A fifty-five-year history of life and love This is a photographic love story tracing the fifty-five years of collaboration, partnership and history of Helmut and June Newton. First published in 1998, their legendary joint project?Us and Them?was presented in book form and accompanying exhibitions. The book‘s first part – Us – features personal portraits of each other and self-portraits taken over several decades, revealing affection and intimacy behind each image and bringing forth nostalgia of the time.?It is a photographic diary that records the life Helmut and June Newton shared away from the public eye.? The second part of the book – Them – is a sumptuous journey through time, where the lens of the master brings forth images of stunning portraits of an array of jet set, celebrities, important cultural figures, and some of the most famous faces of the time. From Catherine Deneuve, Anjelica Huston, David Hockney, and Timothy Leary to Peter Beard, Yves Saint Laurent, Thierry Mugler, Jane Birkin, and Charlotte Rampling, among others. The portraits taken by Helmut and June Newton in various sittings are presented side by side in pairs, thus revealing two facets of the same personality. This volume unmistakably highlights that the life and work of Helmut and June Newton were inexplicably linked in every way. One was never possible without the other.

A collection of Helmut Newton's test Polaroids Polaroids occupy a special place in the hearts of many photo enthusiasts who remember a time when "instant photography" meant one-of-a-kind prints that developed within minutes of clicking the shutter. What was once a crucial tool for photographers to test their shots before shooting on film has now become obsolete in the face of digital photography. Luckily for us, legendary photographer Helmut Newton saved his test Polaroids, allowing a privileged and rare chance to see the tests from a selection of his greatest shoots over a period of decades, including many from the TASCHEN titles SUMO, A Gun for Hire, and Work. Selected by his widow, June Newton, from over 300 photos featured at the 2011 exhibition "Helmut Newton Polaroids" at the Museum fur Fotografie in Berlin, this collection captures the magic of Helmut Newton photo shoots as only Polaroids can. The artist: Helmut Newton (1920-2004) was one of the most influential photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He first achieved international fame in the 1970's while working principally for French Vogue, and his celebrity and influence grew over the decades. Newton preferred to shoot in streets or interiors, rather than studios. Controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the Grand Prix national de la photographie; in 1992 the German government awarded him Das Grosse Verdienstkreuz for services to German culture, and he was appointed Officier des Arts, Lettres et Sciences by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed Commandeur de l'Ordre des Arts et des Lettres by Philippe Douste-Blazy, the French Minister of Culture at the time. Working and living in close companionship with his wife until his death at 83, his images remain as distinctive, seductive and orginal as ever.

"Carte Blanche" for the commissioned works between art and commerce Helmut Newton did not distinguish compositionally or stylistically between his magazine work and assignments for commercial clients. He ironically referred to himself as “a gun for hire.” That was also the title of June Newton's legendary book about his commercial photography, which is now available in a new edition revised by the Helmut Newton Foundation. "Some people's photography is an art. Mine is not. If they happen to be exhibited in a gallery or a museum, that's fine. But that's not why I do them. I'm a gun for hire," Helmut Newton told Newsweek in 2004. This prosaic proclamation from one of the 20th century's most celebrated photographers may be perceived as shocking. Still it firmly positions Newton as the no-frills image-maker that he was. His work is so powerful and striking, that it defies categorization. In refusing to call his work "art," Newton leaves us free to do so. Judging from the amount of museum and gallery shows that have featured his work, it is clear that the option has been widely exercised. A Gun for Hire brings together a selection of Newton's fashion catalog work from the early 1960s to 2003 including work for BiBA (the first fashion catalog in 1962), Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Blumarine, Villeroy & Boch and Absolut Vodka, as well as his last editorial photographs for US and Italian Vogue—encompassing the body of work he made as a "gun for hire." With an introduction by Matthias Harder and statements by Pierre Berge, Tom Ford, Josephine Hart, June Newton, and Anna Wintour.

