hope; it describes the daily life of the prison community, the feuds and betrayals, the moments of comedy, the unexpected acts of kindness. To avoid censorship, Dostoevsky made his protagonist a common criminal, but the perspective is unmistakably his own. As a member of the nobility he had been despised by his fellow prisoners, most of whom were peasants - an experience shared in the book by Alexander Petrovich Goryanchikov, a nobleman who has killed his wife. Like his creator, Goryanchikov undergoes a transformation over the course of his ordeal, as he discovers 'deep, strong, beautiful natures' amongst even the roughest of the convicts. Notes from a Dead House shows the prison camp as a tragedy for the inmates and a tragedy for Russia. It endures today as a profound meditation on freedom.

Dostoevsky's fascination for mental breakdown and violence (20 murders in his four main novels) was based on his own life, and these two unmistakably autobiographical works bear this out.The House of the Dead is fiction, but based on his four years in a Siberian prison. An educated upper-class man is condemned to live among criminals and brutal guards, with arbitrary punishments, lousy food, disgusting living conditions, hard toil and many floggings. Somehow he avoids bitterness and recrimination; faith in humanity survives. With its breadth of characterisation, acute sense of detail and strong narrative interest, this work can still shock, entertain and inspire.In The Gambler we see the Russian community in a German spa town. Drawn to the casino, Alexey becomes obsessed with roulette. In a gripping story, full of psychological interest, his growing mania eclipses even his interest in Polina, a heroine of demonic and vibrant sexuality. Dostoevsky himself was rescued from a similar gambling obsession by the young stenographer who took down this work at his dictation and married him soon afterwards.

Dostoevsky's fascination for mental breakdown and violence (20 murders in his four main novels) was based on his own life, and these two unmistakably autobiographical works bear this out.The House of the Dead is fiction, but based on his four years in a Siberian prison. An educated upper-class man is condemned to live among criminals and brutal guards, with arbitrary punishments, lousy food, disgusting living conditions, hard toil and many floggings. Somehow he avoids bitterness and recrimination; faith in humanity survives. With its breadth of characterisation, acute sense of detail and strong narrative interest, this work can still shock, entertain and inspire.In The Gambler we see the Russian community in a German spa town. Drawn to the casino, Alexey becomes obsessed with roulette. In a gripping story, full of psychological interest, his growing mania eclipses even his interest in Polina, a heroine of demonic and vibrant sexuality. Dostoevsky himself was rescued from a similar gambling obsession by the young stenographer who took down this work at his dictation and married him soon afterwards.

In January 1850 Dostoyevsky was sent to a remote Siberian prison camp for his part in a political conspiracy. The four years he spent there, startlingly re-created in The House of the Dead, were the most agonizing of his life. In this fictionalized account he recounts his soul-destroying incarceration through the cool, detached tones of his narrator, Aleksandr Petrovich Goryanchikov: the daily battle for survival, the wooden plank beds, the cabbage soup swimming with cockroaches, his strange 'family' of boastful, ugly, cruel convicts. Yet The House of the Dead is far more than a work of documentary realism: it is also a powerful novel of redemption, describing one man's spiritual and moral death and the miracle of his gradual reawakening.

The House of the Dead recounts the story of Alexander Goryanchikov, a gentleman who is sent to a prison colony in Siberia for killing his wife. Largely ignored at first by his fellow inmates due to his noble blood, he gradually settles in and becomes an avid observer of the new world around him – watching his fellow prisoners being brutally and cruelly punished by the guards, listening to their past stories of blood and murder, assimilating the institution’s social codes and learning that even convicts are capable of acts of pure generosity. Based on Dostoevsky’s own autobiographical experiences of penal servitude in Siberia, this genre-defying novel is not only an unflinching expose of the conditions faced by prisoners during the Tsarist period, but also a call to see the human side in criminals and rediscover the values of forgiveness and compassion.

Translated by Constance Garnett. With an introduction by A. Briggs.

