'The best thing is to do nothing! Better conscious inertia! So, long live the underground!' Alienated from society and paralysed by a sense of hose own insignificance, the anonymous narrator of Dostoyevsky's groundbreaking Notes from Underground tells the story of his tortured life. With bitter irony, he describes his refusal to become a worker in the 'anthill' of society and his gradual withdrawal to an existence 'underground'. The seemingly ordinary world of St Petersburg takes on a nightmarish quality in the The Double when a government clerk encounters a man who looks exactly like him - his double perhaps, or possibly the darker side of his own personality. Like Notes from Underground, this is a masterly tragi-comic study of human consciousousness. Ronald Wilks's extraordinary new translation is accompanied here by an introduction by Robert Louis Jackson discussing these pivotal works in the context of Dostoyevsky's life and times. This edition also contains a chronology, bibliography, table of ranks and notes on each work. 'Notes from Underground, with its mood of intellectual irony and alienation, can be seen as the first modern novel… That sense of the meaninglessness of existence that runs through much of twentieth-century writing - from Conrad and Kafka, to Beckett and beyond - starts in Dostoyevsky's work.' Malcolm Bradbury

This Arcturus Classics edition presents two of Dostoevsky's shorter novels in one volume, Notes from the Underground and The Double. Notes from the Underground is a dystopian tale of the Underground Man, a retired civil servant living in St Petersburg who retreats from society. This work is considered by many to be the first existentialist novel and influenced many classic works including Metamorphosis and Invisible Man. The Double tells the story of Golyadkin who, on a bitter snowy night, encounters a stranger who looks exactly like him. They become friends, but then Golyadkin realises that unlike himself, his double is socially successful - likeable and charming - and thus the relationship starts to deteriorate. Golyadkin is caught up in a psychological battle that can only end in tragedy. These two works draw on Dostoevsky's acute observation of Russian life; his thoughts on philosophy and social mores; and his reactions to the work of Nikolai Gogol. At the heart of both lies Dostoevsky's ruminations on the need to establish one's true identity and how society can distort the perception of who one truly is. This edition is presented with a striking contemporary cover-design, bringing this timeless classic to modern readers.

Dostoevsky's most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In full retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man's essentially irrational nature. Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.

The unnamed narrator of the novel, a former government official, has decided to retire from the world and lead a life of inactivity and contemplation. His fiercely bitter, cynical and witty monologue ranges from general observations and philosophical musings to memorable scenes from his own life, including his obsessive plans to exact revenge on an officer who has shown him disrespect and a dramatic encounter with a prostitute. Seen by many as the first existentialist novel and showcasing the best of Dostoevsky's dry humour, Notes from Underground was a pivotal moment in the development of modern literature and has inspired countless novelists, thinkers and film-makers.

'I am a sick person. I am a spiteful person. An unattractive person, too …' In the depths of a cellar in St. Petersburg, a retired civil servant spews forth a passionate and furious note on the ills of society. The underground man's manifesto reveals his erratic, self-contradictory and even sadistic nature. Yet Dostoyevsky's disturbing character causes an uncomfortable flicker of recognition, and we see in him our own human condition.

"Dostoevsky, the only psychologist from whom I've anything to learn." - Friedrich Nietzsche Dostoevsky's exploration of human psychology through fiction has captivated readers for over a century. This handsome hardback collection brings together three of his most notable works: Crime and Punishment, The Gambler and Notes from Underground. Writing from the fraught political landscape of 19th-century Russia, Dostoevsky explores corruption, morality and visions of a utopian society. These novels are at once gripping and profound.

Notes from Underground and Other Stories is a comprehensive collection of Dostoevsky's short fiction. Many of these stories, like his great novels, reveal his special sympathy for the solitary and dispossessed, explore the same complex psychological issues and subtly combine rich characterization and philosophical meditations on the (often) dark areas of the human psyche, all conveyed in an idiosyncratic blend of deadly seriousness and wild humour. In Notes from Underground, the Underground Man casually dismantles utilitarianism and celebrates in its stead a perverse but vibrant masochism. A Christmas Tree and a Wedding recounts the successful pursuit of a young girl by a lecherous old man. In Bobok, one Ivan Ivanovitch listens in on corpses gossiping in a cemetery and ends up deploring their depravity. In A Gentle Spirit, the narrator describes his dawning recognition that he is responsible for his wife's suicide. In short, as a commentator on spiritual stagnation, Dostoevsky has no equal. With an Introduction and Notes by David Rampton, Department of English, University of Ottowa.

Crime and Punishment is one of the greatest and most readable novels ever written. From the beginning we are locked into the frenzied consciousness of Raskolnikov who, against his better instincts, is inexorably drawn to commit a brutal double murder. Powerful, brilliant, insightful and surprisingly engaging despite the fact that it is far from being a "light" read in either prose or content. In this novel Fyodor Dostoevsky explores the theme of redemption through suffering.

Crime and Punishment is one of the greatest and most readable novels ever written. From the beginning we are locked into the frenzied consciousness of Raskolnikov who, against his better instincts, is inexorably drawn to commit a brutal double murder. Powerful, brilliant, insightful and surprisingly engaging despite the fact that it is far from being a "light" read in either prose or content. In this novel Fyodor Dostoevsky explores the theme of redemption through suffering.