Helmut Newton (1920–2004) is remembered as one of the most prolific photographers of the 20th century, channeling the sensuality and erotic power of his subjects with panache, precision, and impact. His aesthetic was uniquely his, while at the same time establishing a new way of photographing fashion and glamour. Joining TASCHEN’s illustrious collection of Helmut Newton titles, including Helmut Newton: Polaroids, Pages from the Glossies, and the spectacular Helmut Newton: SUMO, this fresh edition of Helmut Newton: Work spans an impressive stretch of Newton’s career, including some of his most striking shots from the ’60s through to his golden heyday. From shadowy street to hotel boudoir, it’s a collection that showcases Newton’s suggestive storytelling throughout his fashion, editorial, or personal pictures.

Helmut Newton once said, "Some people's photography is an art. Mine is not. If they happen to be exhibited in a gallery or a museum, that's fine. But that's not why I do them. I'm a gun for hire." (Newsweek, 02/02/04) This prosaic proclamation from one of the 20th century's most celebrated photographers is not a little shocking, but nonetheless firmly positions Newton as the no-frills image-maker that he was. His work is so powerful, so striking, that it defies categorization. In refusing to call his work "art," Newton leaves us free to do so, and judging from the amount of museum and gallery shows that have featured his work, it is clear that the option has been widely exercised. This book brings together a selection of Newton's fashion catalog work from as early as 1962 through 2003 and his last editorial photographs for US and Italian Vogue - all work he made as a "gun for hire."

The artist: Helmut Newton (1920–2004) was one of the most influential photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a. k. a. Alice Springs) eight years later. He first achieved international fame in the 1970's while working principally for French Vogue, and his celebrity and influence grew over the decades. Newton preferred to shoot in streets or interiors, rather than studios. Controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the Grand Prix national de la photographie; in 1992 the German government awarded him Das Grosse Verdienstkreuz for services to German culture, and he was appointed Officier des Arts, Lettres et Sciences by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed Commandeur de l'Ordre des Arts et des Lettres by Philippe Douste-Blazy, the French Minister of Culture at the time. Working and living in close companionship with his wife until his death at 83, his images remain as distinctive, seductive and orginal as ever.  

A vibrant portrait of two key British fashion designers of the 1960s, the scene that surrounded them, and the part they played in creating it In-depth interviews with Foale and Tuffin themselves, and contributions from major figures including Jean Shrimpton, Terence Conran, Barbara Hulanicki and Manolo Blahnik, and stunning fashion images from David Bailey, Helmut Newton and others, along with unique material from the Foale and Tuffin archive

Helmut Newton (1920-2004) always showed a healthy disdain for the easy or predictable, so it's no surprise that the Sumo was an irresistible project. The idea of a book the size of a private exhibition, with spectacular images reproduced to state-of-the-art origination and printing standards, emerged from an open, experimental dialogue between photographer and publisher. With the Sumo weighing in-boxed and shrink-wrapped-at 35.4 kg (just under 80 pounds), Newton created a landmark book that stood head and shoulders above anything previously attempted, both in terms of conceptual extravagance and technical specifications. Published in an edition of 10,000 signed and numbered copies, the Sumo sold out soon after publication and quickly multiplied its value. It now features in numerous collections around the world, including New York's Museum of Modern Art. The legendary copy number one, signed by more than 100 of the book's featured celebrities, broke the record for the most expensive book published in the 20th century, sold at an auction in Berlin on April 6, 2000 for 620,000 German marks-about 317,000 euros. Now, this XL edition celebrates 20 years of Sumo, the result of a project conceived by Helmut Newton some years ago. Revised by his wife June, the volume gathers 464 images and a new booklet that takes us through the making-of this publishing venture-a spectacular tribute to the larger-than-life Helmut Newton, now in a friendly format.