Состав издания The House of the Dead: Remake. Limited Edition:Картридж с игрой The House of the Dead: Remake.Эксклюзивная коробка.Набор наклеек.2 картонные фигуркиThe House of the Dead: Remake — переработанная версия игры, которая впервые вышла в 1997 году на аркадных автоматах. Классический рельсовый шутер получил как визуальное обновление, так и улучшения геймплея, чтобы соответствовать современным игровым тенденциям.Полчища монстров будут преследовать вас в этом динамичном шутере.Сохранен оригинальный геймплей.Классическая аркада с современной графикой и управлением.Различные варианты концовки.

Состав издания The House of the Dead: Remake. Limited Edition:Blu-ray диск с игрой The House of the Dead: Remake.Эксклюзивная коробка.Набор наклеек.2 картонные фигуркиThe House of the Dead: Remake — переработанная версия игры, которая впервые вышла в 1997 году на аркадных автоматах. Классический рельсовый шутер получил как визуальное обновление, так и улучшения геймплея, чтобы соответствовать современным игровым тенденциям.Полчища монстров будут преследовать вас в этом динамичном шутере.Сохранен оригинальный геймплей.Классическая аркада с современной графикой и управлением.Различные варианты концовки.

The small town of Mordasov is all abuzz at the arrival of Prince K-, a wealthy, ageing landowner, after an absence of several years. Maria Alexandrovna Moskalyova, a local gossip and fearsome schemer, decides that he would be an advantageous match for her daughter Zina. But in her endeavours to make such a union come about, she must contend with rival matchmakers and Zina’s wilfulness.Written soon after Dostoevsky was released from the prison camp that inspired The House of the Dead, Uncle’s Dream shares very little of that novel’s gloomy tone and contains many elements of a light, drawing-room farce. Beneath the surface, however, lies a sharply satirical voice which looks ahead in part to later novels such as Devils.

The small town of Mordasov is all abuzz at the arrival of Prince K-, a wealthy, ageing landowner, after an absence of several years. Maria Alexandrovna Moskalyova, a local gossip and fearsome schemer, decides that he would be an advantageous match for her daughter Zina. But in her endeavours to make such a union come about, she must contend with rival matchmakers and Zina’s wilfulness. Written soon after Dostoevsky was released from the prison camp that inspired The House of the Dead, Uncle’s Dream shares very little of that novel’s gloomy tone and contains many elements of a light, drawing-room farce. Beneath the surface, however, lies a sharply satirical voice which looks ahead in part to later novels such as Devils.

The small town of Mordasov is all abuzz at the arrival of Prince K—, a wealthy, ageing landowner, after an absence of several years. Maria Alexandrovna Moskalyova, a local gossip and fearsome schemer, decides that he would be an advantageous match for her daughter Zina. But in her endeavours to make such a union come about, she must contend with rival matchmakers and Zina’s wilfulness. Written soon after Dostoevsky was released from the prison camp that inspired The House of the Dead, Uncle’s Dream shares very little of that novel’s gloomy tone and contains many elements of a light, drawing-room farce. Beneath the surface, however, lies a sharply satirical voice which looks ahead in part to later novels such as Devils.

The small town of Mordasov is all abuzz at the arrival of Prince K-, a wealthy, ageing landowner, after an absence of several years. Maria Alexandrovna Moskalyova, a local gossip and fearsome schemer, decides that he would be an advantageous match for her daughter Zina. But in her endeavours to make such a union come about, she must contend with rival matchmakers and Zina’s wilfulness. Written soon after Dostoevsky was released from the prison camp that inspired The House of the Dead, Uncle’s Dream shares very little of that novel’s gloomy tone and contains many elements of a light, drawing-room farce. Beneath the surface, however, lies a sharply satirical voice which looks ahead in part to later novels such as Devils.

Лицензионное издание, выпущенное на виниле. Содержание альбома: Beyond The Broken Sky, The Alchemist, Sunset Burial, Algorithmic, False Gods, Repeat The Silence, Ballad In The Mirror, Crawling Toward The Light, Alchemy For The Dead, All I Need, Red House, Wave Of Mutilation

Лицензионное издание, выпущенное на виниле. Содержание альбома: Beyond The Broken Sky, The Alchemist, Sunset Burial, Algorithmic, False Gods, Repeat The Silence, Ballad In The Mirror, Crawling Toward The Light, Alchemy For The Dead, All I Need, Red House, Wave Of Mutilation