In this short story, Dostoyevsky masterfully depicts desperation, greed, manipulation and suicide. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Fyodor Dostoyevsky (1821-1881). Dostoyevsky's works available in Penguin Classics are Crime and Punishment, The Idiot, The Double, The Gambler and Other Stories, The Grand Inquisitor, Notes From The Underground, Netochka Nezvanova, The House of The Dead, The Brothers Karamazov and The Village of Stepanchikovo.

In this short story, Dostoyevsky masterfully depicts desperation, greed, manipulation and suicide. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Fyodor Dostoyevsky (1821-1881). Dostoyevsky's works available in Penguin Classics are Crime and Punishment, The Idiot, The Double, The Gambler and Other Stories, The Grand Inquisitor, Notes From The Underground, Netochka Nezvanova, The House of The Dead, The Brothers Karamazov and The Village of Stepanchikovo.

'I could see that she was still terribly afraid, but I didn't soften anything; instead, seeing that she was afraid I deliberately intensified it.' In this short story, Dostoyevsky masterfully depicts desperation, greed, manipulation and suicide. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Fyodor Dostoyevsky (1821-1881). Dostoyevsky's works available in Penguin Classics are Crime and Punishment, The Idiot, The Double, The Gambler and Other Stories, The Grand Inquisitor, Notes From The Underground, Netochka Nezvanova, The House of The Dead, The Brothers Karamazov and The Village of Stepanchikovo.

In 1849 the young Fyodor Dostoevsky was sentenced to four years' hard labour in a Siberian prison camp for advocating socialism. Notes from a Dead House (sometimes translated as The House of the Dead), the novel he wrote on his release, tells of shocking conditions, brutal punishments, and the psychological effects of the loss of freedom and hope; it describes the daily life of the prison community, the feuds and betrayals, the moments of comedy, the unexpected acts of kindness. To avoid censorship, Dostoevsky made his protagonist a common criminal, but the perspective is unmistakably his own. As a member of the nobility he had been despised by his fellow prisoners, most of whom were peasants - an experience shared in the book by Alexander Petrovich Goryanchikov, a nobleman who has killed his wife. Like his creator, Goryanchikov undergoes a transformation over the course of his ordeal, as he discovers 'deep, strong, beautiful natures' amongst even the roughest of the convicts. Notes from a Dead House shows the prison camp as a tragedy for the inmates and a tragedy for Russia. It endures today as a profound meditation on freedom.

Two small masterpieces in one volume. First, The Double, a surprisingly modern hallucinatory nightmare that foreshadows Kafka and Sartre. A minor official named Goliadkin becomes aware of a mysterious doppelganger - a man who has his name and his face and who gradually and relentlessly begins to displace him with his friends and colleagues. In the dilemma of his increasingly paranoid hero, Dostoevsky makes vividly concrete the inner plurality of consciousness that would become a major theme of his work. Second, The Gambler, a stunning psychological portrait of a young man's exhilarating and destructive addiction, a compulsion that Dostoevsky - who once gambled away his wife's wedding ring- knew intimately from his own experience. In the disastrous love affairs and gambling adventures of Alexei Ivanovich, Dostoevsky explores the irresistible temptation to look into the abyss of ultimate risk that he believed was an essential part of the Russian national character.

This acclaimed new translation of Dostoyevsky's 'psychological record of a crime' gives his dark masterpiece of murder and pursuit a renewed vitality, expressing its jagged, staccato urgency and fevered atmosphere as never before. Raskolnikov, a destitute and desperate former student, wanders alone through the slums of St. Petersburg, deliriously imagining himself above society's laws. But when he commits a random murder, only suffering ensues. Embarking on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden prostitute, can offer the chance of redemption. Fyodor Dostoevsky (1821-1881) was born in Moscow and made his name in 1846 with the novella Poor Folk. He spent several years in prison in Siberia as a result of his political activities, an experience which formed the basis of The House of the Dead. In later life, he fell in love with a much younger woman and developed a ruinous passion for roulette. His subsequent great novels include Notes from Underground, Crime and Punishment, The Idiot, Demons and The Brothers Karamazov. Oliver Ready is Research Fellow in Russian Society and Culture at St Antony's College, Oxford. He is general editor of the anthology, The Ties of Blood: Russian Literature from the 21st Century (2008), and Consultant Editor for Russia, Central and Eastern Europe at the Times Literary Supplement.

While his literary reputation rests mainly on such celebrated novels as Crime and Punishment, The Brothers Karamazov, and The Idiot, Dostoyevsky also wrote much superb short fiction. The Double is one of the finest of his shorter works. It appeared in 1846 (his second published work) and is by far the most significant of his early stories, not least for its successful, straight-faced treatment of a hallucinatory theme. In The Double, the protagonist, Golyadkin senior, is persecuted by his double, Golyadkin junior, who resembles him closely in almost every detail. The latter abuses the former with mounting scorn and brutality as the tale proceeds toward its frightening denouement. Characteristic Dostoyevskyan themes of helplessness, victimization, and scandal are beautifully handled here with an artistry that qualifies the story as a small masterpiece. Students of literature, admirers of Dostoyevsky, and general readers will all be delighted to have this classic work available in this inexpensive, high-quality edition.