Helmut Newton (1920–2004) always showed a healthy disdain for the easy or predictable, so it’s no surprise that the SUMO was an irresistible project. The idea of a book the size of a private exhibition, with spectacular images reproduced to state-of-the-art origination and printing standards, emerged from an open, experimental dialogue between photographer and publisher. With the SUMO weighing in—boxed and shrink-wrapped—at 35.4 kg (just under 80 pounds), Newton created a landmark book that stood head and shoulders above anything previously attempted, both in terms of conceptual extravagance and technical specifications.Published in an edition of 10,000 signed and numbered copies, the SUMO sold out soon after publication and quickly multiplied its value. It now features in numerous collections around the world, including New York’s Museum of Modern Art. The legendary copy number one, signed by more than 100 of the book’s featured celebrities, broke the record for the most expensive book published in the 20th century, sold at an auction in Berlin on April 6, 2000 for 620,000 German marks—about 317,000 euros.Now, this XL edition celebrates 20 years of SUMO, the result of a project conceived by Helmut Newton some years ago. Revised by his wife June, the volume gathers 464 images and a new booklet that takes us through the making-of this publishing venture—a spectacular tribute to the larger-than-life Helmut Newton, now in a friendly format.

Helmut Newton (1920–2004) always showed a healthy disdain for the easy or predictable, so it’s no surprise that the SUMO was an irresistible project. The idea of a book the size of a private exhibition, with spectacular images reproduced to state-of-the-art origination and printing standards, emerged from an open, experimental dialogue between photographer and publisher. With the SUMO weighing in—boxed and shrink-wrapped—at 35.4 kg (just under 80 pounds), Newton created a landmark book that stood head and shoulders above anything previously attempted, both in terms of conceptual extravagance and technical specifications.Published in an edition of 10,000 signed and numbered copies, the SUMO sold out soon after publication and quickly multiplied its value. It now features in numerous collections around the world, including New York’s Museum of Modern Art. The legendary copy number one, signed by more than 100 of the book’s featured celebrities, broke the record for the most expensive book published in the 20th century, sold at an auction in Berlin on April 6, 2000 for 620,000 German marks—about 317,000 euros.Now, this XL edition celebrates 20 years of SUMO, the result of a project conceived by Helmut Newton some years ago. Revised by his wife June, the volume gathers 464 images and a new booklet that takes us through the making-of this publishing venture—a spectacular tribute to the larger-than-life Helmut Newton, now in a friendly format.

The extraordinary story of the species that became our allies. Dogs became our companions Wheat fed a booming population Cattle gave us meat and milk Maize fuelled the growth of empires Potatoes brought us feast and famine Chickens led us to wonder about tomorrow Rice promised us a golden future Horses gave us strength and speed Apples travelled with us HUMANS TAMED THEM ALL For hundreds of thousands of years, our ancestors depended on wild plants and animals to stay alive – until they began to tame them. Combining archaeology and cutting-edge genetics, Tamed tells the story of the greatest revolution in human history and reveals the fascinating origins of ten crucial domesticated species; and how they, in turn, transformed us. In a world creaking under the strain of human activity, Alice Roberts urges us to look again at our relationship with the natural world – and our huge influence upon it.

Helmut Newton did not distinguish compositionally or stylistically between his magazine work and assignments for commercial clients. He ironically referred to himself as “a gun for hire.” That was also the title of June Newton's legendary book about his commercial photography, which is now available in a new edition revised by the Helmut Newton Foundation.

Helmut Newton did not distinguish compositionally or stylistically between his magazine work and assignments for commercial clients. He ironically referred to himself as “a gun for hire.” That was also the title of June Newton's legendary book about his commercial photography, which is now available in a new edition revised by the Helmut Newton Foundation.

Helmut Newton, who was born in Berlin in 1920 and died in Los Angeles in 2004, was the unchallenged and unmatched master of erotic photography. His perfectly staged fashion photos always had that certain touch of sensuality and seduction: one-to-ambiguous situations in which he let the models act, dresses that fell from the shoulders of their beautiful wearers were often completely missing. The same goes for his celebrity portraits. How he managed that even the biggest Hollywood stars dropped their masks and cases in front of his camera will remain his secret forever. For the 100th birthday we celebrate Helmut Newton with three reissues of his bestsellers from our program: Pola Woman, Portraits and Private Property - Newton at his best!

Плодотворная работа Хельмута Ньютона. Практически беспрецедентные по масштабу и охватывающие более пяти десятилетий фотографии дальновидного Хельмута Ньютона (1920–2004) достигли миллионов благодаря публикациям в таких журналах, как Vogue и Elle. Его творчество выходит за рамки жанров, привнося элегантность, стиль и вуайеризм в фэшн, портретную и гламурную фотографию посредством множества работ, которые остаются столь же неповторимыми, сколь и непревзойденными. Овладев искусством фэшн-фотографии в начале своей карьеры, Ньютон неизменно выходил за рамки стандартной практики, стирая границы между реальностью и иллюзией. Ясная эстетика Ньютона пронизывает все области его творчества, особенно моду, портретную живопись и фотографию обнаженной натуры. Женщины занимают центральное место — с такими персонажами, как Катрин Денев, Лиз Тейлор и Шарлотта Рэмплинг. Выходя за рамки традиционных подходов к повествованию, фэшн-фотография Ньютона пропитана не только роскошной элегантностью и тонкой соблазнительностью, но также культурными отсылками и удивительным чувством юмора. В течение 1990-х Ньютон снимал для немецкого, американского, итальянского, французского и русского изданий Vogue, в основном в Монте-Карло и его окрестностях, где он жил с 1981 года. Превращая такие места, как его собственный гараж, в резко контрастирующие или особенно минималистичные театральные сцены, Ньютон часто изображал эксцентричную жизнь красивых и богатых, полных эротики и элегантности, в нетрадиционных сценариях. Он использовал и одновременно подвергал сомнению визуальные клише, иногда с оттенком самоиронии или насмешки, но всегда полный сочувствия. Наследие, которое сопровождает международный выставочный тур работ Ньютона, демонстрирует основные моменты одного из самых публикуемых произведений в области фотографии, в том числе многочисленные вновь открытые изображения. Плодовитый создатель изображений и настоящий провидец, эта книга прославляет непреходящее влияние Ньютона на современную фотографию и изобразительное искусство по сей день.Helmut Newton’s prolific body of work. Virtually unparalleled in scope and spanning more than five decades, the photography of visionary Helmut Newton (1920–2004) reached millions through publication in magazines like Vogue and Elle. His oeuvre transcended genres, bringing elegance, style, and voyeurism to fashion, portrait, and glamour photography through a body of work that remains as inimitable as it is unrivaled. Having mastered the art of fashion photography early in his career, Newton’s shoots invariably went beyond standard practice, blurring the lines between reality and illusion. Newton’s clear aesthetic pervades all areas of his work, particularly fashion, portraiture, and nude photography. Women take center stage – with subjects such as Catherine Deneuve, Liz Taylor, and Charlotte Rampling. Moving beyond traditional narrative approaches, Newton’s fashion photography is imbued not only with luxurious elegance and subtle seduction,...

Helmut Newton’s prolific body of work Virtually unparalleled in scope and spanning more than five decades, the photography of visionary Helmut Newton (1920–2004) reached millions through publication in magazines like Vogue and Elle. His oeuvre transcended genres, bringing elegance, style, and voyeurism to fashion, portrait, and glamour photography through a body of work that remains as inimitable as it is unrivaled. Having mastered the art of fashion photography early in his career, Newton’s shoots invariably went beyond standard practice, blurring the lines between reality and illusion. Newton’s clear aesthetic pervades all areas of his work, particularly fashion, portraiture, and nude photography. Women take center stage – with subjects such as Catherine Deneuve, Liz Taylor, and Charlotte Rampling. Moving beyond traditional narrative approaches, Newton’s fashion photography is imbued not only with luxurious elegance and subtle seduction, but also cultural references and a surprising sense of humor. During the 1990s, Newton shot for the German, American, Italian, French, and Russian editions of Vogue, primarily in and around Monte Carlo where he was living from 1981 onwards. Transforming locations like his own garage into starkly contrasting or particularly minimalist theatrical stages, Newton would often portray the eccentric lives of the beautiful and rich, full of eroticism and elegance, in unconventional scenarios. He made use of and simultaneously questioned visual cliches, at times tinged with self-irony or mockery, but always full of empathy. Helmut Newton. Legacy, which accompanies an international exhibition tour of Newton’s work, showcases highlights from one of the most published bodies of work in photography, including numerous rediscovered images. A prolific image maker and genuine visionary, this book celebrates Newton’s lasting influence on modern photography and visual art to this day.